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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Bards of the Backblocks: Knights of Chance&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 26 May 1900.</text>
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                <text>Adventuring, Australian national character, backblocks, bard, city, E. J. Brady (1869-1952), Federation, freedom, knight, lance, nationalism, romanticisation, rural economy, New South Wales, NSW.</text>
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                <text>To describe everyday life in colonial Australia as entirely rural-based in 1900 would be misleading, for the country&amp;rsquo;s major urban centres, particularly Sydney and Melbourne, housed much of the population and fuelled its commercial vitality (see F. K. Crowley (ed.), &lt;em&gt;A New History of Australia,&lt;/em&gt; Richmond, William Heinemann, 1984, p. 261). Yet, the author of these verses, E. J. Brady, romanticises the ordinary Australian&amp;rsquo;s willingness to &amp;lsquo;chance their luck&amp;rsquo; on bold ventures: E.g., prospecting for gold, running sheep and cattle in the water-scarce &amp;lsquo;backblocks,&amp;rsquo; harvesting pearls in the N.W., and shipping commodities all over the world. Brady clearly favoured the &amp;ldquo;adventuring life,&amp;rdquo; valuing rural freedom over machine-shop slavery in the noxious urban sprawl (Louise D&amp;rsquo;Arcens,&lt;em&gt; Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.141). The propensity for romanticising the Australian present by conflating it with a medieval past was not unusual at the time. The Bulletin published (and made room for) quite a lot of this type of &amp;lsquo;backblocks&amp;rsquo; versification, which &amp;ldquo;was not only determinedly populist and disposable but also extremely cursory in its medievalism, ransacking the popular imaginary indiscriminately for tropes and terms that signified instantaneously and superficially as &amp;lsquo;medieval&amp;rsquo;&amp;rdquo; (D&amp;rsquo;Arcens, 19). That much is apparent from the poem, with its comparatively stock imagery and reliance on &amp;lsquo;the bygone days of yore&amp;rsquo; for inspiration: the &amp;ldquo;Barons of Bold Adventure, Kings of the stout free lance&amp;rdquo;. Yet Brady, who was a long-standing member of the Australian Socialist League (See John B. Webb, A Critical Biography of Edwin James Brady 1869-1952, University of Sydney PhD Thesis, 1972 p.9), evidently envisaged entire communities of unburdened &amp;lsquo;emancipated&amp;rsquo; workers &amp;ldquo;roaming the countryside and working at will,&amp;rdquo; like so many questing medieval knights (D&amp;rsquo;Arcens, p.140). It is likely that Brady was appealing to the resolve that was forming and cohering as a result of the recent Federation debates (c. 1897-98) which, having filtered down into everyday exchange sought to persuade and unite the colonies under the one flag and banner.</text>
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                <text>E. J. Brady</text>
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                <text>The Bulletin</text>
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                <text>26 May 1900 (p. 3)</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;br /&gt; &lt;a href="http://www.ea.com/the-sims-medieval" target="_blank"&gt;http://www.ea.com/the-sims-medieval&lt;/a&gt;</text>
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                <text>SIMS Medieval</text>
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                <text>Bard, battle, blacksmith, Castle, characters, computer, computer game, EA Games, fantasy, game-play, gamers, graphics, heroes, king, kingdom, knight, life-simulation, medieval setting, medievalism, merchant, queen, quest, SIMS, simulation, treaty, virtual world, war, weaponry, battles, skirmish, wizard, wizards, wizardry</text>
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                <text>In SIMS Medieval, the latest instalment of the virtual reality SIMS computer game series, players control a number of different heroes and characters ranging from kings and queens to knights, merchants, priests and blacksmiths. They send these characters on quests to earn points, and use these points to build a medieval kingdom. They can then â€˜negotiate treaties, conduct trade or declare war on surrounding kingdomsâ€™.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Troubadour Song</text>
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                <text>A poem featured in The Hobart Town Gazette and Van Diemen's Land Advertiser, which conforms to lyrical and bardic poetic traditions. It has medieval and classical undertones in both style and language. </text>
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                <text>National Library of Australia</text>
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                <text>Hobart Town Gazette and Van Diemen's Land Advertiser</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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        <name>courtly</name>
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        <name>courtly poetry</name>
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        <name>lyric</name>
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        <name>lyric poet</name>
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        <name>lyrical</name>
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        <name>lyrical poet</name>
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        <name>medieval</name>
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      <tag tagId="2329">
        <name>medieval undertones</name>
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        <name>poem</name>
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        <name>poems</name>
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      <tag tagId="1271">
        <name>poet</name>
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      <tag tagId="1272">
        <name>poetry</name>
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        <name>romance</name>
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        <name>sing</name>
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      <tag tagId="2192">
        <name>singing</name>
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      <tag tagId="2341">
        <name>song</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="2332">
        <name>troubadour</name>
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      <tag tagId="1615">
        <name>war</name>
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      <tag tagId="2330">
        <name>warrior</name>
      </tag>
      <tag tagId="2331">
        <name>warriors</name>
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