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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent" target="_self"&gt;http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent&lt;/a&gt;</text>
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                <text>The Abbotsford Convent, Abbotsford, Victoria</text>
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                <text>Abbotsford, Abbotsford Convent, architecture, Caen, convent, Convent of The Good Shepherd, Federation Gothic, French medieval architecture, gable, Gothic architecture, industrial school, lancet arch, Magdalen Asylum, Melbourne, neo-Gothic, pebble-dash, reformatory, Sisters of the Good Shepherd, spire, VIC, Victoria. </text>
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                <text>&lt;p&gt;The Abbotsford Convent, located in the inner city Melbourne suburb of Abbotsford, operated as a convent, reformatory and Magdalen Asylum from 1863 until the mid-1970s. The convent was run by the Sisters of the Good Shepherd, a Catholic religious order who, in addition to taking standard vows of poverty, chastity and obedience, also sought to save souls. Eleven buildings of varying design stand on the 6.8 hectare site, of which the Convent building is particularly notable for the medieval French influence of its architecture. Constructed in 1900 to the design of Reed Smart and Tappin, the building is based on the gothic design of the Order&amp;rsquo;s mother house in Caen, and features steep gables, a western spire and a pebble-dash finish with contrasting red brickwork. The Convent now functions as an arts and cultural precinct.&lt;/p&gt;&#13;
&lt;p&gt;For more information, see The Abbotsford Convent website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Abbotsford Convent Website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;br /&gt;</text>
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                <text>The Abbotsford Convent</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Bell Tower from the former Loreto Convent in Claremont was designed by Reginald Summerhayes and built in 1937. It was rebuilt with the original bricks at its present inner-city site in Northbridge in 1991 after the Loreto Convent and school site was sold. The Bell Tower is 20.2 metres high and is in the Romanesque style, featuring semi-circular arched windows.  </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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                <text>school, schools, education, children, child, juvenile, youth, youths, teaching, teach, teacher, teachers, convent, convent school, Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, Sisters of Mercy, South Street, York, Perth, WA, Western Australia, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, cross, crosses, crucifix, arches, arch</text>
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                <text>An image of the vaulted ceiling of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia.&#13;
&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The vaulted ceilings of this building is a feature which is particularly characteristic of the nineteenth-century Gothic style of architecture.&#13;
&#13;
At present, the building is privately owned and opens as an Antique shop on weekends. </text>
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                <text>Carter, Bree</text>
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                <text>27 November 2011</text>
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        <name>St. Patrick</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/6d5a7b5dcea3d6cdf493efe3dec5ff5a.JPG</src>
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                <name>Bit Depth</name>
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                    <text>8</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Presentation Convent, Geraldton, Western Australia</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Bishop Kelly, Catholic, Catholicism, religious, religion, Christian, Christianity, convent, Geraldton, Geraldton Sisters, Gothic, architecture, Gothic revival, cross, niche, Presentation Convent, Geraldton Presentation Sisters, spires, WA, Western Australia, William Kelly</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An image of Stella Maris College in Geraldton. The purpose-built college for the Geraldton Presentation Sisters was completed in 1912, after the foundation stone had been laid by Bishop William Kelly in 1911. The building was designed by Mother Brigid who had entered the convent in 1895. The style of the brick building is primarily colonial but has a grand Gothic-style stone entrance featuring a niche, four turrets and crenellation. The left-hand side of the building also features crenellation. The logo above the entrance is an interesting mix of Australian and medieval images, including an emu and kangaroo, along with an Irish harp and a medieval round tower most commonly found in Irish churchyards.&#13;
&#13;
Further information is available in Ruth Marchant James, From Cork to Capricorn: A History of the Presentation Sisters in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1996) and The Call and the Vision: the Presentation Sisters, 100 Years in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1991).</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7398">
                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 May 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7400">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7401">
                <text>Digital Photograph</text>
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