1 8 7 https://ausmed.arts.uwa.edu.au/files/original/4e9c8fe6f3e117cfdb9c2aca4ff2768b.JPG 97b40f1421ec6107c0c5ac1f20b375b3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f96063502afc37afff7c5a767d0285f0.JPG a109eb1417dab9f53a79a64f08a74a7e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/cb5c34284eba292575f326093f4b9c3b.JPG 9c2325c7ac4e1efe3e48b541f2a23804 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Mortuary Station, Regent St, Sydney Subject The topic of the resource James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic. Description An account of the resource The former Mortuary Station is located behind Sydney’s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs . The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource December 17, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Byzantine capital cemetery Chippendale column funeral Gothic Gothic Revival James Barnet lancet window Moorish Mortuary Station moulding New South Wales NSW pointed arch railway Regent Street Railway Station Rookwood Cemetery sculpture spire Sydney Venetian Gothic. https://ausmed.arts.uwa.edu.au/files/original/2c957817120b78f696fe1b1012c5bc82.JPG 2271eb5352c4cb8f68d6f5f96c8700a1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f369bcc0607f8dd09883990de932555a.JPG 52cc561291ac965e50673378f43ca1c4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mark’s Church of England rear, Pontville, Tasmania Subject The topic of the resource Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower. Description An account of the resource <p>St Mark&rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arrow slit blind doorway buttress Celtic cross cemetery Church of England column convict garden James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Mark’s Church of England stained glass Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/a61a73d168d82cb4b8a937aa736e0124.JPG 5bd2adfe55a75a97345bebe7f438a4aa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/3c572f113e7f3de3abadf04550fe4d7e.JPG 94c1ced2f1a997f11b4affbafa4b3675 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthew’s Presbyterian Church, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery. Description An account of the resource <p>St Matthew&rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For a close up photograph of the entrance see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph blind arcading buttress cemetery columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania tower tracery. https://ausmed.arts.uwa.edu.au/files/original/ee900440bc05c91df600568423f887b2.JPG e53f82342c0f1ae9c31db8150f2a1375 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Bedford cenotaph, Hobart, Tasmania Subject The topic of the resource William Bedford, blind arcading, cemetery, cenotaph, chaplain, Church of England, Gothic, Hobart, monument, pointed arch, St David’s Church, St David’s Park, Tas, Tasmania. Description An account of the resource <p>This monument to William Bedford (1781-1852) is situated in St David&rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.</p> <p>For more on William Bedford see: <a href="http://adb.anu.edu.au/biography/bedford-william-1760">http://adb.anu.edu.au/biography/bedford-william-1760</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading cemetery cenotaph chaplain Church of England Gothic Hobart monument pointed arch St David’s Church St David’s Park Tas Tasmania. William Bedford https://ausmed.arts.uwa.edu.au/files/original/c24c8b09be285886c91ba4bc5da1f16a.JPG 16cac2a7cfe5132ab6e7a1e9c9994a5a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Eardley Wilmot monument, Hobart, Tasmania Subject The topic of the resource Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St David’s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot. Description An account of the resource A monument to Sir John Eardley Wilmot (1783-1847) is situated in St David’s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemen’s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading cemetery cenotaph Gothic Hobart John Eardley Wilmot. Lieutenant-Governor mausoleum monument pointed arch St David’s Park Tas Tasmania Van Diemen's Land William Porden Kay https://ausmed.arts.uwa.edu.au/files/original/51830c6aab5b70a44f37d8fb910139f7.JPG 08e51676b554d37e301ff2a490672e7c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/b38ed4e0977376db90cdc0020f08e87d.JPG 06852837f0931c2356dba64e28eb6e73 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania Subject The topic of the resource Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower, vaulted ceiling. Description An account of the resource <div class="element-text"> <p>Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. These photographs shows the rear of the building and the vaulted timber ceiling. As can be seen in the photograph of the rear, the building acts as a large entrance through which funeral processions can pass.</p> <p>For the front and side of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a></p> </div> <br /> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph buttress Carr Villa Memorial Park cemetery chapel entrance Gothic Gothic Revival lancet windows Launceston pointed arch spire Tas Tasmania tower vaulted ceiling. https://ausmed.arts.uwa.edu.au/files/original/fd3daac28c55dc9eabc35bdcd7392f80.JPG b94362dd9e4163299a0a83d5555da15a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/31374afd39880ab87aae1396bea47feb.JPG 88345806af222fb2919ffa71c6d65dfd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania Subject The topic of the resource Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower. Description An account of the resource <p>Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. This photograph shows the front and side of the building.</p> <p>For the rear and interior of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photographs buttress Carr Villa Memorial Park cemetery chapel entrance Gothic Gothic Revival lancet windows Launceston pointed arch spire Tas Tasmania tower.