1 8 18 https://ausmed.arts.uwa.edu.au/files/original/780e3e115ec820501c9171706811ae66.JPG dd9678b7081e6567b9f139f0de8d1388 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 885 Width 663 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oakburn building, Launceston, Tasmania Subject The topic of the resource arch, arches, blind arch, education, Launceston, Methodist Ladies College, MLC, Oakburn, Scotch Oakburn College, college, colleges, Romanesque, Tas, Tasmania, Eliza Thompson, tower, architecture Description An account of the resource A photograph of the Oakburn building on the Elphin campus of Scotch Oakburn College in Launceston, Tasmania. The building was begun in 1861 by the landowner, Eliza Thompson. In 1886 it became part of the Methodist Ladies College, later Oakburn College, which was amalgamated with Scotch College for boys in 1979 to form Scotch Oakburn College. For many years the building has functioned as the boarding house. The Oakburn building, particularly its central tower, is in Romanesque style, featuring semi-circular arches and blind arches. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architecture blind arch college colleges education Eliza Thompson Launceston Methodist Ladies College MLC Oakburn Romanesque Scotch Oakburn College Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/897c64deb063bcf9ebf771549f00491d.jpg 8e45b611f4890609885aa9f297f9771e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church, Claremont, Western Australia Subject The topic of the resource arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia, Anglican, Anglican Church Description An account of the resource A view of the western facing entrance and tower at Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia https://ausmed.arts.uwa.edu.au/files/original/bd6acc39aa94efeed07314ca8225ed69.jpg d5f61d5f6f73b6a423ca3856b975c27c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 533 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying Buttresses, St Patrick’s Basilica, Fremantle, WA Subject The topic of the resource arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA Description An account of the resource A view of a flying buttress at the Basilica of St Patrick’s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture Basilica blind arch buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window limestone masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate Sydney freestone Thomas Ryan OMI tower tracery Vatican WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/f66585c5521ba4fd4810c7a31427fcfa.jpg a059b86ffd8eb66ca8fafac74192acac Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 890 Width 702 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doorway Detail: St Peter’s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), facade, gothic, gothic revival architecture, lancet arch, neo-gothic, North Adelaide, SA, South Australia, St Peter, St Peter’s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource <p>A close-up of the detailed stonework surrounding a doorway at St Peter&rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Its gothic features include lancet arches, blind arcading and decorative stone tracery.</p> <p>About St Peter&rsquo;s Cathedral:</p> <p>St Peter&rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"><span style="color: #0000ff;">http://www.stpeters-cathedral.org.au/web/arch</span></a>.&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) facade Gothic gothic revival architecture lancet arch neo-Gothic North Adelaide SA South Australia St Peter St Peter’s Cathedral stone tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/055b1931740ed3b436a9a0953a929b9f.jpg 10772629cdd34e2acc2a8ed2e06eec95 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 692 Width 995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peter’s Cathedral, Adelaide: A side view Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, buttress, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, SA, South Australia, spire, St Peter, St Peter’s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource <p>A side view of St Peter&rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Gothic features of the Cathedral&rsquo;s architecture include the lancet windows, the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.</p> <p>About St Peter&rsquo;s Cathedral:</p> <p>St Peter&rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"><span style="color: #0000ff;">http://www.stpeters-cathedral.org.au/web/arch</span></a>.&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch buttress Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide SA South Australia spire St Peter St Peter’s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/1a6e8f29a8546217a111c981aee31072.jpg fb62c66d28cd48964763955d4b9cbdaa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 830 Width 522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peter’s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, rose window, SA, South Australia, spire, St Peter, St Peter’s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource <p>A view of St Peter&rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the front facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Other features of the Cathedral&rsquo;s gothic architecture include the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.</p> <p>About St Peter&rsquo;s Cathedral:</p> <p>St Peter&rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"><span style="color: #0000ff;">http://www.stpeters-cathedral.org.au/web/arch</span></a>.&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide rose window SA South Australia spire St Peter St Peter’s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/6130cddf3bc68b72720a23aa61fa4f04.jpg c42549d4fcbb15012398c60f7b2104bb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 999 Width 709 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall at the University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/41f0249d31dd3295a98402748525b813.jpg 952f204063ff4403e65f0f83ddf2dd02 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 977 Width 733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Stonework, Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource A close-up image of decorative stonework at the entrance to Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and stone-carved decorations such as the quatrefoil patterns above the doors, the crenellation effect and the two lion statues bearing heraldic shields seen here. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows