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                <text>armour, gauntlets, hourglass gauntlet, gloves, combat, battle, weapons, weapon, weaponry, protection, Medieval Shoppe, recreation, re-creation, re-enactment, replica, replicas, Parkes, New South Wales, NSW, 14th Century, fourteenth century</text>
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                <text>&lt;p&gt;An image of reproduction hourglass gauntlets, sold by the Medieval Shoppe in Parkes, NSW. The Medieval Shoppe produces and sells replicas of swords, shields, armour, and other historical weapons.&lt;/p&gt;&#13;
&lt;p&gt;Their website provides some information about hourglass gauntlets (&lt;a href="http://www.medievalshoppe.com.au/hourglass-gauntlets.html"&gt;http://www.medievalshoppe.com.au/hourglass-gauntlets.html&lt;/a&gt;):&lt;/p&gt;&#13;
&lt;p&gt;"When fighting was almost entirely hand-to-hand, the thorough protection of the hand was necessarily of paramount importance. Armour for the head and body was, after all, but a second line of defence against the attack which penetrated the guard of the weapon. Any damage to the hand which controlled all offensive movements, as well as all parries, would place a combatant at the mercy of his antagonist. But the armourer had not only to give his attention to the protective qualities of the covering which enclosed a part so vulnerable and so likely to receive a wound, he had also to consider how he should least interfere with the use of so complicated a piece of mechanism as the human hand. It was on account of these very important considerations that one finds the gauntlet always more complicated in the details of its construction than the rest of the protective outfit.&lt;/p&gt;&#13;
&lt;p&gt;Underneath the plate was worn a leather glove, to the fingers and thumb of which small overlapping scales were attached to complete the defence of the hand. Hourglass gauntlets are considered the zenith of medieval gauntlets. An example of this type may be seen on the brass of Sir John de Saint Quintan in Brandesburton Church, Yorkshire, which may be dated at about 1397. The famous effigy of Edward, Prince of Wales, known as the Black Prince, in the cathedral church of Canterbury depicts this masterful warrior wearing this kind of hand defence."&lt;/p&gt;&#13;
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              <text>&lt;br /&gt;&lt;br /&gt;&lt;a href="http://medievalcombat.org/"&gt;http://medievalcombat.org/&lt;/a&gt;&lt;br /&gt;</text>
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                <text>A photograph of a stall at Kryal Castle in Ballarat, which sells chain mail that has been hand-crafted according to the traditional medieval method. Some of the objects that can be bought are chainmail keyrings and chainmail jewellery.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.  </text>
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                <text>This statue of William Wallace, the Scottish warrior famous for leading the defeat of English forces at the Battle of Stirling Bridge in 1297, stands in the Botanic Gardens in Ballarat, Victoria. Sculpted by Percival Ball of Melbourne and unveiled in 1889, the statue was funded by a Â£3000 bequest to the gardens by James Russell Thomson, a Scottish miner who made his fortune during the Victorian gold rush. It was intended as a tribute to Thomsonâ€™s Scottish origins. The front the statue bears an inscription from Robert Burnsâ€™ 1785 sentimental poem â€˜The Cotterâ€™s Saturday Nightâ€™, which also lauds Wallace as a noble patriot and hero.</text>
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                <text>Valentine &amp; Sonsâ€™ Publishing Co</text>
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                <text>State Library of Victoria</text>
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                <text>c.1913</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>State Library of Victoria</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard: printed; 8.8 x 13.8 cm</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Calibri','sans-serif'; font-size: 11pt; mso-fareast-font-family: Calibri; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Danelaw Medieval Fighting Society, New South Wales</text>
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                <text>James Adams, Anglo-Saxon, archery, armour, axe-throwing, battle, catapult, Celt, Crusades, Danelaw, Danelaw Medieval Fighting Society, England, fort, knife-throwing, knight, law, Medieval Martial Arts Association of Southern Sydney, New South Wales, Norman, NSW, re-enactment, Saracen, siege engine, sword, tournament, trebuchet, Viking, website.</text>
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                <text>&lt;p&gt;Danelaw Medieval Fighting Society are a New South Wales re-enactment group who own The Danelaw, a 120 acre property in a pine forest between Sydney and Canberra that is used by re-enactment groups. The property includes a fort, axe- and knife-throwing areas, a tournament ring, as well as trebuchet&amp;rsquo;s, a type of catapult used in siege warfare from the twelfth century. The Danelaw Medieval Fighting Society were formed in the mid-1980s by James Adams as the Medieval Martial Arts Association of Southern Sydney. They adopted the current name in 2002. Members re-enact warfare methods with authentic costumes and weapons from throughout the medieval period, including such groups as Anglo-Saxons, Celts, Crusaders, Normans, Saracens, and the knights of the High Middle Ages. The property is named after the Danelaw of England, that part of England conquered and settled by the Vikings in the second half of the ninth century, and where aspects of &amp;lsquo;Danish&amp;rsquo; law were used.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Danelaw Medieval Fighting Society Inc</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28308">
                <text>Danelaw Medieval Fighting Society Inc</text>
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        <name>Armour</name>
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        <name>axe-throwing</name>
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        <name>battle</name>
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        <name>Danelaw</name>
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        <name>Danelaw Medieval Fighting Society</name>
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        <name>knight</name>
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        <name>Medieval Martial Arts Association of Southern Sydney</name>
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        <name>New South Wales</name>
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        <name>Norman</name>
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        <name>re-enactment</name>
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        <name>Saracen</name>
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        <name>siege engine</name>
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        <name>trebuchet</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/1d0c2d7ed7c098b7ab0d932a71f2faac.jpg</src>
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                <name>Bit Depth</name>
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                    <text>3203</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25045">
                <text>&amp;lsquo;The Ballad of Sir Anopheles&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 18 June 1908</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>armour, battle, chivalry, humour, knight, lance, mosquito, ogre, Sir Anopheles. </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25047">
                <text>&lt;p&gt;The hero of this poem, as the name Sir &lt;em&gt;Anopheles&lt;/em&gt; hints, is a mosquito. The author here humorously stages an encounter between man and mosquito as a drawn-out battle between a recumbent Ogre and an intrepid and undaunted medieval knight. It is clear from the start that the tiny knight has the mastery; indeed as the night-long battle progresses, the final result is inevitable, and the sullen Ogre&amp;rsquo;s defeat is a foregone conclusion:&lt;/p&gt;&#13;
&lt;p&gt;So all night long the battle goes, &lt;br /&gt;Until the vanquished ogre sinks &lt;br /&gt;Exhausted and the sharp lance drinks &lt;br /&gt;His blood [...]&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25048">
                <text>O. C. Cabot (Edward Newton MacCulloch)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="25050">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>18 June 1908, p.40</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25052">
                <text>Public Domain</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25053">
                <text>Journal (Microfilm)</text>
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      <tag tagId="153">
        <name>Armour</name>
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        <name>knight</name>
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        <name>lance</name>
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      <tag tagId="5269">
        <name>mosquito</name>
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        <name>ogre</name>
      </tag>
      <tag tagId="5271">
        <name>Sir Anopheles</name>
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  </item>
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