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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking House</text>
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                <text>A report on the recently completed office building Viking House on page 38 of the Perth newspaper the Western Mail on February 28, 1913. The building, which no longer survives, is described as being â€˜a replica of early Gothicâ€™ and was designed by architects Allen and Nicholas of Fremantle. Despite its name, the only apparent connection with the Vikings was the inclusion of tiles with pictures of ships in the main entrance and hall.  </text>
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                <text>National Library of Australia; Western Mail</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St. George's College, University of Western Australia</text>
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                <text>gothic, gothic revival, gothic architecture, architect, medieval, building, buildings, architecture, college, dorm, university, Perth, Western Australia, WA, Saint George, St. George, saint, saints, arrow slits, neo gothic, Church of England, tower, turrets, turret, crenelation, Tudor</text>
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                <text>&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;A photograph of the entrance to St. George's College. The residential college is opposite the University of Western Australia and was the first permanent residential college built at the present university site. The college was built by the Church of England&amp;nbsp;following a design by Hobbs, Smith and Forbes, and opened&amp;nbsp;in 1931. The style of the building is described as Tudor and neo gothic and was inspired by buildings in Oxford and Cambridge.&amp;nbsp;The building features a grand arched entrance, a tower and turrets, crenellation, and arrow slits.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div dir="ltr"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;For more on the building including archival photographs see &lt;a href="http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/saint_georges_college2" target="_blank"&gt; http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/saint_georges_college2&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>Carter, Bree</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>http://nla.gov.au/nla.pic-an10571345-27&#13;
&#13;
1 of 66 photographs: gelatin silver.</text>
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                <text>St. Andrew's Cathedral, Town Hall and Markets, George Street, Sydney, New South Wales</text>
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                <text>Anglican, Anglicanism, architect, architecture, cathedral, church, ecclesiastical building, Edmund T. Blacket, Frederick Barker, gothic, gothic architecture, Gothic Perpendicular style, gothic revival, James Hume, neo-gothic, New South Wales, NSW, pinnacle, Saint Andrew, St. Andrew,  Sydney, tower, tracery, window, York Minster Cathedral</text>
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                <text>A photograph of St Andrewâ€™s Cathedral in Sydney that most likely dates from between 1920 and 1925. St Andrewâ€™s Cathedral is located on George Street in Sydney and is part of the Town Hall group of buildings. It is the oldest cathedral in Australia. Construction of the cathedral was completed in 1868, and it was consecrated by the second Bishop of Sydney, Frederick Barker, on St Andrewâ€™s day (30 November) that year. St Andrewâ€™s Cathedral is built in a Gothic Perpendicular style according to the design of well-known gothic revival architect Edmund T. Blacket. Blacket replaced James Hume as the architect of the cathedral, and had to adapt his plans to conform to the shape and size of foundations that were already in place. The photograph exhibits some of the cathedralâ€™s many decorative pinnacles and traceried gothic windows. One of its two distinctive towers, believed to have been modelled on the fifteenth-century towers of York Minster Cathedral, is also visible in the background. </text>
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                <text>Hyperlink. 1 of 66 photographs: gelatin silver ; 15.6 x 20.8 cm. or less.</text>
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