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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="%20http://nla.gov.au/nla.news-article71036792" target="_self"&gt;http://nla.gov.au/nla.news-article71036792&lt;/a&gt;</text>
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                <text>'Are We Medieval?' &lt;em&gt;The Worker&lt;/em&gt;, 2 January 1904</text>
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                <text>Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress,  trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. </text>
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                <text>This article from Brisbane publication &lt;em&gt;The Worker&lt;/em&gt; rebukes derisive comments published by a London journalist mocking Australia&amp;rsquo;s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie&amp;rsquo;s quip that &amp;lsquo;Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life&amp;rsquo;, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: &amp;lsquo;We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress&amp;rsquo;.</text>
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                <text>Cintra</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article71036792" target="_self"&gt;http://nla.gov.au/nla.news-article71036792&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Worker&lt;/em&gt;</text>
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                <text>2 January 1904, p.3</text>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;A Ro-Me-Owe and Jew-Liet Revival (New Reading)&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 17 November 1904</text>
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                <text>Balcony scene, &lt;em&gt;Bulletin&lt;/em&gt; cartoons, economy, Her Majesty&amp;rsquo;s Theatre, I.O.U., James C. Williamson (1845-1913), Livingston Hopkins aka &amp;lsquo;Hop&amp;rsquo; (1846-1927), loan, Miss Tittell Brune (1875-1974), New South Wales, NSW State loans, Romeo and Juliet, satire, Sir Joseph Carruthers (1856-1932), state politics, &lt;em&gt;Sydney Morning Herald&lt;/em&gt;, William Shakespeare (c.1564-1616), usury.</text>
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                <text>&amp;lsquo;Hop&amp;rsquo; produced this &lt;em&gt;Bulletin&lt;/em&gt; cartoon at a time when J. C. Williamson&amp;rsquo;s theatre company was staging William Shakespeare&amp;rsquo;s &amp;lsquo;Romeo and Juliet&amp;rsquo; at Her Majesty&amp;rsquo;s Theatre in Sydney. The popular young American actress Miss Tittell Brune was in the starring role, with Mr R. A. Greenaway as Romeo and Mr Roy Redgrave (patriarch of the famous English acting family) as Mercutio (See &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 12, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329960?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329960?&lt;/a&gt;) Judging from reviews written at the time, Miss Brune&amp;rsquo;s &amp;ldquo;charming&amp;rdquo; balcony performance was hugely successful (See, for example, &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 16, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1330003?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1330003?&lt;/a&gt;). So, Hop&amp;rsquo;s cartoon was not only timely but also bound to raise a laugh or a smile of recognition from Sydney theatre-goers. The NSW government was barely into its fifth month of office, and Sir Joseph Carruthers &amp;minus; who was both premier and treasurer &amp;minus; had inherited the difficult task of dealing with accumulated State debts. &lt;em&gt;The Sydney Morning Herald&lt;/em&gt; calculated that NSW owed around &amp;pound;4,310,000, to be paid-off over thirty years (&lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, October 10, 1904, p. 6. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329596?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329596?&lt;/a&gt;). Subsequently, Hop depicts premier Carruthers fawning and gesticulating to a bored and stereotypically Jewish financier. In the background, three spheres suspended in the night sky represent usury. Hop&amp;rsquo;s critique of the NSW economy is clearly designed to keep the matter firmly under continuous (and sceptical) public scrutiny.</text>
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                <text>Livingston Hopkins (â€˜Hopâ€™)</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>17 November 1904, Cover</text>
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              <elementText elementTextId="24706">
                <text>Public Domain</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;strong&gt;&lt;/strong&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>No 'Robin Hood' financial transaction tax coming to Australia, says Wayne Swan</text>
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            <description>The topic of the resource</description>
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                <text>Australian businesses, bank, business, economic crisis, economic growth, economy, finance, financial transaction tax, folklore, France, investor, Nicolas Sarkozy, outlaw, penalty, revenue, Robin Hood,  â€œRobin Hoodâ€ tax, tax, treasury, Wayne Swan</text>
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                <text>This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swanâ€™s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozyâ€™s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a â€œRobin Hoodâ€ tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. </text>
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                <text>Unknown</text>
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                <text>Perth Now</text>
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                <text>Perth Now</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>30 January 2012</text>
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                <text>Perth Now</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19423">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19424">
                <text>Language</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>â€œRobin Hoodâ€ tax</name>
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      <tag tagId="4509">
        <name>Australian businesses</name>
      </tag>
      <tag tagId="824">
        <name>bank</name>
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      <tag tagId="825">
        <name>business</name>
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      <tag tagId="4510">
        <name>economic crisis</name>
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      <tag tagId="4511">
        <name>economic growth</name>
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      <tag tagId="4512">
        <name>economy</name>
      </tag>
      <tag tagId="4513">
        <name>finance</name>
      </tag>
      <tag tagId="4514">
        <name>financial transaction tax</name>
      </tag>
      <tag tagId="2998">
        <name>folklore</name>
      </tag>
      <tag tagId="1529">
        <name>France</name>
      </tag>
      <tag tagId="4515">
        <name>investor</name>
      </tag>
      <tag tagId="4516">
        <name>Nicolas Sarkozy</name>
      </tag>
      <tag tagId="4517">
        <name>outlaw</name>
      </tag>
      <tag tagId="4518">
        <name>penalty</name>
      </tag>
      <tag tagId="4519">
        <name>revenue</name>
      </tag>
      <tag tagId="3070">
        <name>Robin Hood</name>
      </tag>
      <tag tagId="4521">
        <name>tax</name>
      </tag>
      <tag tagId="4522">
        <name>treasury</name>
      </tag>
      <tag tagId="4523">
        <name>Wayne Swan</name>
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