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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Buttress, castle, coat of arms, crenellation, crest, drama, education, Gothic, Launceston, Launceston Church Grammar School, Mowbray, parapet, pointed arch, Tom Room, school, shield, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The relatively recent brick Tom Room Building continues the medieval theme found elsewhere on the campus by the use buttresses that end as crenellation. The building also features the school coat of arms/crest of a castle with towers and crenelated parapets on a shield, as well as a drawing of a Gothic pointed arch doorway. The building has drama and multi-purpose classrooms. This photograph was taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For the crest see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other buildings with medieval features see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The school crest, or coat of arms, features a shield with the image of a castle with crenelated parapets and square towers. Above the castle is an open book and two bees. Below the shield is a Latin tag which reads &amp;lsquo;Unless the Lord is with us, our labour is in vain&amp;rsquo;. Featured is an ornate sculptured crest and a more recent simplified version. These photographs were taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;buildings with&amp;nbsp;medieval features on the&amp;nbsp;campus see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&#13;
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Wilmot Arms sign, Kempton, Tasmania </text>
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                <text>Advertising, coat of arms, crest, eagle, family crest, helmet, heraldry, Kempton, shield, sign, Tas, Tasmania, website, Wilmot Arms.</text>
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                <text>&lt;p&gt;The Wilmot Arms Inn is a B&amp;amp;B in a former coaching inn built in 1844 in the small Tasmanian town of Kempton. The business uses the Wilmot coat of arms, or family crest, in their advertising. The family crest consists of a late medieval helmet with an eagle crest above a square shield containing three scallop shells and three eagle heads.&lt;/p&gt;&#13;
&lt;p&gt;The Wilmot surname evolved from the personal name William and is first attested in England in the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;The coat of arms is also featured on their website: http://www.wilmotarms.com.au/&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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        <name>eagle</name>
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        <name>heraldry</name>
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        <name>Kempton</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <elementTextContainer>
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                <text>Arcade, arched window, William Archer, crest, Gothic, heraldry, Hobart, Hutchins School, neo-Gothic, Masonic Club of Tasmania, school, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;The photograph shows a building at the former Hutchins School in Hobart, Tasmania. Although this building is sympathetic to the main 1849 building on the site designed by William Archer, this building was a later addition and does not feature in an 1890 photograph. This later building is also in the Gothic style, featuring an arcade with pointed arched entrance ways, pointed arched windows on the second storey, and small towers on the corners.&lt;/p&gt;&#13;
&lt;p&gt;For the central building on the site see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/880"&gt;http://ausmed.arts.uwa.edu.au/items/show/880&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Dorey, Margaret</text>
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                <text>January 29, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/880" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/880&lt;/a&gt;</text>
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        <name>Masonic Club of Tasmania</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article37683816" target="_blank"&gt;http://nla.gov.au/nla.news-article37683816&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Universityâ€™s Coat of Arms</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Animals, Australian universities, black swan, blazon, books, coat of arms, crest, emblem, George Kruger Gray, heraldic symbols, heraldry, Melbourne University, motto, shield, stained glass, universities, University of Western Australia, Wilson Hall</text>
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                <text>&lt;p class="MsoNormal"&gt;Following a request from the University of Melbourne for a coloured copy of its coat of arms to incorporate into a stained glass window, this article informs readers that the University of Western Australia had commissioned George Kruger Gray, an English authority on heraldry, to redesign its crest and coat of arms. The blazon, or written description, of the new coat of arms is quoted in the text of the article as: &amp;ldquo;Arms: Party chevron-wise sable and gold, in the chief two open books having buckles, straps and edges of gold and in the foot a swan all sable&amp;rdquo;. This describes a shield that is divided into two by a chevron line, featuring two open books with gold edging against a black background above the line, and a black swan against a gold background below the line. It differed from the previous version by substituting the full chevron for a dividing line where it had previously been and also by replacing the conventionalised white swan that had been coloured black with a heraldic black swan. George Kruger Gray&amp;rsquo;s version of UWA&amp;rsquo;s coat of arms and its other historical variants can be viewed at: &lt;a href="http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/university_coat_of_arms" target="_blank"&gt;http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/university_coat_of_arms&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
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                <text>Anon.</text>
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            <name>Source</name>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Western Mail</text>
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            <name>Date</name>
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                <text>16 January 1930, p.25</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Western Mail</text>
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            <name>Format</name>
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                <text>Newspaper Article</text>
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        <name>Animals</name>
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        <name>Australian universities</name>
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        <name>black swan</name>
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        <name>blazon</name>
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        <name>books</name>
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        <name>coat of arms</name>
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        <name>crest</name>
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        <name>emblem</name>
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        <name>George Kruger Gray</name>
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        <name>heraldic symbols</name>
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        <name>Melbourne University</name>
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        <name>motto</name>
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        <name>shield</name>
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        <name>stained glass</name>
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        <name>universities</name>
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        <name>University of Western Australia</name>
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        <name>Wilson Hall</name>
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