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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Part one: &lt;a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank"&gt;https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b&lt;/a&gt;/&lt;/p&gt;&#13;
&lt;p&gt;Part Two: &lt;a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank"&gt;https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜The Canterbury Tales: Part Oneâ€™ &amp; â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013</text>
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                <text>Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, &lt;em&gt;The Canterbury Tales&lt;/em&gt;, &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Wife of Bath&amp;rsquo;s Tale&amp;rsquo;, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.</text>
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                <text>&lt;p&gt;This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer&amp;rsquo;s &lt;em&gt;The Canterbury Tales&lt;/em&gt; in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer&amp;rsquo;s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, and Part Two &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, The Wife of Bath&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;. This production featured as part of the Perth Fringe Festival in 2013, where &amp;lsquo;The Canterbury Tales: Part One&amp;rsquo; was performed from 7 February to 13 February and &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; was performed the following week from 14 February to 19 February 2013. A positive review of &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; from &lt;em&gt;The West Australian&lt;/em&gt; can be read at: &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In Chaucer&amp;rsquo;s original &lt;em&gt;The Canterbury Tales&lt;/em&gt;, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these &amp;lsquo;tales&amp;rsquo;. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.&lt;/p&gt;</text>
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                <text>Written by Geoffrey Chaucer&#13;
Adapted by Stephen Quinn&#13;
Directed by Stephen Lee&#13;
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                <text>FringeWorld Festival Website (&lt;a href="https://www.fringeworld.com.au/home/" target="_blank"&gt;https://www.fringeworld.com.au/home/&lt;/a&gt;)</text>
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                <text>Part One: 7 February 2013 - 13 February 2013&#13;
Part Two: 14 February 2013 â€“ 19 February 2013&#13;
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                <text>Fringe Festival &amp; KNUTS Theatre Company</text>
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                <text>Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama.</text>
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        <name>â€˜The Franklinâ€™s Taleâ€™</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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        <name>knight</name>
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        <name>medieval literature</name>
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        <name>Medieval Romance</name>
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        <name>modern adaptation</name>
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        <name>old hag</name>
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        <name>Perth</name>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Tom Room Building, Launceston Church Grammar School, Tasmania</text>
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                <text>Buttress, castle, coat of arms, crenellation, crest, drama, education, Gothic, Launceston, Launceston Church Grammar School, Mowbray, parapet, pointed arch, Tom Room, school, shield, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The relatively recent brick Tom Room Building continues the medieval theme found elsewhere on the campus by the use buttresses that end as crenellation. The building also features the school coat of arms/crest of a castle with towers and crenelated parapets on a shield, as well as a drawing of a Gothic pointed arch doorway. The building has drama and multi-purpose classrooms. This photograph was taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For the crest see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other buildings with medieval features see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 17, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;a href="http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio" target="_blank"&gt;http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Loveâ€™s Paradise â€“ love stories and songs from twelfth and thirteenth-century France; Songs from the Heart â€“ songs by and for women from medieval France; All You Who Love â€“ medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Allegro Music, Troveresse Medieval Music Ensemble</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper article; PDF &lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58664522" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article58664522&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;</text>
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                <text>Vacuum Entertainment: Enjoyable Evening at the Y.A.L.</text>
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                <text>alchemy, alchemist, drama, entertainment, function, G. W. Craggs, L. B. McCay, laboratory, Major Norman Brearley, medieval setting, play, stage performance, Vacuum Oil Company, WA, Western Australia Y.A.L. Hall</text>
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                <text>This newspaper article from the Sunday Times reports on a function hosted by the Vacuum Oil Company at the Y.A.L. Hall on 1 June 1932. In addition to an address Major Norman Brearley, the managing director of W.A. Airways, the programme for the evening featured a well-received one-act play written by Mr L. B. McCay and produced by one of the Companyâ€™s automotive staff, Mr G. W. Craggs. Although no further details about the play are provided, the setting is described as â€˜the subterranean laboratory of medieval alchemistsâ€™. </text>
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                <text>The National Library of Australia</text>
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                <text>The Sunday Times</text>
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                <text>5 June 1932, p. 4.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Sunday Times</text>
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        <name>Vacuum Oil Company</name>
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        <name>WA</name>
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      <tag tagId="3455">
        <name>Western Australia Y.A.L. Hall</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/5126fbc9b9e09c973fd89c7a034b7fe6.pdf</src>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Digitised Newspaper Article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;a href="http://nla.gov.au/nla.news-article31897631" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://nla.gov.au/nla.news-article31897631&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Grand Theatre: â€™Under the Red Robeâ€</text>
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                <text>Alma Rubens (1897-1931), Cardinal Richelieu (1585-1642), Day of the Dupes (1630), drama, duel,  fiction, film, Gil de Berault, Grand Theatre, Henri de Cocheforet, historical fiction, honour, Huguenot, John Charles Thomas (1889-1960), literature, Louis XIII, Mademoiselle de Cocheforet, â€œMedieval romanceâ€, movie, novel, Robert B. Mantell, screen Stanley J. Weyman (1855-1928), â€œUnder the Red Robeâ€, WA, Western Australia</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt;"&gt;In this notice about  the upcoming programme for the Grand Theatre, a screening of the 1923  silent film &amp;ldquo;Under the Red Robe&amp;rdquo; is announced. The film is based on  Stanley J. Weyman&amp;rsquo;s historical novel of the same name. The novel is  described in the article as a medieval romance, although it is set in  seventeenth-century France. The story opens in 1630, when Gil de Berault  sets out on a search for fugitive Huguenot Henri de Cocheforet, on the  orders of Cardinal Richelieu. He has offered his martial skills to  Richelieu in exchange for his life after being arrested for duelling in  Paris. Although he does indeed find and arrest M. de Cocheforet, he  realises that he has fallen in love with his sister and lets him go free  to restore his honour. The story ends on the Day of the Dupes with the  marriage of de Berault and de Cocheforet.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;For a copy of &amp;ldquo;Under the Red Robe&amp;rdquo; by Stanley J. Weyman, see &lt;/span&gt;&lt;a href="http://www.gutenberg.org/ebooks/1896" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://www.gutenberg.org/ebooks/1896&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;</text>
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                <text>National Library of Australia</text>
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                <text>16 December 1925, p. 12.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The West Australian</text>
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              <description>A name given to the resource</description>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="https://handbook.unimelb.edu.au/view/2011/THTR20021" target="_blank"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;https://handbook.unimelb.edu.au/view/2011/THTR20021&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>adaption, drama, dramatic, films, film, Hamlet, Macbeth, William Shakespeare, Shakespeare, Melbourne, Peter Eckersall, Shakespeare, television, university, universities, Melbourne, University of Melbourne, Victoria</text>
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                <text>Level 2 undergraduate unit â€˜Shakespeareâ€™ coordinated by Peter Eckersall at the University of Melbourne. In part the unit investigates film and television adaptations of Shakespeareâ€™s plays, and two plays set in the medieval period are on the reading list, Macbeth (an eleventh-century king of Scotland) and Hamlet (the legendary Viking-Age Amleth, recorded by the Dane Saxo Grammaticus in the early thirteenth century). </text>
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                <text>Eckersall, Peter</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="https://handbook.unimelb.edu.au/view/2011/THTR20021" target="_blank"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;https://handbook.unimelb.edu.au/view/2011/THTR20021&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>University of Melbourne</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8739">
                <text>Peter Eckersall, University of Melbourne</text>
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        <name>Peter Eckersall</name>
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                  <text>Medievalism in the Classroom</text>
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              <description>An account of the resource</description>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;span style="font-family: Arial; font-size: small;"&gt;The course outline can be found at &lt;a href="http://www.latrobe.edu.au/handbook/2011/undergraduate/humanities/disciplines/english.htm" target="_blank"&gt; http://www.latrobe.edu.au/handbook/2011/undergraduate/humanities/disciplines/english.htm&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Shakespeare in Adaptation unit</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="8638">
                <text>Bundoora, Chris Palmer, drama, film, La Trobe University, Macbeth, Melbourne, Shakespeare, university, Victoria, William Shakespeare, adaptation</text>
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            <description>An account of the resource</description>
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                <text>Second and third year undergraduate unit at La Trobe University (Bundoora campus, in Melbourne)coordinated by Chris Palmer. The unit examines four of Shakespeareâ€™s plays, including two film versions of each play. One of the plays set during the medieval period, Macbeth (an eleventh-century king of Scotland), is included.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Palmer, Chris</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="8641">
                <text>La Trobe University</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="8642">
                <text>La Trobe University </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="8643">
                <text>June 18 2011</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8644">
                <text>Chris Palmer, La Trobe University </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8645">
                <text>Weblink </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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    <tagContainer>
      <tag tagId="2766">
        <name>adaptation</name>
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        <name>Bundoora</name>
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        <name>Chris Palmer</name>
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        <name>La Trobe University</name>
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      <tag tagId="2764">
        <name>MacBeth</name>
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        <name>Melbourne</name>
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        <name>Shakespeare</name>
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        <name>university</name>
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        <name>Victoria</name>
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        <name>William Shakespeare</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="8624">
              <text>Digital Newspaper Article</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="8613">
                <text>â€œThe Winterâ€™s Taleâ€ for Perth Stage</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8614">
                <text>Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616)</text>
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            <description>An account of the resource</description>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In this article from The West Australian in  1952, notice of the upcoming stage production  of Shakespeare&amp;rsquo;s &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo; by the John Alden Shakespearean  Company is given. The medieval costumes - including elaborate  head-dresses, pointed shoes and draped sleeves - would be particularly  appealing to Perth audiences, the article suggests, because  they were such a marked change from the plays usually performed on the  Perth stage. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;About The Winter&amp;rsquo;s Tale:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo;, Leontes, the King  of Sicilia, becomes consumed with jealousy that  Hermione, his wife, is having an affair with the King of Bohemia  (Polixenes). He instructs his councillor Camillo to poison Polixenes,  but instead Camillo reveals Leontes&amp;rsquo; plans and both he and Polixenes  secretly leave for Bohemia. The pregnant Hermione is  banished to prison, where she gives birth to a daughter. Refusing to  believe the legitimacy of the child, Leontes demands that the child be  burned alive and then, upon the protestations of his chief adviser  Antigonus, abandoned off the coast of Bohemia. In  the events that unfold over the following Act, Leontes refuses to  believe an oracle from Apollo&amp;rsquo;s Temple exonerating Hermione&amp;rsquo;s and orders  her trial to proceed, his son Mamillius dies, Hermione dies, Leontes  realises his mistake and repents, Antigonus is killed  by a bear and a shepherd finds the abandoned baby and takes her home.  Sixteen years later, in Bohemia, the story recommences with Polixenes  expressing concern that his son Florizel has fallen in love with a  shepherdess. He attends a sheep-shearing festival  in disguise, revealing himself at the last moment to prevent the  betrothal of the couple, after which Florizel and the shepherdess are  advised by Camillo (now Polixenes&amp;rsquo; chief adviser) to flee to Sicilia.  When Polixenes also arrives in Sicilia with the shepherd  and his son, the shepherdess&amp;rsquo; identity as Leontes&amp;rsquo; lost child is  discovered and her marriage to Florizel condoned, Leontes and Polixenes  are friends once more, and a statue of Hermione comes to life, revealing  that she is alive and has been waiting to be reunited  with her daughter.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;For a copy of the text, see: &lt;a href="http://www.gutenberg.org/ebooks/2248" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.gutenberg.org/ebooks/2248&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="8616">
                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="8617">
                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;National Library of Australia,&lt;/span&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article49052507" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article49052507&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="../../items/show/402"&gt;&lt;/a&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The West Australian</text>
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                <text>13 September 1952, p. 5.</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The West Australian</text>
              </elementText>
            </elementTextContainer>
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                <text>&amp;ldquo;This is What Women Wore in Bygone Times&amp;rdquo;, The West Australian, 18 September 1952, p. 7, &lt;a href="../../items/show/402"&gt;http://ausmed.arts.uwa.edu.au/items/show/402&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Bohemia</name>
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        <name>Camillo</name>
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        <name>William Shakespeare (1564-1616)</name>
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</itemContainer>
