1 8 45 https://ausmed.arts.uwa.edu.au/files/original/2c957817120b78f696fe1b1012c5bc82.JPG 2271eb5352c4cb8f68d6f5f96c8700a1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f369bcc0607f8dd09883990de932555a.JPG 52cc561291ac965e50673378f43ca1c4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Church of England rear, Pontville, Tasmania Subject The topic of the resource Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Markâ€™s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower. Description An account of the resource St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arrow slit blind doorway buttress Celtic cross cemetery Church of England column convict garden James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Markâ€™s Church of England stained glass Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/807c8118548541256c02aa1c2671b06c.JPG ee168b8fe9e5997ca5460fb37b401be9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/b824b92369c8a19eecccbc423543336a.JPG 1c09683058d358ebd208d1e3a83438ba Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Church of England, Pontville, Tasmania Subject The topic of the resource Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Markâ€™s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window. Description An account of the resource St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For the rear of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arcade arrow slit buttress capital Celtic cross Church of England column convict James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Markâ€™s Church of England stained glass Tas Tasmania tower trefoil window. https://ausmed.arts.uwa.edu.au/files/original/e36064afd6f95c07c8a1065968f5adb0.JPG 4d3315ab6326e11ca824632ee6120600 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery. Description An account of the resource The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window. St Matthew’s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph capital columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. tracery https://ausmed.arts.uwa.edu.au/files/original/51c7937d0c2bd7d0f79187a2ff2ff840.JPG 0f4fceb69793273d81f51d06cc2674bc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania. Description An account of the resource The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/a61a73d168d82cb4b8a937aa736e0124.JPG 5bd2adfe55a75a97345bebe7f438a4aa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/3c572f113e7f3de3abadf04550fe4d7e.JPG 94c1ced2f1a997f11b4affbafa4b3675 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery. Description An account of the resource St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For a close up photograph of the entrance see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph blind arcading buttress cemetery columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania tower tracery. https://ausmed.arts.uwa.edu.au/files/original/8ae64b210b460afe9f246110834d10e1.JPG a73537b2887e4a991f0bb4ebd3f05966 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/46f789b0a5acb49134341ac36eaf4fa0.JPG 4a4e9bdc3c14b93905a94e8f3647d904 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrewâ€™s Anglican Church interior, Westbury, Tasmania Subject The topic of the resource Anglican, James Blackburn, carving, Church of England, convict, Gothic, Gothic Revival, memorial, Ellen Nora Payne, pointed arch, pulpit, rood screen, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury, woodcarver. Description An account of the resource The interior of St Andrew’s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior.  The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the ‘Seven Sisters’ rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways. For more of the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican carving Church of England convict Ellen Nora Payne Gothic Gothic Revival James Blackburn memorial pointed arch pulpit rood screen St Andrewâ€™s Anglican Church stained glass Tas Tasmania tracery Westbury woodcarver. https://ausmed.arts.uwa.edu.au/files/original/788091f648de87c9d799c12c836971d7.JPG 37012172803e19552b59f1c0fa80f0cc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/3d5a650a2b0a282450fc733257999f50.JPG ae6673c9430aa4119083100902cb0cc2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrewâ€™s Anglican Church exterior, Westbury, Tasmania Subject The topic of the resource Anglican, George Arthur, James Blackburn, buttress, Church of England, William Henry Clayton, convict, crenellation, Gothic, Gothic Revival, lancet windows, Francis Russell Nixon, parapet, pinnacle, pointed arch, porch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tower, tracery, Westbury. Description An account of the resource St Andrew’s Church of England (Anglican) is opposite the Village Green in the small Tasmanian town of Westbury. The foundation stone was laid in 1836 by Lieutenant George Arthur (1784-1854) and the sandstone brick church was first used in 1841. The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. The church was finally consecrated in 1851 by Tasmania’s first Bishop, Francis Russell Nixon (1803-1879). The tower was added in 1859 under the supervision of architect William Henry Clayton (1823-1877). The sanctuary and chancel were completed in 1888 and consecrated in 1890. St Andrew’s is in the Gothic Revival style and features buttresses, lancet windows, a porch, tracery in the east window, and pointed arch doorways. The tower is topped by a crenelated parapet and originally had pinnacles but these were removed following serious storm damage in 1877. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Church of England convict crenellation Francis Russell Nixon George Arthur Gothic Gothic Revival James Blackburn lancet windows parapet pinnacle pointed arch porch St Andrewâ€™s Anglican Church Tas Tasmania tower tracery Westbury. William Henry Clayton https://ausmed.arts.uwa.edu.au/files/original/59e0d63b2c5e1a5032728a4a101ee24d.jpg 93d430c4c902f825a3753bdcd266c328 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/88375914acea7ae2c805ad821aba11a5.jpg 203bad6e1465c6a9e63f65a15137ac6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Lukeâ€™s Church interior, Bothwell, Tasmania Subject The topic of the resource Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Lukeâ€™s Church, stained glass, Tas, Tasmania, Uniting Church. Description An account of the resource St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed ‘Celtic’ crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> For the Celtic heads see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Bothwell Celtic Celtic cross convict George Arthur Gothic Gothic Revival John Lee Archer lancet window pointed arch Presbyterian St Lukeâ€™s Church stained glass Tas Tasmania Uniting Church.