1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&IRN=100786">http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&IRN=100786</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Inferno, canto XIII: The Forest of Suicidesâ€™ by Fiona Hall Subject The topic of the resource Afterlife, allegory, art, artwork, birds, canto, Dante Alighieri, dogs, epic poem, forest, Giacomo of Santâ€™ Andrea, harpies, Hell, â€˜Illustrations to Danteâ€™s Divine Comedyâ€™, Inferno, journey, Lano, medieval literature, mastiffs, medieval world-view, modern art, Pier della Vigna (c.1190-1249), photograph, poem, punishment, sin, soul, suffering, The Divine Comedy, The Forest of the Suicides, The National Gallery, trees, underworld, Virgil, wounded. Description An account of the resource This photographic artwork by Australian artist Fiona Hall belongs to a series titled ‘Illustrations to Dante’s Divine Comedy’. It is held by The National Gallery of Australia and depicts a scene from canto XIII of Dante Alighieri’s ‘Inferno’, the first part of his famous medieval Italian poem The Divine Comedy. Written between 1308 and 1321, The Divine Comedy tells of Dante’s journey through hell, purgatory and paradise respectively, guided at first by the Roman poet Virgil and then by his ideal woman, Beatrice. In canto XIII, Dante and Virgil descend into the second ring of the seventh circle of hell, where people who committed suicide were cast. They come across a thorny, tangled forest of gnarled trees that bleed and cry in pain when they are broken. One of the trees, who identifies himself as Pier della Vigna, a prominent figure at the imperial court of Frederick II, explains to Dante that people like himself who committed suicide were sent by Minos to the wood where they would grow into trees, all the while being wounded by harpies (half woman/half-bird creatures) who would tear and feast on their leaves. They are then disturbed by the sight of two figures running frantically through the forest. The slower of the two, subsequently identified as Giacomo of Sant’ Andrea, takes refuge in a bush, only to be pounced upon by a number of black female mastiffs who ‘rent him piecemeal’. For an English translation of ‘Inferno, canto XIII’, translated by the Rev. H. F. Cary, see: <a href="http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html">http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html</a> Creator An entity primarily responsible for making the resource Fiona Margaret Hall Source A related resource from which the described resource is derived The National Gallery of Australia Publisher An entity responsible for making the resource available The National Gallery of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1988 Rights Information about rights held in and over the resource The National Gallery of Australia Format The file format, physical medium, or dimensions of the resource Photograph, 53.3cm x 61.5cm. â€˜Illustrations to Danteâ€™s Divine Comedyâ€™ Afterlife allegory art artwork birds canto Dante Alighieri dogs epic poem forest Giacomo of Santâ€™ Andrea harpies Hell Inferno journey Lano mastiffs medieval literature medieval world-view modern art photograph Pier della Vigna (c.1190-1249) poem punishment sin soul suffering The Divine Comedy The Forest of the Suicides The National Gallery trees underworld Virgil wounded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Francis and the Birdsâ€™, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™. Description An account of the resource This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist’s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in The Little Flowers of St Francis: So solace-filled he left them, and full well, To penitence disposed, and, parting thence, Betwixt Carmano and Bevagna came. And, ardently as ever journeying on, He raised his eyes and certain trees beheld Fast by the way-side, on whose boughs were perched A multitude of birds innumerable, So that Saint Francis was amazed thereat, And said to his companions: “In the road Ye shall await me here, whole I go preach Unto the birds my sisters”: and he went Within the field, and to the birds ‘gan preach That on the ground were sitting; and at once Those that were on the trees did come to him, And, one and all, stayed motionless until Saint Francis had done preaching, and e’en then Departed not till he had given them His Benediction. (James Rhoades, The Little Flowers of St Francis: Rendered into English Verse, London, 1904, pp.88-89). Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm â€˜new iconsâ€™ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work https://ausmed.arts.uwa.edu.au/files/original/10f3ede7e87deaf2a3fed5095d6de998.jpg b4b9ffe4b9abe55fc0cf12db7c7ab517 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Falconry Display at the Balingup Medieval Carnivale Subject The topic of the resource Balingup, Balingup Medieval Carnivale, carnival, ceremony, dragon, recreation, re-creation, leisure, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia, falconry, display, flying display, bird, birds, birds of prey Description An account of the resource An image of the falconry display at the Balingup Medieval Carnivale. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource Image made available with the permission of N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Balingup Balingup Medieval Carnivale bird birds birds of prey carnival ceremony display dragon falconry flying display leisure re-creation recreation Shire of Donnybrook-Balingup South-West WA WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/">http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Potter Birthday Parties With Owls Subject The topic of the resource Harry Potter, children, birthday, party, parties, birds, owl, owls, prey, birds of prey, Western Australian Birds of Prey Centre, WA, Western Australia, Perth, rehabilitation, falconry, raptor, raptors, hawk, hawks, eagles, eagle, recreation, flying display, flying displays Description An account of the resource A hyperlink to a page the Western Australian Birds of Prey Centre website. It reads: "With the increasing number of themed birthday partys, the Harry Potter theme is a fantastic way to have fun and relive the memorys of Harry Potter. The Western Australian Birds of Prey Centre offers an educational experience with our Nocturnal raptors. The opporunity to get up close and personal with Oska the Barking Owl, Brandon the Barn Owl, Phoenix the Sotty Owl, just to mention a few. We offer prises and â€˜hands onâ€™ great photo opportunity for a memorable event. For More Information contact me via website or mobile." Creator An entity primarily responsible for making the resource Western Australian Birds of Prey Centre Date A point or period of time associated with an event in the lifecycle of the resource 26 December 2011 Rights Information about rights held in and over the resource Western Australian Birds of Prey Centre Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English birds birds of prey birthday children eagle eagles falconry flying display flying displays Harry Potter hawk hawks owl owls parties party Perth prey raptor raptors recreation rehabilitation WA Western Australia Western Australian Birds of Prey Centre