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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <description/>
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                <name>Height</name>
                <description/>
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                    <text>430</text>
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                <description/>
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              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>2 x Digital Photographs; JPEGs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;em&gt;&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';" lang="EN-AU"&gt;Extraordinary Stories from the British Museum&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';" lang="EN-AU"&gt; Activity Sheet&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <description>The topic of the resource</description>
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                <text>Asante ewer, British Museum, Byzantine, chess, children, Commonwealth, Cyprus treasure, education, Extraordinary Stories from the British Museum, Lewis Island chess set, Perth, Perth Cultural Centre, Perth Museum, Richard II, WA, Western Australia, Western Australian Museum, activity sheet</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>These two photographs show one of three activity packs aimed at children which were available at the Extraordinary Stories from the British Museum exhibition held at the Western Australian Museum â€“ Perth. The exhibition included various items from the British Museum, including three medieval pieces, all of which featured in the activity pack. The items in question were the Queen chess piece from the twelfth-century Lewis Island chess set, the Asante ewer associated with Richard II, the King of England in the late fourteenth century, and the mid-seventh-century silver bowl from the first Cyprus treasure. The activity pack encouraged children to cut out pictures of the items and place them correctly along a timeline.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Western Australian Museum</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>29 January 2012</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19233">
                <text>Western Australian Museum (activity sheet content); No copyright for digital image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19234">
                <text>Digital Photograph; JPEG</text>
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        <name>British Museum</name>
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        <name>Byzantine</name>
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        <name>chess</name>
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      <tag tagId="85">
        <name>children</name>
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        <name>Commonwealth</name>
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        <name>Cyprus treasure</name>
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        <name>education</name>
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        <name>Extraordinary Stories from the British Museum</name>
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        <name>Lewis Island chess set</name>
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        <name>Perth</name>
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        <name>Perth Cultural Centre</name>
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        <name>Perth Museum</name>
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        <name>Richard II</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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        <name>Western Australian Museum</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/"&gt;http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/&lt;/a&gt;</text>
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        <elementContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Harry Potter Birthday Parties With Owls</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18931">
                <text>Harry Potter, children, birthday, party, parties, birds, owl, owls, prey, birds of prey, Western Australian Birds of Prey Centre, WA, Western Australia, Perth, rehabilitation, falconry, raptor, raptors, hawk, hawks, eagles, eagle, recreation, flying display, flying displays </text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18932">
                <text>A hyperlink to a page the Western Australian Birds of Prey Centre website. It reads:&#13;
&#13;
"With the increasing number of themed birthday partys, the Harry Potter theme is a fantastic way to have fun and relive the memorys of Harry Potter. The Western Australian Birds of Prey Centre offers an educational experience with our Nocturnal raptors. The opporunity to get up close and personal with Oska the Barking Owl, Brandon the Barn Owl, Phoenix the Sotty Owl, just to mention a few. We offer prises and â€˜hands onâ€™ great photo opportunity for a memorable event. For More Information contact me via website or mobile."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18933">
                <text>Western Australian Birds of Prey Centre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18934">
                <text>26 December 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18935">
                <text>Western Australian Birds of Prey Centre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18936">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18937">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="4297">
        <name>birds</name>
      </tag>
      <tag tagId="4301">
        <name>birds of prey</name>
      </tag>
      <tag tagId="4295">
        <name>birthday</name>
      </tag>
      <tag tagId="85">
        <name>children</name>
      </tag>
      <tag tagId="4376">
        <name>eagle</name>
      </tag>
      <tag tagId="4375">
        <name>eagles</name>
      </tag>
      <tag tagId="4303">
        <name>falconry</name>
      </tag>
      <tag tagId="4304">
        <name>flying display</name>
      </tag>
      <tag tagId="4305">
        <name>flying displays</name>
      </tag>
      <tag tagId="2564">
        <name>Harry Potter</name>
      </tag>
      <tag tagId="4377">
        <name>hawk</name>
      </tag>
      <tag tagId="4378">
        <name>hawks</name>
      </tag>
      <tag tagId="4298">
        <name>owl</name>
      </tag>
      <tag tagId="4299">
        <name>owls</name>
      </tag>
      <tag tagId="4296">
        <name>parties</name>
      </tag>
      <tag tagId="1468">
        <name>party</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="4300">
        <name>prey</name>
      </tag>
      <tag tagId="4307">
        <name>raptor</name>
      </tag>
      <tag tagId="4308">
        <name>raptors</name>
      </tag>
      <tag tagId="168">
        <name>recreation</name>
      </tag>
      <tag tagId="4306">
        <name>rehabilitation</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="4302">
        <name>Western Australian Birds of Prey Centre</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="705" public="1" featured="1">
    <fileContainer>
      <file fileId="749">
        <src>https://ausmed.arts.uwa.edu.au/files/original/eb44e2f71869efdbc8bcb44e93dac54f.jpg</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="18079">
                    <text>8</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="75">
                <name>Channels</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="18080">
                    <text>3</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="73">
                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="18083">
                    <text>933</text>
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                <description/>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="18092">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18085">
                <text>PICA Tower, Perth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18086">
                <text>arched window, William Atkins, Perth, Perth Boysâ€™ and Girlsâ€™ School, Perth Central School, school, schools, education, children, child, juvenile, teaching, learning, Perth Cultural Centre, Perth Institute of Contemporary Art, PICA, Romanesque, tower, WA, Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18087">
                <text>This photograph shows the tower of the Perth Institute of Contemporary Art in the Perth Cultural Centre. The building, opened in 1897 and designed by William Atkins, was originally the Perth Boysâ€™ and Girlsâ€™ School, and was often referred to as Perth Central School. The central red brick tower with a pitched corrugated roof and arched upper windows is in the Romanesque style. A medieval example of this style of tower, but with fewer arched windows, was found at the front of Cluny Abbey III in France, built in 1088.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18088">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18089">
                <text>12 January 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18090">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18091">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="509">
        <name>arched window</name>
      </tag>
      <tag tagId="339">
        <name>child</name>
      </tag>
      <tag tagId="85">
        <name>children</name>
      </tag>
      <tag tagId="90">
        <name>education</name>
      </tag>
      <tag tagId="1253">
        <name>juvenile</name>
      </tag>
      <tag tagId="4067">
        <name>learning</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="4065">
        <name>Perth Boysâ€™ and Girlsâ€™ School</name>
      </tag>
      <tag tagId="4066">
        <name>Perth Central School</name>
      </tag>
      <tag tagId="3993">
        <name>Perth Cultural Centre</name>
      </tag>
      <tag tagId="4068">
        <name>Perth Institute of Contemporary Art</name>
      </tag>
      <tag tagId="4069">
        <name>PICA</name>
      </tag>
      <tag tagId="2066">
        <name>Romanesque</name>
      </tag>
      <tag tagId="117">
        <name>school</name>
      </tag>
      <tag tagId="3812">
        <name>schools</name>
      </tag>
      <tag tagId="1851">
        <name>teaching</name>
      </tag>
      <tag tagId="270">
        <name>tower</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="4064">
        <name>William Atkins</name>
      </tag>
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  <item itemId="703" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>A photograph taken by photographer Ted Hood of children participating in the Corpus Christi procession at Manly, New South Wales, in 1934.&#13;
&#13;
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia.&#13;
&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. This building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. This style is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition.&#13;
&#13;
At present, the building is privately owned and opens as an Antique shop on weekends. </text>
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                <text>Carter, Bree</text>
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