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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>â€˜The Chaliceâ€™ Range Wine Labels, Chalice Bridge Estate</text>
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                <text>â€˜The Chaliceâ€™, Arthurian legend, beverage, chalice, Chalice Bridge Estate, ChrÃ©tien de Troyes, Holy Grail, King Arthur, knight, label, legend, mantle, Margaret River, medieval imagery, military order, Order of the Temple, quest, Templar Knights, vessel, WA, Western Australia, wine, Wolfram von Eschenbach.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Chalice&amp;rsquo; is a limited release, reserve wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the legends of the Quest for the Holy Grail, and this medieval association is enhanced by the illustrations on the bottle labels. The label features a chalice, or goblet/footed cup, surrounded by a floral design. A chalice is often depicted as the vessel of the Holy Grail, although during the medieval period it was also sometimes depicted as a platter. The Quest for the Holy Grail was a popular part of the legendary Arthurian cycle involving Lancelot and/or Galahad during the medieval period, particularly in the work of Chr&amp;eacute;tien de Troyes and Wolfram von Eschenbach. Now, however, the Quest is often more readily associated with the Knights Templar, for example in the 1989 film &lt;em&gt;Indiana Jones and the Last Crusade&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia (&lt;a href="http://www.studiolostandfound.com/" target="_blank"&gt;http://www.studiolostandfound.com/&lt;/a&gt;)&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate: &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;</text>
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                <text>2011</text>
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                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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                <text>Wine bottle label</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St. Mary's Cathedral, East Perth - Windows</text>
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                <text>architect, architecture, cathedral, Catholic, Catholicism, chalice, church, ecclesiastical building, gothic, gothic revial, hood moulding, lancet arch, lancet window, leadlight, neo-gothic, Perth, Saint Mary, St. Mary, stained glass, WA, Western australia, window, windows</text>
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                <text>A close-up image of one of the neo-gothic lancet windows at St Mary's Roman Catholic Cathedral.&#13;
&#13;
About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Bree Carter</text>
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