1
8
21
-
https://ausmed.arts.uwa.edu.au/files/original/107ee8e283c3c38253dd9eb9b933f701.jpg
b390a25f27f8c10c82adf511947ee6c2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
600
Width
450
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saint Paul’s Cathedral Interior, Melbourne, Victoria
Subject
The topic of the resource
Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul
Description
An account of the resource
St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
February 2013
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
blind arcading
column
Gothic
Gothic Revival
Gothic Transitional
lancet window
Melbourne
pointed arch
Saint Paul
St Paul
St. Paul
stained glass
tracery
Vic
Victoria
William Butterfield
-
https://ausmed.arts.uwa.edu.au/files/original/d56bebe61cd7cd9a4c8b2fcb7a7f9880.jpg
179e046c6c4cec0096b17b3553a9630a
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
600
Width
450
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saint Paul’s Cathedral interior, Melbourne, Victoria
Subject
The topic of the resource
Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul
Description
An account of the resource
St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
February 2013
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
blind arcading
column
Gothic
Gothic Revival
Gothic Transitional
lancet window
Melbourne
pointed arch
Saint Paul
St Paul
St. Paul
stained glass
tracery
Vic
Victoria
William Butterfield
-
https://ausmed.arts.uwa.edu.au/files/original/51c7937d0c2bd7d0f79187a2ff2ff840.JPG
0f4fceb69793273d81f51d06cc2674bc
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
(Former) St Matthew’s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania
Subject
The topic of the resource
James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania.
Description
An account of the resource
<p>The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
blind arcading
columns
convict
Glenorchy
Hobart
James Blackburn
John Franklin
Kirk and Fisher
Neo-Norman
Presbyterian
Romanesque
Romanesque Revival
semi-circular arch
Tas
Tasmania.
-
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5bd2adfe55a75a97345bebe7f438a4aa
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
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94c1ced2f1a997f11b4affbafa4b3675
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
(Former) St Matthew’s Presbyterian Church, Glenorchy, Hobart, Tasmania
Subject
The topic of the resource
James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery.
Description
An account of the resource
<p>St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For a close up photograph of the entrance see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
blind arcading
buttress
cemetery
columns
convict
Glenorchy
Hobart
James Blackburn
John Franklin
Kirk and Fisher
Neo-Norman
Presbyterian
Romanesque
Romanesque Revival
semi-circular arch
Tas
Tasmania
tower
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/21a4f2da2b1bd41e11bab9dc0c78603c.JPG
ec9931268eec4b0472a810ecc1a8cc46
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Window of Roman-era Saints, St David’s Cathedral, Hobart, Tasmania
Subject
The topic of the resource
St Alban, Anglican, armour, blind arcading, column, finial, Gothic, heraldry, Hobart, lancet window, St Laurence, plate armour, pointed arch, Roman Empire, Romanesque, St David’s Cathedral, shield, stained glass, St Stephen, sword, Tas, Tasmania, tracery.
Description
An account of the resource
<p>The Window of Roman-era Saints is in the south wall of St David’s Anglican Cathedral, Hobart. The large pointed arch window with stonework tracery is made up of three lancet windows with stained glass. Each lancet window features a Saint martyred during the rule of the Roman Empire: St Stephen (died c. 34), St Alban (3rd century), and St Laurence (c. 225-258). St Alban is depicted as a knight from the late middle ages in plate armour, an embroidered tunic, and wearing a sword. The saints stand upon a tiled platform of Gothic stonework featuring columns, blind arcading, pointed finials, as well as Romanesque semi-circular arches. Below each of the platforms is a heraldic shield.</p>
<p>For the interior of the Cathedral see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Anglican
Armour
blind arcading
column
finial
Gothic
heraldry
Hobart
lancet window
plate armour
pointed arch
Roman Empire
Romanesque
shield
St Alban
St David’s Cathedral
St Laurence
St Stephen
stained glass
sword
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/14319166c8fb33e1460ff1a48a20e547.JPG
b127307708c86bcfcf5929bc6a20f09d
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St David’s Cathedral Cloisters, Hobart, Tasmania
Subject
The topic of the resource
Anglican, blind arcading, George Frederick Bodley, buttress, Cloisters, crenellation, Gothic, Gothic Revival, Hobart, lancet window, parapet, St David’s Cathedral, stained glass, Tas, Tasmania, tracery, Alan Cameron Walker.
Description
An account of the resource
<p>St David’s Anglican Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907)<br />in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions.However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in their design. They were completed and consecrated in 1936. The Cloisters building links the cathedral to the tower and are topped by a crenelated parapet. The also feature buttresses, and lancet windows with blind arcading, tracery and stained glass. </p>
<p>For the artefacts inside the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p>For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alan Cameron Walker
Anglican
blind arcading
buttress
Cloisters
crenellation
George Frederick Bodley
Gothic
Gothic Revival
Hobart
lancet window
parapet
St David’s Cathedral
stained glass
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/bbd15b966b0447a2be49469dd1f7426d.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
3888
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
3888
https://ausmed.arts.uwa.edu.au/files/original/ef0680292ac0804c0c3abdca43328912.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3888
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Michael and All Angels Anglican Church tower and exterior, Bothwell, Tasmania
Subject
The topic of the resource
Anglican, blind arcading, Bothwell, buttress, Gothic, Gothic Revival, lancet windows, Thomas Lewis, Alexander North, pointed arch, Presbyterian, St Luke’s Church, St Michael and All Angels Church, Tas, Tasmania, tower, turret.
Description
An account of the resource
<p>St Michael and All Angels Anglican Church is in the<br />small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke’s (1830) impossible. St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. The tower, with an internal stone spiral staircase and stair turret, was added in 1923. The proportions of the Gothic Revival church make it appear to be a small country cathedral. The church features buttresses, blind arcading, lancet windows, and pointed arch entrances. </p>
<p>For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a> </p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 8, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a></p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
Alexander North
Anglican
blind arcading
Bothwell
buttress
Gothic
Gothic Revival
lancet windows
pointed arch
Presbyterian
St Luke’s Church
St Michael and All Angels Church
Tas
Tasmania
Thomas Lewis
tower.
turret
-
https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG
52564462e7cdc950fdb01a72e58b89d0
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG
007d8f8e595501e641ae4267bd5161f2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mary’s Cathedral exterior, Hobart, Tasmania
Subject
The topic of the resource
Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Mary’s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson.
Description
An account of the resource
<p>The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010.</p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p>
<p>For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Bishop Willson.
blind arcading
buttress
Catholic
Daniel Murphy
finial
Gothic
Gothic Revival
Henry Hunter
Hobart
lancet window
niche
Robert William Willson
rose window
St Mary’s Cathedral
Tas
Tasmania
tower
tracery
William Wardell