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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;</text>
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                <text>Medieval FightClub shop</text>
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                <text>Archery, armour, axe, chain mail, cloak pin, clothing, combat, costume, Crusader, dagger, drinking horn, helmet, javelin, living history, Medieval FightClub, New South Wales, NSW, plate armour, pouch, re-enactment, replica, shield, spear, stave, store, sword, tent, Viking, website, Wyee, Ye-Mail Subscription.</text>
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                <text>&lt;p&gt;Medieval FightClub is an online store with a warehouse in the New South Wales town of Wyee. They sell &amp;lsquo;Historical replica products from Medieval and Ancient times&amp;rsquo; including various weapons, clothing, drinking horns, accessories, jewellery, shoes, tents and pavilions. There are also less historic items such as Crusader cross buttons, t-shirts,&amp;nbsp;and brightly coloured synthetic sword blades. Although in general the store organises the products according to era rather than &amp;lsquo;peoples&amp;rsquo;, there is a special sections for Viking and Crusader&amp;nbsp;products. The website includes a &amp;lsquo;Helpful Info&amp;rsquo; section with tips on sword care, shoe and ring sizes, and DIY guides. Customers are also able to sign up for Ye-Mail Subscription.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Copyright 2012 Medieval FightClub</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Ancient Arts Fellowship, Beorg-wic</text>
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                <text>ACT, Ancient Arts Fellowship, archery, Australian Capital Territory, Beorg-wic, Canberra, clothing, craft, Danegeld, Danelaw, Dark Ages, early medieval, feast, Old English, re-creation, re-enactment, Viking, Vinland Coffee House, website.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. They hold an annual camping weekend in October at Beorg-wic, part of The Danelaw property (named after the part of England settled by Vikings and where aspects of Danish law was used). During the weekend re-enactors participate in fighting, craft, archery, and feasting. Payment for the event is referred to as Danegeld (a payment made to make Vikings not attack), and catering is provided by the Vinland Coffee House (&lt;em&gt;Vinland&lt;/em&gt; was the name given by Viking explorers for part of north America. &lt;em&gt;Beorg-wic &lt;/em&gt;is Old English for hill settlement.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/beorg-wic"&gt;http://www.aaf.org.au/beorg-wic&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ancient Arts Fellowship, Inc</text>
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                <text>Ancient Arts Fellowship, Inc</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Ancient Arts Fellowship Educational Sessions, Canberra</text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number &amp;lsquo;Display Packages&amp;rsquo; to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;</text>
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                <text>An article on page 4 of the Brisbane Courier newspaper on July 10, 1908. The article is about the decision to make a Viking battleship (in other articles about the event it is referred to as a Viking Dragon Ship) the centre-piece of a church fÃªte. The decision was made by the workers of St. Paulâ€™s church, Leichhardt Street, in Brisbane. The article notes that as Vikings collected ransom from those whom they raided, the â€˜modern imitators of that great race of peopleâ€™ would also demand ransom, but it would be used for a good cause. Entertainment at the fÃªte included sagas, which were perhaps excerpts from sagas about the Vikings written in Iceland in the twelfth and thirteenth centuries. It is also reported that there was a street parade the night before the fÃªte which featured a band of modern Vikings led by a Jarl (Old Norse for Earl) wearing â€˜skyrtas and kyrtils [Old Norse for shirts and tunic/gowns], and ring armour, and armed with swords and battle axesâ€™. The use of Viking terminology is an unusual feature of this article.</text>
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                <text>In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. </text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="8427">
              <text>&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;Digital Newspaper Article: National Library of Australia - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Medieval Inspiration</text>
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                <text>clothing, dress, gown, fashion, headdress, medieval lines, moire, pearl, simplicity, trimmings, wedding, wedding dress, womenâ€™s fashion</text>
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            <description>An account of the resource</description>
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                <text>In this instalment of â€œThe Ladiesâ€™ Sectionâ€ of the Sunday Times, an illustration is provided of a fashionable wedding dress described as being â€œof medieval inspirationâ€. The simplicity of the dress, the caption suggests, is what constitutes its charm. The dress is cut along medieval lines and embellished with pearl trimmings. </text>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Publisher</name>
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              <elementText elementTextId="8422">
                <text>The Sunday Times</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 April 1929, p. 5.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Sunday Times</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="8425">
                <text>Digital Newspaper Article</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>clothing</name>
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        <name>dress</name>
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        <name>fashion</name>
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        <name>gown</name>
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        <name>headdress</name>
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        <name>medieval lines</name>
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        <name>moire</name>
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        <name>pearl</name>
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        <name>simplicity</name>
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        <name>trimmings</name>
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        <name>wedding</name>
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        <name>wedding dress</name>
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        <name>womenâ€™s fashion</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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          <name>URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Livery Buttons Leading Families of New South Wales </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>NSW, New South Wales, Medieval Allegiance, crests, heraldry, livery, James McEvoy, clothing imports, clothing</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Livery and its insignia were integral to medieval culture; their bestowal and wearing marked allegiance and identification to particular lords, factions or beliefs. As late as the early fifteenth century, regular livery awards at Christmas or Easter or livery rewards for good service were still part of the Kingâ€™s rituals towards his retainers or, in the case of the hybrid wage system around 1400, his government clerks. This advertisement in the early colonial journal (some 60 years after settlement) offers to import buttons with crests from England to anyone who believes their family name is associated with a heraldic tradition.&#13;
</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13345">
                <text>Colonial literary journal and weekly miscellany of useful information&#13;
vol. 1. 32 1845, p. 79&#13;
James McEvoy, Albert House, Pitt Street</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13346">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="13347">
                <text>1845</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13348">
                <text>Copyright Expired</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="13349">
                <text>Print Journal; Hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="13350">
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        <name>clothing</name>
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        <name>clothing imports</name>
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      <tag tagId="1684">
        <name>crests</name>
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      <tag tagId="362">
        <name>heraldry</name>
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      <tag tagId="1686">
        <name>James McEvoy</name>
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      <tag tagId="1685">
        <name>livery</name>
      </tag>
      <tag tagId="1683">
        <name>Medieval Allegiance</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
