1 8 30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self">http://www.artgallery.nsw.gov.au/work/182.2002.20/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea Subject The topic of the resource Appassionata, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window. Description An account of the resource This woodblock print, from Salvatore Zofrea’s Appassionata collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style. Creator An entity primarily responsible for making the resource Salvatore Zofrea (b.1946) Source A related resource from which the described resource is derived Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource c.1994-1999 Rights Information about rights held in and over the resource Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark Appassionata architecture art Art gallery of New South Wales Cathedral Catholicism Chartres Cathedral church interior ecclesiastical building France French Gothic gothic architecture print Salvatore Zofrea (b.1946) stained glass window https://ausmed.arts.uwa.edu.au/files/original/cd5fc827ae6d12f51558ac88e3e14c2c.jpg eaae60535197cf590f578e7b45391b1d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 835 Width 806 https://ausmed.arts.uwa.edu.au/files/original/3c5fffb56f9e3f4bdac3fe475e2dc400.jpg 25a08fab733a2bedc58132ecf9b01644 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 937 Width 750 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Francis Xavier Cathedral, Adelaide Subject The topic of the resource Adelaide, arch, architecture, buttress, cathedral, Catholic, Catholicism, Charles Hansom (1817-1888), Christopher Augustine Reynolds (1834-1893), church, cinquefoil, ecclesiastical building, early English gothic (1189-1307), Edward John Woods (1839-1916), Francis Murphy (1975-1858), Francis Xavier (1506-1552), gothic architecture, Gothic Revival, Harrold Herbert Jory (1888-1966), lancet arch, lancet window, Leonard Faulkner (b.1926), neo-gothic, Peter Paul Pugin (1851-1904), pinnacles, Pugin and Pugin Architects, rose window, Richard Lambeth (1807-1877), Robert William Spence (1860-1934), Roman Catholic, SA, South Australia, tower, tracery, Walter Hervey Bagot (1880-1963) Description An account of the resource Images of St Francis Xavier Cathedral in Adelaide, South Australia. St Francis Xavier is a Catholic cathedral of Gothic Revival design. The early stages of the building are reminiscent of English gothic architecture dating from the period c.1198-1307, and may have been modelled on the twelfth century Byland Abbey Church in Yorkshire, UK. Distinctive neo-gothic features of the completed cathedral include the large square tower, which measures 36.3m in height, the rose window, lancet arches, pinnacles, stone tracery and steep gables. Work on St Francis Xavierâ€™s began at the instigation of its first bishop, Francis Murphy. The foundation stone was laid by Father Michael Ryan in 1856, and the building proceeded in five stages between 1858 and 1996. The initial portion of the cathedral was designed by Charles Hansom, a student of well-known Gothic Revivalist Augustine Welby Pugin, and comprised a small sanctuary, the central nave and two small side aisles. The first extension added a sanctuary, a Lady Chapel, a side chapel and a sacristy in 1860. In 1887, extensions to the Eastern side of the nave (designed by Peter Paul Pugin, son of Augustine Welby Pugin) were dedicated, and further extensions to the Western side of the nave were completed in 1926. Finally, the tower was completed in 1996. The cathedral is named after Francis Xavier, a sixteenth-century Jesuit priest and missionary. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 27 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photographs; JPEGs Adelaide arch architecture buttress Cathedral Catholic Catholicism Charles Hansom (1817-1888) Christopher Augustine Reynolds (1834-1893) Church cinquefoil early English gothic (1189-1307) ecclesiastical building Edward John Woods (1839-1916) Francis Murphy (1975-1858) Francis Xavier (1506-1552) gothic architecture Gothic Revival Harrold Herbert Jory (1888-1966) lancet arch lancet window Leonard Faulkner (b.1926) neo-Gothic Peter Paul Pugin (1851-1904) pinnacles Pugin and Pugin Architects Richard Lambeth (1807-1877) Robert William Spence (1860-1934) Roman Catholic rose window SA South Australia tower tracery Walter Hervey Bagot (1880-1963) https://ausmed.arts.uwa.edu.au/files/original/843902ca7853aa6b5cbee06e30b1ef9a.jpg 63f5046cbb7dea24781c9cb921191556 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 903 Width 677 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Francis Xavier Cathedral, Adelaide Subject The topic of the resource Adelaide, arch, architecture, buttress, cathedral, Catholic, Catholicism, Charles Hansom (1817-1888), Christopher Augustine Reynolds (1834-1893), church, cinquefoil, ecclesiastical building, early English gothic (1189-1307), Edward John Woods (1839-1916), Francis Murphy (1975-1858), Francis Xavier (1506-1552), gothic architecture, Gothic Revival, Harrold Herbert Jory (1888-1966), lancet arch, lancet window, Leonard Faulkner (b.1926), neo-gothic, Peter Paul Pugin (1851-1904), pinnacles, Pugin and Pugin Architects, rose window, Richard Lambeth (1807-1877), Robert William Spence (1860-1934), Roman Catholic, SA, South Australia, tower, tracery, Walter Hervey Bagot (1880-1963) Description An account of the resource A detail of the distinctive neo-gothic square tower at St Francis Xavier Cathedral in Adelaide, South Australia. The cornerstone was laid in 1887 and the lower part of the tower was constructed between 1923 and 1926. However, the tower then remained unfinished until 1996, when it was completed in accordance with drawings by the original nineteenth-century architects, Pugin & Pugin. The tower measures 36.5 metres in heights and is topped with four ornately decorated stone pinnacles. St Francis Xavier is a Catholic cathedral of Gothic Revival design. Work on St Francis Xavierâ€™s began at the instigation of its first bishop, Francis Murphy. The foundation stone was laid by Father Michael Ryan in 1856, and the building proceeded in five stages between 1858 and 1996. The initial portion of the cathedral was designed by Charles Hansom, a student of well-known Gothic Revivalist Augustine Welby Pugin, and comprised a small sanctuary, the central nave and two small side aisles. The first extension added a sanctuary, a Lady Chapel, a side chapel and a sacristy in 1860. In 1887, extensions to the Eastern side of the nave (designed by Peter Paul Pugin, son of Augustine Welby Pugin) were dedicated, and further extensions to the Western side of the nave were completed in 1926. Finally, the tower was completed in 1996. The cathedral is named after Francis Xavier, a sixteenth-century Jesuit priest and missionary. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 27 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture buttress Cathedral Catholic Catholicism Charles Hansom (1817-1888) Christopher Augustine Reynolds (1834-1893) Church cinquefoil early English gothic (1189-1307) ecclesiastical building Edward John Woods (1839-1916) Francis Murphy (1975-1858) Francis Xavier (1506-1552) gothic architecture Gothic Revival Harrold Herbert Jory (1888-1966) lancet arch lancet window Leonard Faulkner (b.1926) neo-Gothic Peter Paul Pugin (1851-1904) pinnacles Pugin and Pugin Architects Richard Lambeth (1807-1877) Robert William Spence (1860-1934) Roman Catholic rose window SA South Australia tower tracery Walter Hervey Bagot (1880-1963) https://ausmed.arts.uwa.edu.au/files/original/f74db8ec3bb3e73bfbf7822ff11246f9.jpg 47dc7e240c4f6e0c53bd64274922d392 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Redemptorist Monastery in North Perth, WA Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, corbel, Cottesloe limestone, crenellations, ecclesiastical building, false machiolation, Federation Gothic Style, gothic architecture, James Cavanagh, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, pinnacles, Redemptorist monastery, Redemptorist Order, religious order, St Paul, St Peter, turrets, W. Fairweather, Western Australia, WA Description An account of the resource An image of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006. The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing corbel Cottesloe limestone crenellations ecclesiastical building false machiolation Federation Gothic Style gothic architecture James Cavanagh limestone Michael Cavanagh monastery mullion neo-Gothic North Perth pinnacles Redemptorist monastery Redemptorist Order religious order St Paul St Peter turrets W. Fairweather WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/f66585c5521ba4fd4810c7a31427fcfa.jpg a059b86ffd8eb66ca8fafac74192acac Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 890 Width 702 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doorway Detail: St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), facade, gothic, gothic revival architecture, lancet arch, neo-gothic, North Adelaide, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A close-up of the detailed stonework surrounding a doorway at St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Its gothic features include lancet arches, blind arcading and decorative stone tracery. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) facade Gothic gothic revival architecture lancet arch neo-Gothic North Adelaide SA South Australia St Peter St Peterâ€™s Cathedral stone tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/8ce771c76ab03736acad9dd43257ef88.jpg 03c8098e615cb1250a2518e0be981cc4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of Tympanum, St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, architecture, archivolt, Augustus Short (1802-1883), cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, neo-gothic, North Adelaide, tympanum, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A close-up view of the decorative blind tracery on the tympanum of the main entrance doorway at St Peter’s Cathedral in Adelaide, South Australia. Ornate and detailed tracery was a common feature of gothic architecture. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism architecture archivolt Augustus Short (1802-1883) Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture neo-Gothic North Adelaide SA South Australia St Peter St Peterâ€™s Cathedral stone tracery tympanum Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/055b1931740ed3b436a9a0953a929b9f.jpg 10772629cdd34e2acc2a8ed2e06eec95 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 692 Width 995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peterâ€™s Cathedral, Adelaide: A side view Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, buttress, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, SA, South Australia, spire, St Peter, St Peterâ€™s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A side view of St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Gothic features of the Cathedral’s architecture include the lancet windows, the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch buttress Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide SA South Australia spire St Peter St Peterâ€™s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/1a6e8f29a8546217a111c981aee31072.jpg fb62c66d28cd48964763955d4b9cbdaa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 830 Width 522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, rose window, SA, South Australia, spire, St Peter, St Peterâ€™s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A view of St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the front facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Other features of the Cathedral’s gothic architecture include the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide rose window SA South Australia spire St Peter St Peterâ€™s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900)