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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall</text>
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&lt;p&gt;A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About Winthrop Hall:&lt;/strong&gt;&lt;/p&gt;&#13;
Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See &lt;em&gt;Western Mail&lt;/em&gt;, 21 April 1932, pp.14: &lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;http://nla.gov.au/nla.news-article38891565&lt;/a&gt;). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&amp;rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, &lt;em&gt;Crawley Campus: The Planning and Architecture of the University of Western Australia, &lt;/em&gt;University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: &lt;a href="http://www.therosewindow.com/index-rose2.htm" target="_blank"&gt;http://www.therosewindow.com/index-rose2.htm&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;p&gt;Australian infantrymen taking part in the Lord Mayor's Procession march past Buckingham Palace, where King George V was taking the salute. The Lord Mayor's Procession began in 1215, when the citizens of London were allowed to elect a mayor for the first time. The newly elected Mayor was required by the King's charter to make a journey from the City to Westminster to swear allegiance to the Crown. The procession still takes place today; known as the Lord May's Show. It brings together the defence forces, police, Londoners, businesses, charities and livery companies in celebration of London's past and present.&lt;/p&gt;&#13;
&lt;p&gt;From AWM Website:&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;a href="http://www.awm.gov.au/about/collections/photographs.asp" target="_blank"&gt;http://www.awm.gov.au/about/collections/photographs.asp&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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ID H1852</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article taken from &lt;em&gt;The Western Mail:&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38891565&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Hackett Buildings. The Architectâ€™s Description.</text>
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                <text>architecture, architect, gothic architecture, gothic revival, neo-gothic, Arts and Administration Building, cloisters, commemoration, coogee stone, Court of Honour, dais, George Benson, Great Gate, great hall, Hackett Hall, jarrah flooring, library, marble flooring, monument, Mervyn Napier Wallace, Rodney Alsop, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, vaulted ceilings, Winthrop Hall</text>
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                <text>This article provides a description of Winthrop Hall and the Hackett Buildings at the University of Western Australia by the architect, Rodney Alsop, shortly after they were opened in 1932. Alsop describes the guidelines he was set, namely that there was to be a multi-functional hall capable of seating a large number of people, two other buildings that would house lecture rooms, offices, the University administration, the Guild and a refectory, and that the buildings were to be monumental in order to adequately commemorate their founder, Sir John Winthrop Hackett (1848-1916). Alsop explains his rationale for the lay out of the buildings along three sides of the Court of Honour, (with the fourth side open to what was then known as the Perth-Fremantle road) and the addition of â€˜cloistersâ€™ along the front of the Hackett Hall and the Arts and Administration Building as an attempt to unify the different buildings. He refers to Winthrop Hall repeatedly as a â€˜great hallâ€™ and describes its shape as rectangular with transepts at the ends of the dais â€œafter the tradition of the halls of Englandâ€. He also describes some of its main features, including the rose window and elaborately patterned ceiling in the hall, and the vaulted ceiling, marble floor and colourful mosaics in the foyer.&#13;
&#13;
The architecture is influenced by the Romanesque style of the medieval period, which is suggested by the semi-circular arches, stone columns, arcading, thick walls and large square tower. However, the architect stops short of saying this definitively. On the style from which the architectural design for the buildings was developed, Alsop initially states that â€œit arose as the natural outcome of the planning, combined with the study of the architecture of older countries, with climate and other conditions not unlike those in Western Australiaâ€. Later in the article, he elaborates slightly: â€œWhile the ancestry of the style used is undoubtedly Italian, it has been anglicised and adapted to the local conditions, and cannot be called Italian, Spanish, or any other foreign style. It is my conception of architecture suitable for the University of Western Australia.â€</text>
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                <text>21 April 1932, pp.13-14.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Winthrop Hall:&lt;/strong&gt;&lt;/p&gt;&#13;
Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as &lt;span lang="EN"&gt;being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See &lt;em&gt;Western Mail&lt;/em&gt;, 21 April 1932, pp.14: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38891565&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN"&gt;). &lt;/span&gt;Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&amp;rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, &lt;em&gt;Crawley Campus: The Planning and Architecture of the University of Western Australia, &lt;/em&gt;University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: &lt;a href="http://www.therosewindow.com/index-rose2.htm" target="_blank"&gt;http://www.therosewindow.com/index-rose2.htm&lt;/a&gt;</text>
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