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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>"The Australasian Living History Federation (ALHF) was established in 2002 to source and manage appropriate and affordable Public Liability insurance for Historical Reenactment societies and Living History groups across Australia.&#13;
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As of September 2012, ALHF has 83 member groups of living history and historical reenactment societies and clubs. Member groups focus on different historical periods and locations from the Ancient Greeks through to Australians in the Second World War. There are over 1,500 individual members across Australia.&#13;
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Aside from organising public liability insurance, ALHF also acts to represent membersâ€™ interests in areas such as legislation that affects reenactment activities, and to foster communication and cooperation amongst individuals and groups in the Australian living history community."&#13;
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(Description sourced from the ALHF website link provided).&#13;
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The ALHF offers advice and guidance to members, event organisers and the public on such things as performance and display safety, and the presentation of historical accuracy in our activities." </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Australia Post, capital, column, Lesley Gordon Corrie, William W. Eldridge, Federation, Free Romanesque, Launceston, Launceston Post Office, lead lighting, Alexander North, oriel window, oval window, post office, Queen Anne Style, Romanesque, semi-circular arch, Tas, Tasmania, tower, Hedley Westbrook. </text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The round clock tower was designed by Corrie and North with Baroque additions by Hedley Westbrook (1868-1950). It was completed in 1910. The red brick and freestone Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque. Romanesque elements include the semi-circular doorway and windows, including the central window of the oriel windows (photograph 3), and the semi-circular freestone detail between the square windows on the ground level.&lt;/p&gt;&#13;
&lt;p&gt;For the entrance see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Launceston Post Office entrance, Launceston, Tasmania </text>
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                <text>Arts and Crafts, Australia Post, bas-relief sculpture, Byzantine, capital, column, Lesley Gordon Corrie, William W. Eldridge, Federation, Free Romanesque, Launceston, Launceston Post Office, lead lighting, Alexander North, oval window, post office, Queen Anne Style, Romanesque, sculpture, semi-circular arch, shield, Tas, Tasmania, Union Jack. </text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque and the Arts and Crafts Movement. The Romanesque elements of the building are in evidence on its semi-circular arched entrance doorway. The arch is supported by two shaped columns and the alternating bands of red brick and light-coloured stone (particularly apparent on the photograph of the inside entrance doorway) is reminiscent of Byzantine buildings. Immediately above the arch are bas-relief in the Arts and Crafts style of Australian foliage and two shields displaying the Union Jack. The second storey above the entrance has two windows with semi-circular arched windows supported by columns with capitals. Above this is an oval window attic window with lead lighting.&lt;/p&gt;&#13;
&lt;p&gt;For more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;</text>
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        <name>post office</name>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&amp;lsquo;Bards of the Backblocks: Knights of Chance&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 26 May 1900.</text>
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            <description>The topic of the resource</description>
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                <text>Adventuring, Australian national character, backblocks, bard, city, E. J. Brady (1869-1952), Federation, freedom, knight, lance, nationalism, romanticisation, rural economy, New South Wales, NSW.</text>
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                <text>To describe everyday life in colonial Australia as entirely rural-based in 1900 would be misleading, for the country&amp;rsquo;s major urban centres, particularly Sydney and Melbourne, housed much of the population and fuelled its commercial vitality (see F. K. Crowley (ed.), &lt;em&gt;A New History of Australia,&lt;/em&gt; Richmond, William Heinemann, 1984, p. 261). Yet, the author of these verses, E. J. Brady, romanticises the ordinary Australian&amp;rsquo;s willingness to &amp;lsquo;chance their luck&amp;rsquo; on bold ventures: E.g., prospecting for gold, running sheep and cattle in the water-scarce &amp;lsquo;backblocks,&amp;rsquo; harvesting pearls in the N.W., and shipping commodities all over the world. Brady clearly favoured the &amp;ldquo;adventuring life,&amp;rdquo; valuing rural freedom over machine-shop slavery in the noxious urban sprawl (Louise D&amp;rsquo;Arcens,&lt;em&gt; Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.141). The propensity for romanticising the Australian present by conflating it with a medieval past was not unusual at the time. The Bulletin published (and made room for) quite a lot of this type of &amp;lsquo;backblocks&amp;rsquo; versification, which &amp;ldquo;was not only determinedly populist and disposable but also extremely cursory in its medievalism, ransacking the popular imaginary indiscriminately for tropes and terms that signified instantaneously and superficially as &amp;lsquo;medieval&amp;rsquo;&amp;rdquo; (D&amp;rsquo;Arcens, 19). That much is apparent from the poem, with its comparatively stock imagery and reliance on &amp;lsquo;the bygone days of yore&amp;rsquo; for inspiration: the &amp;ldquo;Barons of Bold Adventure, Kings of the stout free lance&amp;rdquo;. Yet Brady, who was a long-standing member of the Australian Socialist League (See John B. Webb, A Critical Biography of Edwin James Brady 1869-1952, University of Sydney PhD Thesis, 1972 p.9), evidently envisaged entire communities of unburdened &amp;lsquo;emancipated&amp;rsquo; workers &amp;ldquo;roaming the countryside and working at will,&amp;rdquo; like so many questing medieval knights (D&amp;rsquo;Arcens, p.140). It is likely that Brady was appealing to the resolve that was forming and cohering as a result of the recent Federation debates (c. 1897-98) which, having filtered down into everyday exchange sought to persuade and unite the colonies under the one flag and banner.</text>
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                <text>E. J. Brady</text>
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                <text>The Bulletin</text>
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                <text>The Bulletin</text>
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                <text>26 May 1900 (p. 3)</text>
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            <elementTextContainer>
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                <text>Public Domain</text>
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                <text>â€˜Gratuitous Pugnacityâ€™, The Bulletin, 3 March 1888.</text>
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                <text>&lt;span style="font-family: Calibri; font-size: small;"&gt;Cartoonist Phil May here encapsulates the main problems of a premature pitch by NSW for Australian Federation. The doughty knight (Sir Henry) is ready to do battle with &amp;lsquo;all and sundry,&amp;rsquo; for he needs to pay off (or perhaps unload the responsibility of) his debts. The symbols of his fiscal carelessness are daubed on his surcoat and shield. This was a sticking point in the Federation debate, where the difficult question &amp;ldquo;Who would take responsibility for the unequal debts and liabilities of the [other] colonies?&amp;rdquo; frequently arose (See Beverley Kingston, &lt;em&gt;The Oxford History of Australia: Glad, Confident Morning 1860-1900&lt;/em&gt;, vol. 3, Oxford: OUP, 1993, p. 56). Indeed, this question was still being debated at the 1910 elections (See, for example: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article15142572" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article15142572&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;). While Sir Henry is keen to push forward, the female figure in the cartoon - &amp;lsquo;That State House&amp;rsquo; - wears mourning black and remains unconvinced, for it is she who will have to find the money and manage things should the need arise. The State House in question is most likely the Senate, the then much debated Upper House of the projected Federal Parliament (See R. C. Baker, &lt;em&gt; Federation&lt;/em&gt;, Adelaide: Scrymgour &amp;amp; Sons, 1897, p. 4).&lt;/span&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A photograph of the former Salvation Army headquarters building in Pier Street in the Perth CBD. The Flemish bond brick and stucco building in Federation Free style was built in 1899, eight years after the Salvation Army began to operate in the colony of Western Australia. Medieval features of the building include a fortified tower and extensive crenellation.   </text>
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                <text>McLeod, Shane, &amp;ldquo;Salvation Army Headquarters, Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed October 6, 2011, &lt;a href="../../../items/show/547"&gt;http://ausmed.arts.uwa.edu.au/items/show/547&lt;/a&gt;.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A photograph of the former Salvation Army headquarters building in Pier Street in the Perth CBD. The Flemish bond brick and stucco building in Federation Free style was built in 1899, eight years after the Salvation Army began to operate in the colony of Western Australia. Medieval features of the building include a fortified tower and extensive crenellation.   </text>
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                <text>McLeod, Shane, &amp;ldquo;Salvation Army Headquarters in Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed October 6, 2011, &lt;a href="../../../items/show/548"&gt;http://ausmed.arts.uwa.edu.au/items/show/548&lt;/a&gt;.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This article written by the Australian Broadcasting Commission in 2010 displays a collection of primary source materials pertaining to the Australian Federation Parade in Sydney in 1901. Of particular interest are the groups of people present at/participating in the parade. E.g. the Oddfellows, the Ancient Order of Druids, the Irish National Foresters, mounted police, a squadron of Lancers, the Australian Holy Catholic Guild, trade unionists bearing an 'Eight Hour' banner.&lt;br /&gt;&lt;br /&gt;Also of interest is the poem extracted from the Left-wing Melbourne newspaper, &lt;em&gt;The Tocsin&lt;/em&gt;, which, through the use of medieval imagery, laments the end of Victorian economic autonomy.&lt;br /&gt;</text>
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            <elementTextContainer>
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