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                <text>Image of a copy of a ninth-century cross in St Paulâ€™s Anglican Cathedral, Melbourne, Victoria. The cross is on a stone plaque and is an enlarged copy of the Anglo-Saxon cross found at Canterbury in England in 1867. The original cross was on an Anglo-Saxon brooch. A number of stone versions of the cross were sent by Canterbury Cathedral to Anglican diocese cathedrals in 1932.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A newspaper article about a Viking Dragon Ship on page 29 of the Brisbane newspaper The Queenslander on 18 July, 1908. The recreation ship filled up most of St Paul&amp;rsquo;s Hall and included shields with emblems along its sides, a prow consisting of a dragon with &amp;lsquo;open mouth, blazing eye-balls, and golden horns&amp;rsquo;. Another shield (perhaps in place of a sail) was on a pole in the centre of the ship and hoisted during the opening ceremony. Stalls draped in Viking colours were set up around the sides of the ship. Accompanying the ship were people in Viking dress and pseudonyms. The opening was presided over by Lady Chelmsford, who had seen a real Viking ship in Christiana, Norway. The article states that the Viking dead were placed in ships and the whole then set on fire. After accepting a Viking brooch from &amp;lsquo;Ivar&amp;rsquo;, the Vikings gave a war-cry and Lady Chelmsford thanked Ivar in Norwegian.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of a copy of an eighth-century cross in St Georgeâ€™s Cathedral, Perth. The cross was given to the Cathedral in 1935 by the Friends of Canterbury Cathedral. The cross is on a stone plaque and is a copy of the Anglo-Saxon cross from Canterbury Cathedral, England. The Latin inscription states that the original was made in the eighth century, however it is now thought more likely to be from the mid-ninth century. The design of the original cross was based on Anglo-Saxon brooches.The stone in which the cross is set was supposedly taken from the walls of Christ Church, Canterbury.</text>
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