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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Portrait of Gloria Rose Armstrong, Kryal Castle</text>
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                <text>Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions, medieval style, medieval dress, fashion</text>
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                <text>An image of a portrait of Gloria Rose Armstrong who designed and executed the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches.</text>
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                <text>Jeffrey, N.</text>
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                <text>Image used with the permission of N. Jeffrey</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.take40.com/news/26053/brownlow-medal-2011-best-and-worst-dressed-on-the-blue-carpet" target="_blank"&gt;http://www.take40.com/news/26053/brownlow-medal-2011-best-and-worst-dressed-on-the-blue-carpet&lt;/a&gt;&lt;/span&gt;</text>
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                <text>â€˜Medieval bar wenchâ€™ dress </text>
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                <text>In the online article â€˜Brownlow Medal 2011 Best and Worst Dressed On The Blue Carpet!â€™ the dress of Rebecca Judd is disparagingly referred to as being â€˜a little more medieval bar wenchâ€™. However the included photograph shows that the dress has little similarity to actual dresses from the medieval period. The comment is probably about the corset/bustier-style top.  </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An article on page 30 of the Perth newspaper the Western Mail on January 9, 1930. The article reports on the discovery of a Viking burial ground in East Prussia dating from the ninth to eleventh centuries. The male burials were accompanied by a number of items, including swords and knives, whilst the female burials included various types of jewellery. One of the graves was of a young woman (how the age was determined is not stated) with a â€˜bobbedâ€™ hairstyle.     &#13;
&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac   (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and   're-creation' of Medieval and Early Modern cultures and their histories   before the seventeenth century. As the prime example of a 'living   history' group, members of the SCA aim to re-create the past through   applying elements of historical knowledge to a practical engagement with   Medieval and Early Modern crafts, martial arts, science, metalwork and   cooking (for example). The Society was created by graduates of the   University of Berkley in California in the 1960s and has since branched   out to include 19 kingdoms, with over 30,000 members in locations  across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>In these pages, the latest fashion advice from London regarding bridal headgear is relayed. The article begins by informing readers that wealthy English brides were wearing diamond tiaras on their wedding days. However, it surmises, it was unlikely that local brides would have diamond tiaras at their disposal, and so goes on to describe and provide sketches of some alternative head-dresses that were being used by â€œRiche of Hay-Hillâ€, a hair expert in London. The first of these suggestions is a floral head-dress that â€œmight be made in the shape of a tiny coronet or crown poised on her head like that of a medieval queenâ€. Other suggestions include various arrangements of pearls and glass beads strung onto wire and worn as coronets or bandeaus.</text>
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