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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/811/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/811/&lt;/a&gt;</text>
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                <text>"Requiescat" by Briton RiviÃ¨re</text>
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                <text>Armor, armour, art, bed, bloodhound, breastplate, burial rites, byrnie, chain mail, chainmail, coif, couter, cuisses, death, dog, epitaph, greaves, hauberk, helmet, hood, knight, mail, maille, pauldron, plate armour, poleyn, rerebrace, rest, shynbald, sabaton, soul, vambrace, wreath.</text>
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                <text>&lt;p&gt;This oil on canvas painting by English artist Briton Rivi&amp;egrave;re was purchased by the Art Gallery of New South Wales (from the artist) in 1897-1898. Completed in 1888, it depicts an armoured medieval knight lying supine on top of a wooden bed and blue floral-patterned bedspread while a dog (usually identified as a bloodhound) gazes up at him. A wreath on the knight&amp;rsquo;s chest suggests that he is dead, as does the title of the painting: &amp;ldquo;Requiescat&amp;rdquo;. Based on the role of the requiem mass in Catholic burial rites, the term &amp;ldquo;requiescat&amp;rdquo; (which literally means "rest") refers to a prayer for the repose of the dead, as expressed in the common epitaph &amp;ldquo;rest in peace&amp;rdquo;. The knight in this painting is wearing a chain mail byrnie (or hauberk) and various pieces of plate armour, including a breastplate, pauldrons to protect the shoulders, rerebraces and vambraces on his arms, cuisses, poleyns and greaves on his legs and metal shoes known as sabatons. Plate armour began to replace mail armour from the fourteenth century.&lt;/p&gt;&#13;
&lt;p&gt;For more on the artist, see Simon Reynolds, &amp;lsquo;Riviere, Briton (1840&amp;ndash;1920)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/35766].&lt;/p&gt;</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Oil on Canvas, 158.7cm x 225cm</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Chainmail for Sale at Kryal Castle</text>
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                <text>Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, protective clothing, re-creation, recreation, riveting, weaponry, weapon, weapons, Keith Ryal, Kryal Castle, castle, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, royal, royalty, regal, tourist, tourism </text>
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                <text>A photograph of a stall at Kryal Castle in Ballarat, which sells chain mail that has been hand-crafted according to the traditional medieval method. Some of the objects that can be bought are chainmail keyrings and chainmail jewellery.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.  </text>
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                <text>Jeffery, N.</text>
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                <text>â€˜The Questâ€™ Range Wine Labels, Chalice Bridge Estate</text>
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                <text>â€˜The Questâ€™, Arthurian legend, beverage, chainmail, Chalice Bridge Estate, Holy Grail, knight, label, Margaret River, medieval imagery, military order, Order of the Temple, shield, St George cross, sword, Templar Knights, WA, Western Australia, wine.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Quest&amp;rsquo; is a wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the Arthurian legend of the Quest for the Holy Grail, and this medieval association is enhanced by the elaborately illustrated Templar Knights that feature on the five individualised labels contained within the series. The Knights Templar formed what was probably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades, before it was forcefully disbanded in the early fourteenth century. The immense power of the Order at its height and speculation about it&amp;rsquo;s suppression fuelled rumours that members of the Order had discovered (and re-located) the Holy Grail. Each of &amp;lsquo;The Quest&amp;rsquo; wine labels depicts a knight dressed in the distinctive outfit of the Knights Templar &amp;ndash; the red Cross of St George on the breast of a white tunics &amp;ndash; complete with chainmail, a sword and a shield that also features the red cross. Each of the knights strikes a different pose; three are engaged in combat and two are resting.&lt;/p&gt;&#13;
&lt;p&gt;The Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia: &lt;a href="http://www.studiolostandfound.com" target="_blank"&gt;http://www.studiolostandfound.com&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Illustrator: Skye Ogden - Tokyo, Japan: &lt;a href="http://www.skyeogden.com" target="_blank"&gt;http://www.skyeogden.com&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate: &lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20953">
                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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                <text>Wine bottle labels</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://users.tpg.com.au/gpost/nemas08/index.html%20"&gt;http://users.tpg.com.au/gpost/nemas08/index.html &lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>'Close Combat'</text>
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                <text>Armidale, armor, armour, battle, beading, blacksmithing, blacksmith, brewing, chain mail, chainmail, combat, helmet, kettle hats, medieval crafts, medieval fair, NEMAS, New England Medieval Arts Society, New South Wales, Norman style helmet, NSW, pottery, re-enactment, reenactment, shield, spinning, sword, tanning, war, warfare, weaving, woodworking</text>
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                <text>This is one of several â€˜battleâ€™ images from the NEMAS Easter Gathering in Armidale, NSW, in 2008. A number of medieval re-creation enthusiasts are engaged in close combat. They are armed with swords and what look to be mostly kite shields, and wear an assortment of different early medieval helmet styles. These include Norman style helmets with nasal bars and kettle hats. &#13;
The Gathering is a biannual assembly of re-enactment societies from Australasia traditionally hosted by the New England Medieval Arts Society Inc (or NEMAS). At these gatherings, members aim to recreate medieval arts and craft such as woodworking, blacksmithing, tanning, spinning and weaving, as well as arms and armour construction. The photo gallery depicts scenes of daily life: market stalls, people sitting around campfires, even a King and his attendants, as well as recreated battles. &#13;
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                <text>Unknown photographer at event</text>
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              <elementText elementTextId="18611">
                <text>2008</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18612">
                <text>Â© NEMAS 2011</text>
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            <name>Format</name>
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        <name>chainmail</name>
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      <tag tagId="2238">
        <name>combat</name>
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      <tag tagId="1555">
        <name>helmet</name>
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      <tag tagId="4279">
        <name>kettle hats</name>
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        <name>medieval crafts</name>
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        <name>medieval fair</name>
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      <tag tagId="3985">
        <name>New England Medieval Arts Society</name>
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        <name>Norman style helmet</name>
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      <tag tagId="3943">
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      <tag tagId="723">
        <name>shield</name>
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      <tag tagId="4282">
        <name>spinning</name>
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      <tag tagId="363">
        <name>sword</name>
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        <name>warfare</name>
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      <tag tagId="3933">
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279"&gt;http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279&lt;/a&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;</text>
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                <text>â€˜Soldier at a Medieval Faireâ€™ </text>
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          <element elementId="49">
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                <text>Arms, armor, armour, aventail, Blacktown, Blacktown Medieval Fayre, camail, chain mail, chainmail, combat, entertainment, helmet, honour, medieval costume, medieval fair, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, reenactment, Richard Taylor, Sydney, war, warfare, Western Sydney</text>
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                <text>This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€  (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal.&#13;
&#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.</text>
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              <elementText elementTextId="18348">
                <text>Taylor, Richard</text>
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              <elementText elementTextId="18349">
                <text>21 May 2011</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18350">
                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                <text>Arms, armor, armour, Blacktown Medieval Fayre, byrnie, chain mail, chainmail, coif, combat, fair, haubergeon, hauberk, helmet, medieval costume, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, re-enactment, soldier, Sydney, war, warfare</text>
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                <text>This is one of a series of pre-action photographs taken by photographer Richard Taylor at Nurragingy Reserve in 2011. It shows an â€˜old warriorâ€™ displaying steely determination to survive a potentially dangerous encounter. The subject of the photograph is a participant at the Blacktown Medieval Fayre. He wears a chainmail hood (a coif) and shirt (hauberk or haubergeon), and a Norman style helmet. Chain mail was used extensively in the middle ages to fashion protective garments by interlocking thousands of metal rings to form a meshed material. Chainmail garments were worn by medieval knights and soldiers as body armour until chainmail was gradually superseded by plate armour in the fourteenth century.   &#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.</text>
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                <text>21 May 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval"&gt;http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval&lt;/a&gt;</text>
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                <text>â€˜The Warriorâ€™</text>
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                <text>Adelaide Hills, Anglo-Saxons, arms, armor, armour, axe, Battle of Hastings, Bayeux Tapestry, chain mail, chainmail, francisca, Franks, gloves, Gumeracha Medieval Fair, knife, long knife, medieval fair, mitons, Normans, re-enactment, reenactment, SA, seax, South Australia, throwing axe, Wendi Donaldson</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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              <elementText elementTextId="18171">
                <text>Donaldson, Wendi</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18172">
                <text>May 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18173">
                <text>Â© All images copyright Wendi Donaldson 2011</text>
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            </elementTextContainer>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
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                <text>arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons</text>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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                <text>Esford Swords and Armoury, Brisbane</text>
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            <name>Date</name>
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                <text>November, 2011</text>
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          <element elementId="47">
            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="18098">
                <text>Esford Swords and Armoury, 2011</text>
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