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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Balingup, Balingup Medieval Carnivale, carnival, festivities, carnivals, costume, cloak, fayre, costumes, cloaks, infant, Aurore McLeod, recreation, leisure, re-creation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia</text>
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                <text>A digital photograph of an infant wearing a corduroy hooded cloak at the Balingup Medieval Carnivale. The cloak was designed and made by Aurore McLeod, based on an imagined medieval outfit for a wealthy child. </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Ascalon</text>
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                <text>Image of the sculpture Ascalon in front of St Georgeâ€™s Cathedral, Perth. The work was created by Marcus Canning and Christian de Vietri and unveiled in 2011. Ascalon is the name of the lance used by St George to slay the dragon in many medieval romances. As well as the lance, the sculpture features the cloak of St George and an abstract representation of the slain dragon in black epoxy coated steel plate.</text>
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                <text>McLeod, Shane</text>
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