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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Michael and All Angels Anglican Church interior door, Bothwell, Tasmania </text>
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                <text>Anglican, Bothwell, chancel, door, Gothic, Gothic Revival, Thomas Lewis, Alexander North, pointed arch, St Michael and All Angels Church, Tas, Tasmania.</text>
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                <text>This door is in the chancel of St Michael and All Angels Anglican Church in the small Tasmanian town of Bothwell. The church was built in the Gothic Revival style from 1887 and consecrated in 1891. It was designed by Launceston architect Alexander North (1858-1945) and built of local stone by Lewis and son and Hallet, primarily by the stonemason Thomas Lewis. Although the actual door only has a small rounded arch, the stonework, in particular the molding, gives the impression of the Gothic style with the creation of a pointed arch above the doorway.</text>
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                <text>McLeod, Shane</text>
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                <text>October 8, 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Paulâ€™s Cathedral Entrance Doorway, Melbourne</text>
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                <text>Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, door, doorway, entrance, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, processional doors, quatrefoil, sandstone, stained glass, stonework, tiling, tracery, trefoil, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window</text>
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                <text>&lt;p&gt;An image of the entrance to St Paul&amp;rsquo;s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass &amp;lsquo;processional doors&amp;rsquo; have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: &lt;a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.stpaulscathedral.org.au/cathedral/processional_doors&lt;/span&gt;&lt;/a&gt;. Around the doorway, a number of the Cathedral&amp;rsquo;s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery.&lt;/p&gt;&#13;
&lt;p&gt;About St Paul&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Paul&amp;rsquo;s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral&amp;rsquo;s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield&amp;rsquo;s more modest original plans.&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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