1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3312" target="_blank">http://www.ngv.vic.gov.au/col/work/3312</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam and Eve (Adam et Ãˆve) Subject The topic of the resource Adam, Albert BartholomÃ© (1848-1928), art, biblical, Brancacci Chapel, bronze, cast, Eve, exile, expulsion, Expulsion from Paradise, Florence, Masaccio (c.1401-1428), paradise, sculpture, VIC, Victoria Description An account of the resource This work by French sculptor Albert BartholomÃ© was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1922. It is a bronze sculpture depicting the expulsion of Adam and Eve from Paradise. It has been dated to 1905, although the work from which it was cast was probably finished by 1899. The figures of Adam and Eve are believed to be modelled on Masaccioâ€™s fresco, Expulsion from Paradise, (c.1426-1428) in the Brancacci Chapel, Florence (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.112). Creator An entity primarily responsible for making the resource BartholomÃ©, Albert Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource cast 1905 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Bronze sculpture, 139.8 x 54.7 x 64.6cm; Hyperlink Adam Albert BartholomÃ© (1848-1928) art biblical Brancacci Chapel bronze cast Eve exile expulsion Expulsion from Paradise Florence Masaccio (c.1401-1428) paradise sculpture Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank">http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Second Maquette for the Burghers of Calais Subject The topic of the resource Andrieu dâ€™Andres, attack, army, Auguste Rodin (1840-1917), bronze, burghers, Calais, cast, commemoration, conflict, Eustache de Saint-Pierre, Hundred Yearsâ€™ War, Jacques de Weissant, Jean dâ€™Aire, Jean de Fiennes, King Edward III of England (1312-1377), King Philip VI of France (1293-1350), maquette, medieval war, model, New South Wales, NSW, Pierre de Weissant, plaster, sculpture, siege, Siege of Calais (1347), surrender, war, warfare Description An account of the resource This piece from the Art Gallery of New South Wales collection is one of 12 bronze sculptures cast from a plaster sculpture created by Rodin in 1885. The original ‘Second Maquette for the Burghers of Calais’ from which it was cast is currently housed in the Musée Rodin in Paris. The sculpture features six separate figures ranging in size from 60.5cm to 70 cm. Rodin was commissioned in 1884 to produce a monument commemorating the bravery of six Calais burghers who were prepared to sacrifice themselves to save the city’s other citizens when Calais fell to the English King, Edward III, during the Hundred Years’ War in 1347. The figures are Pierre de Weissant, Jean d’Aire, Eustache de Saint-Pierre, Jacques de Weissant, Andrieu d’Andres and Jean de Fiennes. His first maquette features all of the figures on a shared base, whereas the second consists of six separate figures. For more information, see the accompanying notes on the Gallery of New South Wales website: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank"> http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Creator An entity primarily responsible for making the resource Rodin, Auguste Source A related resource from which the described resource is derived Art Gallery of New South Wales: accession number 349.2001.a-f. Date A point or period of time associated with an event in the lifecycle of the resource Modelled 1885; Cast 1972 Rights Information about rights held in and over the resource Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Bronze Sculpture. 6 separate pieces, each measuring between 60.5 and 70 cm.; Hyperlink Andrieu dâ€™Andres army attack Auguste Rodin (1840-1917) bronze burghers Calais cast commemoration conflict Eustache de Saint-Pierre Hundred Yearsâ€™ War Jacques de Weissant Jean dâ€™Aire Jean de Fiennes King Edward III of England (1312-1377) King Philip VI of France (1293-1350) maquette medieval war model New South Wales NSW Pierre de Weissant plaster sculpture siege Siege of Calais (1347) surrender war warfare https://ausmed.arts.uwa.edu.au/files/original/c22a9aa65eed81b67717d5b895e7b7a1.pdf 0191eaf7816a438dff9fc1adf4892a83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article: National Library of Australia <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Saint Joan" Subject The topic of the resource Albert Chevalier, Atholl Fleming (1984-1972), Battle, Bishop of Beauvais, Bluebeard, British stage, Bruce Winston, canonisation, Captain La Hire, cast, characters, Charles VII, Charles de Ponthieu (1403-1461), Christopher Casson (1912-1996), Dauphin, Donald Eccles (1908-1986), drama, Dunois, Earl of Warwick, George Bernard Shaw (1856-1950), Hilda Davies, His Majestyâ€™s Theatre, Hundred Yearsâ€™ War (1336-1453), Inquisitor, Jeanne dâ€™Arc, Joan of Arc (1412-1431), Ladvenu, Leonard Bennett, Lewis Casson (1875-1969), maid of OrlÃ©ans, medieval France, Michael Martin-Harvey (1897-1975), New Theatre, Page, Perth, play, Poulengey, Rheims Cathedral, Robert de Baudricourt, Rouen, Saint Joan, â€œSaint Joanâ€, St. Joan, St Joan, saint, saints, stage, Sybil Thorndike (1882-1976), T. Tracy, theatre, theatrical production, trial, warrior, Zillah Carter (1864-1941) Description An account of the resource This article from the Sunday Times provides a positive review of George Bernard Shaw’s “Saint Joan”, which premiered in Australia at His Majesty’s Theatre in 1932. “Saint Joan” is a play based on the life (Scenes 1-5), trial (scene 6) and canonisation (Epilogue) of Joan of Arc. The play’s depiction of medieval France is praised by the reviewer as vivid and realistic. For a copy of Shaw’s “Saint Joan”, see <a href="http://gutenberg.net.au/ebooks02/0200811h.html" target="_blank">http://gutenberg.net.au/ebooks02/0200811h.html</a>.   About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 8 May 1932 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English â€œSaint Joanâ€ Albert Chevalier Atholl Fleming (1984-1972) battle Bishop of Beauvais Bluebeard British stage Bruce Winston canonisation Captain La Hire cast characters Charles de Ponthieu (1403-1461) Charles VII Christopher Casson (1912-1996) Dauphin Donald Eccles (1908-1986) drama Dunois Earl of Warwick George Bernard Shaw (1856-1950) Hilda Davies His Majestyâ€™s Theatre Hundred Yearsâ€™ War (1336-1453) Inquisitor Jeanne dâ€™Arc Joan of Arc (1412-1431) Ladvenu Leonard Bennett Lewis Casson (1875-1969) maid of OrlÃ©ans medieval France Michael Martin-Harvey (1897-1975) New Theatre page Perth play Poulengey Rheims Cathedral Robert de Baudricourt Rouen saint Saint Joan saints St Joan St. Joan stage Sybil Thorndike (1882-1976) T. Tracy theatre theatrical production trial warrior Zillah Carter (1864-1941) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data plaster cast reinforced with fibre, watercolour wash and pencil grid marks Physical Dimensions The actual physical size of the original image. Overall: 30.5 x 29.5 x 17.5 cm URL <a href="http://cas.awm.gov.au/item/ART93418?image=2">http://cas.awm.gov.au/item/ART93418?image=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opossum Gargoyle Subject The topic of the resource animal, cast, Commemorative Courtyard, gargoyle, medieval architecture, memorial, Melbourne, model, opossum, ornamentation, plaster cast, Ray Ewers, sandstone, war, war memorial, water, William Leslie Bowles. Description An account of the resource This plaster model for a gargoyle depicts the face of an opossum. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. This plaster cast has a hole in the mouth of the opossum for a spout. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. Creator An entity primarily responsible for making the resource Bowles, William Leslie (Artist); Ewers, Raymond Boultwood (Cast by) Source A related resource from which the described resource is derived Australian War Memorial Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink to photograph Type The nature or genre of the resource Photograph cast Commemorative Courtyard gargoyle medieval architecture Melbourne memorial opossum plaster cast plaster model Ray Ewers sandstone sculptor sculpture war war memorial water William Leslie Bowles