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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at  the State Library of  Victoria in Melbourne. The statue is the work of  French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of  his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris.  Purchased in 1906 by  Bernard Hall, the Director of the National Gallery  of Victoria, with  funds from the Felton Bequest, it was installed at  the entrance to the  State Library of Victoria on 4 February 1907. The  sculpture depicts the  young Joan of Arc astride a war-horse, dressed in  her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the   age of about 12, Joan had visions of saints and heard heavenly voices   that increasingly urged her to fight for France during the Hundred   Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the   Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of   armour and her distinctive banner depicting a golden fleur-de-lys. She   secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from   the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the   coronation of Charles VII. However, in May the following year Joan was   captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the   English. She was tried at Rouen on charges of witchcraft and heresy, and   was condemned to death. On 30 May 1431, she was executed. Two and a   half decades later, the case was appealed and her conviction was   overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted  Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of  Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal,  vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at the State Library of  Victoria in Melbourne. The statue is the work of French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris. Purchased in 1906 by  Bernard Hall, the Director of the National Gallery of Victoria, with  funds from the Felton Bequest, it was installed at the entrance to the  State Library of Victoria on 4 February 1907. The sculpture depicts the  young Joan of Arc astride a war-horse, dressed in her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the  age of about 12, Joan had visions of saints and heard heavenly voices  that increasingly urged her to fight for France during the Hundred  Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the  Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of  armour and her distinctive banner depicting a golden fleur-de-lys. She  secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from  the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the  coronation of Charles VII. However, in May the following year Joan was  captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the  English. She was tried at Rouen on charges of witchcraft and heresy, and  was condemned to death. On 30 May 1431, she was executed. Two and a  half decades later, the case was appealed and her conviction was  overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal, vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://catalogue.slwa.wa.gov.au/record=b2198159%7ES2" target="_blank"&gt;http://catalogue.slwa.wa.gov.au/record=b2198159~S2&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Druids Procession, Nedlands</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Battle, Britain, British resistance, Britons, Caractacus, Caratacus, Cartimandua, Catuvellauni tribe, Celtic, Celtic revival, chieftain, Claudius (10BCE-54CE), conquest, druids, druidism, Emperor, execution, exoneration, float, imprisonment, invasion, Izzy Orloff (1891-1983), military prisoner, Nedlands, neo-druidism, pagan, parade, pardon, procession, Roman Emperor, Roman Senate, Rome, speech, Togodumnus, trial, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This black and white photograph, taken by WA photographer Izzy Orloff in 1924, depicts a horse-drawn float taking part in a &lt;span class="il"&gt;Druids&lt;/span&gt; procession in Perth in 1924. Being re-enacted on the float, the banner suggests, was the trial of Caractacus before the Roman Emperor. Caractacus was a chieftain of the British Catuvellauni tribe who, with his brother Togodumnus (until he was killed in battle), led the resistance to Roman Conquest in the first century AD. Following Claudius&amp;rsquo; successful invasion of Britain in 43AD, Caractacus went into exile. He was imprisoned years later by Cartimandua in Wales and handed over to the Romans, who sentenced him to execution. Caractacus was allowed to address the Roman Senate before his execution and is reputed to have made such an impression on Emperor Claudius that he was pardoned and permitted to live peacefully in Rome. The Roman invasion of Britain sought to stamp out druidism. However, there is some evidence that &lt;span class="il"&gt;druids&lt;/span&gt;, or members of the priestly class in Celtic society, continued to exist in Ireland at least throughout the early medieval period (See for example, Philip Freeman, "&lt;span class="il"&gt;Druids&lt;/span&gt;" in The Oxford Encyclopedia of Ancient Greece and Rome, Michael Gagarin (ed.), Oxford University Press, 2010, &amp;lt;&lt;a href="http://www.oxford-greecerome.com/entry?entry=t294.e401" target="_blank"&gt;http://www.oxford-greecerome.com/entry?entry=t294.e401&lt;/a&gt;&amp;gt;, Accessed 6 May 2011).</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Orloff, Izzy</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>State Library of Western Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="12714">
                <text>Izzy Orloff collection; BA1059/929, State Library of Western Australia, online media reference 012135D.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1924</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12716">
                <text>State Library of Western Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photographic Print</text>
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        <name>Britain</name>
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        <name>British resistance</name>
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        <name>Britons</name>
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        <name>Caractacus</name>
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        <name>Caratacus</name>
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        <name>Cartimandua</name>
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      <tag tagId="2035">
        <name>Catuvellauni tribe</name>
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        <name>Celtic</name>
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        <name>Celtic revival</name>
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        <name>chieftain</name>
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