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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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                <text>White, David</text>
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                <text>Â© David White (photo)</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>St Peterâ€™s East Window, SCEGGS Great Hall, Darlinghurst, Sydney</text>
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                <text>Canopy, Christ, Christianity, Darlinghurst, Empire, Ferguson &amp; Urie, geometric patterning, Great Hall, medallion, medieval design, New South Wales, NSW, quarries, SGEGGS, school, school buildings, St Peterâ€™s Church, Stained glass, Sydney, Sydney Girls Grammar School, window</text>
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                <text>An image of the East Window in the Great Hall at Sydney Girls Grammar School (SGEGGS) in Darlinghurst, Sydney. The window was originally installed in St Peterâ€™s church in 1867, but the church has since been incorporated into the School Hall. It is the only known Ferguson &amp; Urie window in Sydney. Depictions of Christ and the disciples in lozenge and mandorla medallions stand out amidst a richly patterned geometrical background. This window employs several medieval design and glazing techniques, notably: 12th century lancets, the use of â€˜diaperedâ€™ background quarries, extensive geometric patterning, and painted figures restricted to â€˜mandorlaâ€™ and lozenge-shaped medallions. Note the comparatively larger, central figure of Christ standing under the imitation c. 14th century canopy. While not limited to a medieval primary colour scheme, the overall feeling and tone of this window is decidedly one of an adventurous medievalism. Such a window transmits the essence of the gospel message in visual narrative form, to the effect that the contents of each medallion can quite easily be â€˜readâ€™ by onlookers. The twin themes of Empire and Christianity merge seamlessly within the context of the windowâ€™s Neo-Gothic medievalism.</text>
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                <text>Brown, Ray</text>
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                <text>6 May 2011</text>
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                <text>Â© Ray Brown </text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Corpus Christi Procession North Sydney, 1934</text>
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                <text>Sydney, North Sydney, NSW, New South Wales, Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, saints, saint, pageant, procession, parade, parades, processions, banner,&#13;
banners, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles</text>
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                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.</text>
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                <text>National Library of Australia</text>
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                <text>Friday 1 June 1934, Procession Thursday 31 May (Thursday after Trinity Sunday)</text>
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                <text>National Library of Australia</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, processions, procession, parade, pageant, parades, pageants, banner, banners, eucharist, eucharistic, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, North Sydney, Sydney, NSW, New South Wales, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles</text>
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                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.&#13;
&#13;
â€œAfter the Mass on Corpus Christi, all kneel and sing O Salutaris Hostia. The Host is incensed, and carried under an ombrellino (an umbrella-like canopy) to the baldacchino, a rectangular tent-like canopy...&#13;
&#13;
Then the procession forms, led by the Crucifer (the acolyte who carries the processional Cross), who is flanked by acolytes carrying candles. Then follow members of religious associations and orders, children strewing rose petals in the path of the Blessed Sacrament (they are customarily dressed in their First&#13;
Communion clothes), clergy, and then two thurifers who incense the path. Then comes the Blessed Sacrament, carried at eye-level by a priest (with his hands veiled) in a monstrance, under the baldacchino, all flanked by torch bearers. The people walk behind.â€&#13;
&#13;
http://www.communityofhopeinc.org/Catholic%20Rites/&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Johnston Memorial Congregational Church</text>
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                <text>acanthus scroll, balcony, balustrading, building interior, canopy, church, church building, church interior, Congregational Church, decoration, Fremantle, Perth, WA, Western Australia, frieze, gothic canopy, gothic design, interior decoration, interior design, Johnston Memorial Church, J. Ross Anderson, Joseph Johnston (1814-1892), Maltese cross, memorial plate, organ, quatrefoil, tracery, window</text>
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                <text>This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line â€˜with a foliated design introducing quartrefoils and Maltese crossesâ€™, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as â€˜Gothicâ€™, and behind the rostrum â€˜is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacherâ€™. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth.&#13;
&#13;
The Johnston Memorial Church was completed in 1877 and was originally named the Congregational Church. It was later renamed in honour of long-serving congregational minister, Joseph Johnston (1814-1892).</text>
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                <text>Anon.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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                <text>20 August 1897, p. 47.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Western Mail</text>
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