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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.themedievalclassroom.com.au/?page_id=1073"&gt;http://www.themedievalclassroom.com.au/?page_id=1073&lt;/a&gt;</text>
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                <text>The History and Significance of Medieval Dance</text>
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                <text>classroom, education, school, class, classes, children, child, juvenile, youth,student, students, lesson plan, lesson plans, lesson, lessons, The Medieval Classroom, teach, teachers, teaching, educational resources, McAuley Medieval Fayre, ACU, Australian Catholic University, dance, dancing, culture</text>
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                <text>Information for primary and high school students about the history of medieval dance.&#13;
&#13;
The Medieval Classroom website is the result of a Teaching and Learning Enhancement Scheme grant awarded by the Australian Catholic University to the â€˜Arts and Culture teamâ€™ in the School of Arts and Sciences in Queensland in 2006. The site serves as an important teaching and learning link between the University and the wider community.</text>
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                <text>The Medieval Classroom</text>
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                <text>The Medieval Classroom</text>
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                <text>The Medieval Classroom</text>
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                <text>Accessed 02/10/2012</text>
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                <text>The Medieval Classroom</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>Spirit of Festival: What Lies Behind the Carol, &lt;em&gt;The West Australian&lt;/em&gt;, 24 December 1937</text>
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                <text>Apprentices, book, carol, celebration, Christian tradition, Christmas, Christmas Carols, dancing, drinking songs, festival, festivity, Greccio, medieval custom, melodies, merriment, Miracle plays, Mystery plays, popular tunes, puritan, religious lyrics, revival, singing, song, St Francis of Assisi, tradition, Wynken de Worde. </text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; traces the history of Christmas carols back to the medieval period. It dates their origin to the beginning of the thirteenth century, when Francis of Assisi taught children to dance around a model of the manger in the Italian village of Greccio. Subsequently, they were introduced into England through the Mystery and Miracle plays. Although religious in content, the article notes with amusement that the carols were often set to the tune of drinking songs, presumably because they were familiar. Carols and the dances that accompanied them remained popular, the article claims, until Puritan edicts forbade Christmas festivities and all manner of celebration in the seventeenth century. Their survival is credited here to two nineteenth-century English clergymen, who translated a Swedish book of medieval melodies in 1853 and succeeded in reviving interest in carols and old folk songs more generally.</text>
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                <text>Anon</text>
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                <text>TROVE: The National Library, &lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>24 December 1937, p.15</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Expired</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://abbeytournament.com/" target="_blank"&gt;http://abbeytournament.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Abbey Medieval Festival, Queensland</text>
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                <text>The Abbey Medieval Festival is held in the Queensland town of Caboolture, north of Brisbane, and is a major fundraising event held by the Abbey Museum of Art and Archaeology. The Festival is a week-long event that commences with a medieval banquet, features a mid-week Kids Medieval Fun Day, and concludes with a weekend tournament. During the festival visitors can see re-enactors in medieval clothing from various times and places in medieval Europe, jousting and mock battles, medieval music and dance, and purchase items at market stalls.  &#13;
&#13;
For more on the Abbey Museum go to the â€˜Archival Holdingsâ€™ section on this website.</text>
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                <text>3 January 2012</text>
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                <text>Morris dancers performing a version of the folk dance at the Perth Medieval Fayre in Western Australia. The style of the dance is derived from the English villages of the Cotswolds and is characterised by groups of six men dressed in white clothing with coloured baldricks, bell pads and flower-covered hats dancing in formation. The dancers also frequently make use of handkerchiefs and sticks in this form of morris dance. The origins of morris dancing are subject to debate, with some scholars arguing that it developed from a pagan fertility ritual, and others arguing that it originated in the medieval period. Scholars involved in collating references to morris dancing for the â€˜Early Morris Projectâ€™ have suggested that the earliest written reference is in two English wills dated 1458 (see John Forrest and Michael Heaney, â€˜Charting Early Morrisâ€™ in Folk Music Journal, vol.6, no.2, 1991, pp.169-186). Morris dancing has also frequently been linked to the month of May and the dancing and festivities that took place around the maypole.&#13;
&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article38571254" target="_blank"&gt;http://nla.gov.au/nla.news-article38571254&lt;/a&gt;&lt;/p&gt;</text>
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                <text>In this article from the Western Mail, the author relates details of the historical customs and festivities associated with the month of May. The article begins by describing the medieval tradition of â€˜a-mayingâ€™ and merrymaking on the first day of the month: â€˜May dayâ€™. This involved processions and dancing, often around a maypole. Maypoles, the author goes on to explain, were viewed as especially objectionable by the Puritans in the seventeenth century, and banned by Parliament between 1644 and 1660. The article concludes by suggesting that the name â€˜mayâ€™ was most likely Roman in origin - after Maia, the mother of Mercury.</text>
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