1 8 6 https://ausmed.arts.uwa.edu.au/files/original/5fab228b6260bbf14920c101680a3d31.jpg 0160822cc4bd4c93b8328a444d886623 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 https://ausmed.arts.uwa.edu.au/files/original/d93c14662741d8e7c02e04d7e5561f5d.jpg 2a55b5ab5ef9a492314fc2eb73b5c921 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 450 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Bank of New South Wales, Sydney Subject The topic of the resource James Bull Alderson, bank, Bank of New South Wales, column, cupola, moulding, New South Wales, NSW, Varney Parkes, Romanesque, Romanesque Revival, semi-circular arch, Sydney, tower Description An account of the resource <p>This former Bank of New South Wales building is on the corner of Broadway and Regent Streets in the inner city suburb of Chippendale. It was designed by architects Varney Parkes and James Bull Anderson and was built in 1894. The ornate brick building with moulded plaster work is in the Romanesque Revival style. It has prominent semi-circular arched windows and doorways, multiple columns, and elaborate plasterwork incorporating floral designs. Two rounded corner towers flank the main entrance and end in cupolas on top of the roof.</p> <p>For the biography of one of the architects see <a href="http://adb.anu.edu.au/biography/parkes-varney-7959">http://adb.anu.edu.au/biography/parkes-varney-7959</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 29 November 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photographs; JPEGs bank Bank of New South Wales column cupola James Bull Alderson moulding New South Wales NSW Romanesque Romanesque Revival semi-circular arch Sydney tower Varney Parkes https://ausmed.arts.uwa.edu.au/files/original/567d2491a5eba2bc659474f1241632a0.jpg a50c8dbe1dee972f84e3e2ce512a779f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Bank of New South Wales, Sydney Subject The topic of the resource James Bull Alderson, bank, Bank of New South Wales, column, cupola, moulding, New South Wales, NSW, Varney Parkes, Romanesque, Romanesque Revival, semi-circular arch, Sydney, tower Description An account of the resource <p>This former Bank of New South Wales building is on the corner of Broadway and Regent Streets in the inner city suburb of Chippendale. It was designed by architects Varney Parkes and James Bull Anderson and was built in 1894. The ornate brick building with moulded plaster work is in the Romanesque Revival style. It has prominent semi-circular arched windows and doorways, multiple columns, and elaborate plasterwork incorporating floral designs. Two rounded corner towers flank the main entrance and end in cupolas on top of the roof.</p> <p>For the biography of one of the architects see <a href="http://adb.anu.edu.au/biography/parkes-varney-7959">http://adb.anu.edu.au/biography/parkes-varney-7959</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 29 November 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bank Bank of New South Wales column cupola James Bull Alderson moulding New South Wales NSW Romanesque Romanesque Revival semi-circular arch Sydney tower Varney Parkes https://ausmed.arts.uwa.edu.au/files/original/fbb254ee1888d376889da589aed49353.JPG 105d590b67bd87f57b70b2d8db364bc6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2022 Width 3306 https://ausmed.arts.uwa.edu.au/files/original/8890793d5a81a466828d70bb5f4af1ba.jpg b80f51c3f840181c0a6afe9ff1f76a06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2550 Width 2748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flinders Street Station, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, Brunelleschi, competition, cupola, dome, Edwardian Free Style, false machiolation, French Renaissance, HPC Ashworth, James Fawcett, Melbourne, neo-Romanesque, parapet, public building, railway station, Railways Department, Romanesque Revival, The Duomo, VIC, Victoria. Description An account of the resource A view of Flinders Street Station, located at the intersection of Flinders Street and Swanston Street in Melbourne&rsquo;s CBD. Flinders Street station was designed by architects James Fawcett and HCP Ashworth, who won a competition to re-design the station in 1899. Building commenced in 1900 and was completed in 1910. The architecture is often described as "Edwardian Free Style", which suggests a design featuring an eclectic mix of different architectural elements without favouring any particular style from the past (see Richard Apperly, Robert Irving, Peter Reynolds, <em>A Pictorial Guide to Identifying Australian Architecture: Styles and Terms from 1788 to the Present</em>, North Ryde, Angus &amp; Robertson, 1989, p.139). However, the station architects described their design as &ldquo;French Renaissance in a free manner&rdquo;, which suggests rather that they did start with a particular Renaissance style in mind, into which they incorporated a number of other elements and influences, such as Art Nouveau (See the Victorian Heritage Database report at: <a href="http://vhd.heritage.vic.gov.au/#detail_places;752" target="_self">http://vhd.heritage.vic.gov.au/#detail_places;752</a>). The exterior of the station is constructed in red brick with yellow pressed cement decoration, while the interior also has a number of pressed metal features. A large dome, reminiscent of Brunelleschi&rsquo;s fifteenth-century addition to The Duomo in Florence, adorns the roof of the station and is flanked on either side by a smaller cupola. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 17 March 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2x Digital Photograph arcade arch architecture blind tracery Brunelleschi competition cupola dome Edwardian Free Style false machiolation French Renaissance HPC Ashworth James Fawcett Melbourne neo-Romanesque parapet public building railway station Railways Department Romanesque Revival The Duomo Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/e519e4551dbb8549d3cc1dc8c6cccb3f.jpg 1907eb24f94dd600af2bae1eeab5e6e0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 812 Width 684 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Forum Theatre, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, clock tower, columns, corbel, cupola, dome, grotesque figures, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, oriel windows, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria, winged creatures Description An account of the resource A view of the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April, 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema clock tower columns corbel cupola dome grotesque figures Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival oriel windows pressed cement reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria winged creatures https://ausmed.arts.uwa.edu.au/files/original/4490501688ddd10fa4bfcc94c13338e1.jpg a973958c251476fcd073baba44cd3f0a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 893 Width 670 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Forum Theatre Clocktower, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, clock tower, corbel, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria Description An account of the resource A view of the clocktower at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema clock tower corbel cupola dome Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/3b9e6ccb4447061fab452b9c618adcf7.jpg e7c2fe50468825a80da28984387df1e4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 875 Width 323 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minaret, The Forum Theatre, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria Description An account of the resource A view of a minaret - or tall, tiered tower - at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema cupola dome Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival pressed cement reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria