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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;</text>
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                <text>&amp;ldquo;Millie and Chard win &lt;em&gt;Beauty and the Geek Australia&lt;/em&gt;&amp;rdquo;, &lt;em&gt;Perth Now&lt;/em&gt;, 29 November 2012.</text>
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                <text>Australian TV, &lt;em&gt;Beauty &amp;amp; the Geek&lt;/em&gt;, broadcast, Channel 7, Chard, fairytale, finale, jousting, knight, masquerade ball, medieval challenge, medieval festivities, Millie, princess, program, programme, sonnet, television, winners.</text>
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                <text>&lt;p&gt;This online article from the &lt;em&gt;Perth Now&lt;/em&gt; website describes the fourth season finale show of TV programme &lt;em&gt;Beauty &amp;amp; the Geek Australia&lt;/em&gt;, from which contestants Chard and Millie emerged as winners. Pursuing a &amp;lsquo;happily ever after&amp;rsquo; fairytale theme, the article explains, the first part of the show &amp;lsquo;involved a series of medieval challenges&amp;rsquo; &amp;ndash; namely jousting and reciting sonnets &amp;ndash; for which the couples dressed up as knights and princesses. This was followed by a masquerade ball. Beauty &amp;amp; the Geek was broadcast in Australia in 2012 by the Channel 7 network.&lt;/p&gt;&#13;
&lt;p&gt;For the news article, see: &lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more about the TV show, see: &lt;a href="http://au.tv.yahoo.com/beauty-and-the-geek-australia/" target="_self"&gt;http://au.tv.yahoo.com/beauty-and-the-geek-australia/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Colin Vickery</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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                <text>29 November 2012</text>
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                <text>News Limited Network</text>
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                <text>Online news article</text>
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        <name>Millie</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Castle, Dog Swamp, Perth, Western Australia</text>
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                <text>Arrowslit, balistraria, Castle, crenellation, Dog Swamp, fairy tale, fairytale, folk song, The Land of Make Believe, nursery rhyme, Old King Cole, moat, Perth, tower, WA, Western Australia, Wunderlich</text>
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                <text>This derelict castle building in the Perth suburb of Dog Swamp used to be part of The Land of Make Believe display centre. It was created by the brick and roofing tile company Wunderlich and featured small buildings based on fairytales. The castle was known as Old King Coleâ€™s Castle, named after the figure in the British folk song/nursery rhyme. The small brick castle is reached by crossing a moat and has an arched entrance, crenellation, a tower, and balistraria (arrowslits).</text>
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            <name>Creator</name>
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                <text>McEwan, Joanne</text>
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                <text>July 12, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Black &amp; White Photograph</text>
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              <text>&lt;a href="http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398"&gt;http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Rumpelstiltskin" Pan Pow Productions stage performance at Monash University, 1974</text>
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            <description>The topic of the resource</description>
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                <text>Alexander Theatre, child, fairytale, gold, Grimm Brothers, king, knights, medieval costume, medieval dress, Monash University, Monash, university, Pan Pow Productions, performers, play, queen, Rumpelstiltskin, spinning wheel, straw, theatre, theatre group, theatrical production, Victoria</text>
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                <text>A Photograph of Act 1, Scene 4 from a 1974 stage performance of "Rumpelstiltskin" at the Alexander Theatre, Monash University, featuring Beverley Gardiner as Gretchen and Penelope Richards and Paul Kennedy as the two knights.&#13;
&#13;
â€œRumpelstiltskinâ€ is a childrenâ€™s fairytale by Jacob and Wilhelm Grimm. It was first written in 1812 and expanded in 1857. It tells the story of a Millerâ€™s daughter who is forced to spin straw into gold on threat of her life for three successive nights. A little man appears and offers to spin the straw for reward. On the first night she gives him her necklace, on the second her ring but on the third she has nothing to give and promises him her first born child. Years later, after she has married the king and has her first child, the man appears and gives the queen three days to guess his name or he will take her child. After two days of guessing to no avail, the queenâ€™s messenger (according to the 1857 version) stumbles upon the man dancing and singing in a house in the forest. The song he sings mentions his name, which the queen correctly reveals the following day. Although no date is given in the tale, the characters - involving a king, a queen and royal knights - and the importance of the spinning wheel are often assumed to indicate a medieval setting.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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                <text>Monash University Archives</text>
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                <text>Monash University</text>
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                <text>1974</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>fairytale</name>
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        <name>medieval costume</name>
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        <name>medieval dress</name>
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        <name>Monash</name>
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        <name>Monash University</name>
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        <name>Pan Pow Productions</name>
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        <name>performers</name>
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        <name>play</name>
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        <name>queen</name>
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        <name>Rumpelstiltskin</name>
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      <tag tagId="1388">
        <name>spinning wheel</name>
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        <name>straw</name>
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        <name>theatrical production</name>
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