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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.take40.com/news/26053/brownlow-medal-2011-best-and-worst-dressed-on-the-blue-carpet" target="_blank"&gt;http://www.take40.com/news/26053/brownlow-medal-2011-best-and-worst-dressed-on-the-blue-carpet&lt;/a&gt;&lt;/span&gt;</text>
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                <text>â€˜Medieval bar wenchâ€™ dress </text>
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                <text>AFL, Australian Football League, Brownlow medal, corset, dress, fashion, sport, Australian, football</text>
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                <text>In the online article â€˜Brownlow Medal 2011 Best and Worst Dressed On The Blue Carpet!â€™ the dress of Rebecca Judd is disparagingly referred to as being â€˜a little more medieval bar wenchâ€™. However the included photograph shows that the dress has little similarity to actual dresses from the medieval period. The comment is probably about the corset/bustier-style top.  </text>
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                <text>27 September 2011</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia - &lt;a href="http://nla.gov.au/nla.news-article58414412" target="_blank"&gt;http://nla.gov.au/nla.news-article58414412&lt;/a&gt;</text>
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                <text>Wedding Fashions</text>
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                <text>bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, womenâ€™s fashion</text>
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                <text>In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. </text>
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                <text>12 May 1929, p. 5s.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;Digital Newspaper Article: National Library of Australia - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;</text>
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                <text>A Medieval Inspiration</text>
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                <text>In this instalment of â€œThe Ladiesâ€™ Sectionâ€ of the Sunday Times, an illustration is provided of a fashionable wedding dress described as being â€œof medieval inspirationâ€. The simplicity of the dress, the caption suggests, is what constitutes its charm. The dress is cut along medieval lines and embellished with pearl trimmings. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This article from the Western Mail in 1934 recognises a Tudor influence on current fashions and describes some of the Tudor styles being adopted by leading dress-makers. In particular, it suggests that â€˜princesseâ€™ cuts were common for skirts, and that medieval puffs were being introduced into sleeves. The article goes on to describe the â€˜modernised Tudor styleâ€™ of a wedding dress worn by Miss Barbara Hutchinson at her marriage to Mr Victor Rothschild. The dress was made of ivory velvet and had medieval sleeves, a triple row of quilted pads to resemble buttons and a short â€˜en princesseâ€™ train. Additionally, Miss Hutchinson wore a pearl coronet in the Tudor style. The â€˜Tudor periodâ€™ refers to the period 1485-1603 in England, and spans the reign of five Tudor monarchs: Henry VII, Henry VIII, Edward VI, Mary I and Elizabeth I.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>In this column describing the latest fashion trends in 1928, the author suggests that alongside coat frocks, hats and fur pelts, the medieval style was making a comeback. Popular materials such as ring and chiffon velvets, brocades, satins and rich quality georgettes, the article suggests, were especially amenable to the â€˜grace, softness and classic expressionâ€™ of medieval gowns.</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Fringes and Tassels. Medieval Fashion Revived.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>medieval fashion, medieval decoration, domestic furnishings, Renaissance, medieval handicrafts, fringes, tassels, curtains, embroidery, medieval dress, dress, vogue, medieval style, fashion</text>
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                <text>This newspaper article suggests that a renewed interest in Renaissance fashions and medieval handicrafts can be seen in the elaborate cord trimmings, satin embroidery, coloured fringes and tassels that were being incorporated into home decoration schemes in 1934.</text>
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            <name>Creator</name>
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                <text>Anon.</text>
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                <text>The West Australian</text>
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                <text>05 October, 1934, p. 10</text>
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                <text>The West Australian</text>
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