1 8 2 https://ausmed.arts.uwa.edu.au/files/original/1f08296f52d2e71b3f51bed0fbc65428.pdf eb9e86bf40243371a0ae135b2be1875c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Kaark the Crow Subject The topic of the resource Animal, Australian fauna, banquet, baron, cartoon, child, children, children's entertainment, chivalry, comic, comics, crow, damsel, dream, entertainment, feast, gallantry, knight, knighthood, Lady in Distress, magic, New South Wales, NSW, prince, Prince Gallant, Sir Kaark, spell Description An account of the resource In this children's comic strip from the Sydney Morning Herald, the medieval themes of chivalry and gallantry are combined with anglicised Australian animal icons. In the comic, a dream is depicted in which Kaark the Crow imagines himself as a medieval knight. He manages to distract the evil Baron from attacking Prince Gallant using a spell, and a medieval style banquet is thrown in celebration. The other characters in the dream include a generically named â€˜Lady in Distressâ€™, which was a common motif in chivalric tales. Creator An entity primarily responsible for making the resource Cunningham, Walter, and Neville, Ken Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.news-article18047893" target="_blank">http://nla.gov.au/nla.news-article18047893</a> Publisher An entity responsible for making the resource available The Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 6 August 1947 Rights Information about rights held in and over the resource No Copyright Type The nature or genre of the resource comic animal Australian fauna Banquet baron cartoon child children children's entertainment chivalry comic comics crow damsel dream entertainment feast gallantry knight knighthood koala Lady in Distress magic New South Wales newspaper NSW prince Prince Gallant Sir Kaark spell Sydney Sydney Morning Herald Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4068" target="_blank">http://www.ngv.vic.gov.au/col/work/4068</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Belle Dame sans merci, by Arthur Hughes Subject The topic of the resource Alain Chartier, apparition, armor, armour, Arthur Hughes (1832-1915), Arthurian, ballad, chivalric, chivalry, courtly love, damsel, dream, faery child, fair lady, false promise, infatuation, John Keats, knight, La Belle Dame sans merci, maiden, medieval costume, poem, supernatural, unrequited love, VIC, Victoria Description An account of the resource This painting by English artist Arthur Hughes was acquired by the National Gallery of Victoria in 1919 with funds from the Felton Bequest. It portrays a scene from the well-known ballad of the same name penned in 1819 by Romantic poet John Keats. The poem is a tale of unrequited love featuring an Arthurian knight and a beautiful woman he meets in the woods. Described by Keats as a ‘faery’s child’, the woman woos the knight with songs, food and promises of love, before taking him back to her elfin grot and lulling him to sleep. While asleep, however, he dreams of death-pale kings, princes and warriors crying “La Belle Dame sans merci/Thee hath in thrall!” before waking up alone on a cold hillside. In the painting, the infatuated knight is pictured in the woods shortly after he has met the beautiful woman and lifted her onto his horse. In the background, the apparitions of the pale figures he will later dream of are visible, trying to convey their warning in vain. Keats borrowed the title for his Arthurian ballad from a fifteenth-century courtly love poem by Alain Chartier. For a copy of Keats’ La Belle Dame sans merci, see <a href="http://www.poetryfoundation.org/poem/173740" target="_blank"> http://www.poetryfoundation.org/poem/173740</a>. Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 153.7 x 123cm; Hyperlink Alain Chartier apparition Armor Armour Arthur Hughes (1832-1915) Arthurian Ballad chivalric chivalry Courtly Love damsel dream faery child fair lady false promise infatuation John Keats knight La Belle Dame sans merci maiden medieval costume poem supernatural unrequited love Vic Victoria