1 8 11 https://ausmed.arts.uwa.edu.au/files/original/87313e879a8c563072eaed199ed4ad09.JPG e972e304cf57dec12065a2379af9aceb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/d319554e7017c8cc5b6d3d90d0c4cda7.JPG b136c3e21e067afaa8fff0f4ffccd6e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church, Longford, Tasmania Subject The topic of the resource Anglican, arched entrance, blind window, buttress, Christ Church, clock, clock moulding, crenellation, Gothic, Gothic Revival, lancet window, Robert de Little, Longford, parapet, Tas, Tasmania, tower. Description An account of the resource Christ Church is in the centre of the Tasmanian town of Longford and was designed by Launceston-based architect Robert de Little. The Anglican church was built between 1839 and 1844, with the crenellation on the tower added in 1960 (the tower was previously topped by a pitched roof). The building is in the Gothic Revival style and features buttresses, lancet windows, clock mouldings, blind windows, arched entrances, and an imposing square clock and bell tower with a crenelated parapet. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 31, 2012 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arched entrance blind window buttress Christ Church clock clock moulding crenellation Gothic Gothic Revival lancet window Longford parapet Robert de Little Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/e0ddbdf33453c435cc952e886023746a.jpg 26f86f6b1765062047366a0a0ce31a20 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 816 Width 545 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Clock, Queen Victoria Building, Sydney Subject The topic of the resource castle, coat of arms, crenellation, Neil Glasser, George McRae, New South Wales, NSW, Queen Victoria Building, QVB, retail, Romanesque, shop, Sydney, royal, Thwaites and Reed, tower, clock, royal clock Description An account of the resource <div class="element-text"> The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215. For more on the building see <a href="http://www.qvb.com.au" target="_blank">http://www.qvb.com.au</a></div> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 6 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG castle clock coat of arms crenellation George McRae Neil Glasser New South Wales NSW Queen Victoria Building QVB retail Romanesque royal Royal Clock shop Sydney Thwaites and Reed tower https://ausmed.arts.uwa.edu.au/files/original/5c775e62ed9c582fe74885b6faa7bba8.jpg 9da874d6bc671148a6b88d3523bd72d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 444 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Clock, Queen Victoria Building, Sydney Subject The topic of the resource castle, coat of arms, crenellation, Neil Glasser, George McRae, New South Wales, NSW, Queen Victoria Building, QVB, retail, Romanesque, shop, Sydney, royal, Thwaites and Reed, tower, clock, royal clock Description An account of the resource The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215. For more on the building see <a href="http://www.qvb.com.au" target="_blank">http://www.qvb.com.au</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 6 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG castle clock coat of arms crenellation George McRae Neil Glasser New South Wales NSW Queen Victoria Building QVB retail Romanesque royal Royal Clock shop Sydney Thwaites and Reed tower https://ausmed.arts.uwa.edu.au/files/original/d1e6a4d5c5a4b3ad7c48b017e54c0cd7.JPG 115be0fa5286f73c5a81cd1bad208c38 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 700 Width 933 https://ausmed.arts.uwa.edu.au/files/original/cc75f80122ca02b3be5c8565f389f4b5.JPG 65befc4d4973904c5fd177c8b937eb0d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 604 Width 907 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rouen clock: Medieval inspiration for London Court, Perth. Subject The topic of the resource clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia Description An account of the resource These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a ‘replica’ of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands. The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon. For London Court see <a href="http://www.londoncourt.com.au/" target="_blank">www.londoncourt.com.au</a>. For the newspaper article ‘Two New Clocks’ see <a href="http://nla.gov.au/nla.news-article41438038" target="_blank">http://nla.gov.au/nla.news-article41438038</a>. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 29 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photographs; JPEGs clock France H. Hope-Jones Le Gros Horloge London Court newspaper Normandy Perth replica Rouen the Great Clock The West Australian WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/8dd758e9ef89be4cb1117acdb4853c33.pdf f4ab5073d9a47da790e0bd296e492e7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article - National Library of Australia <a href="http://nla.gov.au/nla.news-article41438038" target="_blank">http://nla.gov.au/nla.news-article41438038</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two New Clocks: Novelties for London Court Subject The topic of the resource arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia Description An account of the resource In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 9 October 1937, p. 27. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article â€œTournament of Tilting Knightsâ€ arcade Big Ben Big Clock clock dragon Fremantle H. Hope Jones Hay Street horse knights La Grosse Horage lance London Court mechanisation Monk of Glastonbury Moreton Bay Peter Lightfoot retail arcade Rouen shopping St George St Georgeâ€™s Terrace sword Synchronome Company Ltd synchronome invention WA Wells Cathedral Western Australia https://ausmed.arts.uwa.edu.au/files/original/76cd2467304de30a0b1ee39345c30dd3.jpg 53562997026e6a73dce49c2347ee879c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3648 Width 2736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth, Western Australia Subject The topic of the resource Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St Georgeâ€™s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Bernard Evans bypass Claude de Bernales clock cobblestones corbels Elizabethan gable gargoyles Hay Street heraldic shield horse Inter-War Old English style iron gate jettying knight leadlight windows London Court oriel window pageantry Perth portcullis retail shops St George St George cross St Georgeâ€™s Terrace timber panelling tourney Tudor WA weather vanes Western Australia https://ausmed.arts.uwa.edu.au/files/original/7ef7671d0ba4eb4fbf1abac43fd4c83e.jpg c7e62917da8b229a670e56e52f88c66f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 879 Width 590 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tournament of Armoured Knights, London Court, Perth - Clock Face Subject The topic of the resource arcade, Architecture, armour, Bernard Evans, caprison, castle, chivalry, Claude de Bernales, clock, Elizabethan, Hay Street, heraldic decoration, horse, horseback, Inter-War Old English style, joust, jousting, knight, knights, lance, London Court, Perth, retail, shops, St George cross, St Georgeâ€™s Terrace, sword, tournament, tourney, Tudor, Western Australia, WA Description An account of the resource Images of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop. London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Armour Bernard Evans caprison castle chivalry Claude de Bernales clock Elizabethan Hay Street heraldic decoration horse horseback Inter-War Old English style joust jousting knight knights lance London Court Perth retail shops St George cross St Georgeâ€™s Terrace sword tournament tourney Tudor WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/6cd6b96eee3ff26626c1f38426e90401.jpg ea7fd0157ef53fa3cb6bbdbda4e2698f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 583 Width 968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tournament of Armoured Knights, London Court, Perth Subject The topic of the resource arcade, architecture, armour, Bernard Evans, caprison, castle, chivalry, Claude de Bernales, clock, Elizabethan, Hay Street, heraldic decoration, horse, horseback, Inter-War Old English style, joust, jousting, knight, knights, lance, London Court, Perth, retail, shops, St George cross, St Georgeâ€™s Terrace, sword, tournament, tourney, Tudor, Western Australia, WA Description An account of the resource Image of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop. London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Armour Bernard Evans caprison castle chivalry Claude de Bernales clock Elizabethan Hay Street heraldic decoration horse horseback Inter-War Old English style joust jousting knight knights lance London Court Perth retail shops St George cross St Georgeâ€™s Terrace sword tournament tourney Tudor WA Western Australia