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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Beer, James Boag, Boagâ€™s Brewery, buttress, column, dragon, Esk Brewery, knight, Launceston, malt kiln, Queen Anne Style, Romanesque, St George and the Dragon, sculpture, semi-circular arch, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;The 1886 malt kiln of the Esk Brewery of James Boag and Son (Boag&amp;rsquo;s Brewery) is in the northern Tasmanian city of Launceston. The fa&amp;ccedil;ade is in the Queen Anne architectural style and includes a number of medieval features, such as buttresses, corner towers, and Romanesque semi-circular arches. The medieval aspects of the building are enhanced by the bas relief sculpture of St George and the dragon. St George is depicted as a medieval knight wearing armour and a helmet and sword. He is riding a horse which is trampling a winged dragon.&lt;/p&gt;&#13;
&lt;p&gt;For a close up of the St George and the dragon sculpture see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1212"&gt;http://ausmed.arts.uwa.edu.au/items/show/1212&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This sculpture of St George and the Dragon is at the top of the 1886 malt kiln of Boag&amp;rsquo;s Brewery in the northern Tasmanian city of Launceston. St George is depicted as a medieval knight wearing armour and a helmet with an open visor and a feather plume. He rides a horse and carries a sword. His horse is trampling a winged dragon.&lt;/p&gt;&#13;
&lt;p&gt;For the malt kiln see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other depictions of St George by Boag&amp;rsquo;s Brewery see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/8536/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/8536/&lt;/a&gt;</text>
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                <text>â€˜The Fight: St George Kills the Dragon VIâ€™ by Edward Burne-Jones</text>
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                <text>Aesthetic Pre-Raphaelitism, armor, armour, art, artwork, chivalric tradition, chivalry, damsel, dragon, gallantry, George, knight, legend, Myles Birket Foster, myth, New South Wales, NSW, Pre-Raphaelite, Princess Sabra, St George, sword, The Hill, Witley. </text>
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                <text>This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a â€˜St George and the Dragonâ€™ narrative cycle that Burne-Jones was commissioned to produce in 1864 for the dining room of Myles Birket Fosterâ€™s house, The Hill, in Witley, Surrey. Completed in 1866, this is the sixth painting in the series. It depicts an armoured St George slaying a reptilian looking dragon, while a female figure wearing a flowing white gown and a wreath of flowers - Princess Sabra from the legend - clasps her hands and watches tentatively from the sidelines. The deadly threat posed by the dragon, and by extension the valour of the knight in quashing it, is evident from the skull and broken lance lying in the foreground of the painting. Although the legend of St George slaying the dragon is Eastern in origin, it is thought to have been taken back to England by medieval crusaders, where it was incorporated into the chivalric tradition. As the patron saint of England, a champion of Christianity, and an exemplar of chivalric masculinity, St George was a popular subject for Pre-Raphaelite artists such as Burne-Jones, and for the Victorian medieval revival more generally. </text>
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                <text>Edward Burne-Jones</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1866</text>
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                <text>&lt;p&gt;The Mary Ann Simpson (1857-1915) memorial stained glass window is in St David&amp;rsquo;s Anglican Cathedral, Hobart. The lancet window features St Michael as a knight wearing armour of the late medieval period and wearing a sword. He is killing a red dragon which lies at his feet with a spear. St Michael and the dragon are coming out of a representation of what appears to be a niche of delicate stonework in Gothic style with pointed arches.&lt;/p&gt;&#13;
&lt;p&gt;For the Cathedral interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                <text>A photograph of the winged straw dragon in the combat arena of the Balingup Medieval Carnivale (2012). The dragon was set on fire in the Burning the Dragon ceremony which marked the end of the Carnivaleâ€™s first day.</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This photograph of a sign was taken at the rear of the Cascade Brewery. The sign features a warrior on horseback killing a dragon with a lance. The similarity of the sign to the original St George logo used by the Launceston brewery Boag&amp;rsquo;s, which was purchased by Cascade Brewery in 1922, suggests that this may also be an image of the warrior saint popular during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For the Boag's Brewery image see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McEwan, Joanna</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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Produced by Walter J. Hucker&#13;
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