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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&ViewID=2&MnuID=2" target="_self">http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&ViewID=2&MnuID=2</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>'Then one of them, which was a lawyer, asked him a question</em>', by Grace Cossington Smith
Subject
The topic of the resource
art, Australian artist, biblical, Blake Prize, devotional art, Giotto (c.1266-1337), Grace Cossington Smith (1892-1984), Masaccio, Matthew, painters, religious art, Renaissance art, scripture, Tommaso di ser Giovanni di Simone (c.1401-1428), Tribute Money.
Description
An account of the resource
This painting by Sydney artist Grace Cossington Smith derives its title,<em>'Then one of them, which was a lawyer, asked him a question'</em>, from Matthew, Chapter xxii, verse 35. Although better known for her paintings of domestic interiors, this is one of two biblical works Cossington Smith painted for entry into the newly established Blake Prize for Religious Art in the early 1950s. Influenced generally by Renaissance artists such as Giotto, whose paintings she had seen in Italy, Cossington Smith used Masaccio’s '<em>Tribute Money'</em> (from the Carmine in Florence) in particular as a model for this painting (see Bruce James, <em>Grace Cossington Smith</em>, Roseville, Craftsman House, 1990, p.135). It featured alongside a number of Cossington Smith’s other works as part of an exhibition titled <em>Grace Cossington Smith: A Retrospective Exhibition</em> at the National Gallery of Australia in 2005.
Creator
An entity primarily responsible for making the resource
Grace Cossington Smith AO OBE (1892-1984)
Source
A related resource from which the described resource is derived
National Gallery of Australia, accession no. NGA 1976.1059
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Rights
Information about rights held in and over the resource
National Gallery of Australia
Format
The file format, physical medium, or dimensions of the resource
Oil on canvas on paperboard painting, 59.1x86.3cm
art
Australian artist
biblical
Blake Prize
devotional art
Giotto (c.1266-1337)
Grace Cossington Smith (1892-1984)
Masaccio
Matthew
painters
religious art
Renaissance art
scripture
Tommaso di ser Giovanni di Simone (c.1401-1428)
Tribute Money
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p>
<span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"><span style="color: #0000ff;"><span style="color: #000000; font-family: Tahoma; font-size: x-small;">2. search by artist or title. </span><br /></span></a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bouguereau’s Virgin and Child
Subject
The topic of the resource
art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)
Description
An account of the resource
This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The child’s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Mary’s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child.
Creator
An entity primarily responsible for making the resource
Bourguereau, William Adolphe
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
1888
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
Hyperlink;
Oil on Canvas, 176 x 102.8 cm
art
artwork
child
Christ Child
crucifixion
devotional
devotional art
gaze
halo
icon
infant Jesus
Madonna
Mary
nostalgia
religion
religious
religious art
SA
South Australia
virgin
Virgin Mary
William Adolphe Bouguereau (1825-1905)