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                <text>Evandale Village Singers present Henry Purcellâ€™s â€˜King Arthurâ€™ </text>
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                <text>Advertisement, St Andrewâ€™s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.winthropsingers.com"&gt;www.winthropsingers.com&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Winthrop Singers</text>
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                <text>Nicholas Bannan, choir, Gregorian chant, Hildegarde of Bingen, Guillaume Machaut, performance, Perth, School of Music, St Georgeâ€™s College, University of Western Australia, WA, website, Western Australia, The Winthrop Singers.</text>
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                <text>&lt;p&gt;The Winthrop Singers is a choir formed in 2007 following collaboration between the School of Music at The University of Western Australia and St George&amp;rsquo;s College. The choir are led by Dr Nicholas Bannan and regularly perform at St George&amp;rsquo;s Chapel and elsewhere. Their repertoire often includes music from the medieval period, including Gregorian chant and works by Hildegarde of Bingen, and a special performance of Guillaume Machaut&amp;rsquo;s &amp;lsquo;Messe de Nostre Dame&amp;rsquo; in 2009.&lt;/p&gt;&#13;
&lt;p&gt;More information on The Winthrop Singers can be found at &lt;a href="http://www.winthropsingers.com"&gt;www.winthropsingers.com&lt;/a&gt; and &lt;a href="http://www.music.uwa.edu.au/concerts/special-events/singers"&gt;www.music.uwa.edu.au/concerts/special-events/singers&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Winthrop Singers, The University of Western Australia</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>"New Bishop Consecrated at Brilliant Ceremony," in The Argus.</text>
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                <text>Anglican, Anglicanism, Ballarat, Ballarat diocese, Bishop of Ballarat, Bishop William Herbert Johnson, cassocks, cathedral, ceremony, choir, Christ Church Cathedral, Church of England, clergy, consecration, cross, crozier, Litany, medieval scenes, oath, procession, St Paulâ€™s Cathedral, surplices, Vestments, Victoria, VIC.</text>
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                <text>This illustrated article from The Argus provides an account of a ceremony in St Paulâ€™s Cathedral (Melbourne) to mark the consecration of William Herbert Johnson as the Bishop of Ballarat in 1936. It describes the procession - consisting of the cross-bearer, the cathedral choir, priests from the Diocese of Ballarat, 100 clergy from the Diocese of Melbourne and a number of other Bishops and their attendants - from the Chapter House into the Cathedral, followed by details of the sermon, preached by Bishop Stephen, the oath, the Litany, the donning of Episcopal vestments and the consecration. The â€˜stained glass, light gleaming on cross and crozier, the scarlet, black and white of episcopal vestments, and the sombre purples, whites and blacks of cassocks and surplicesâ€™, the author claims, â€˜gave a richly medieval air to St Paulâ€™s Cathedralâ€™. </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article11930833" target="_blank"&gt;http://nla.gov.au/nla.news-article11930833&lt;/a&gt;</text>
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                <text>The Argus</text>
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                <text>29 October 1936</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>National Library of Australia</text>
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        <name>VIC.</name>
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