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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.artgallery.nsw.gov.au/work/349.2001.a-f/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Second Maquette for the Burghers of Calais</text>
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                <text>Andrieu dâ€™Andres, attack, army, Auguste Rodin (1840-1917), bronze, burghers, Calais, cast, commemoration, conflict, Eustache de Saint-Pierre, Hundred Yearsâ€™ War, Jacques de Weissant, Jean dâ€™Aire, Jean de Fiennes, King Edward III of England (1312-1377), King Philip VI of France (1293-1350), maquette, medieval war, model, New South Wales, NSW, Pierre de Weissant, plaster, sculpture, siege, Siege of Calais (1347), surrender,  war, warfare</text>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This piece from the Art Gallery of New South Wales collection is one of 12 bronze sculptures cast from a plaster sculpture created by Rodin in 1885. The original &amp;lsquo;Second Maquette for the Burghers of Calais&amp;rsquo; from which it was cast is currently housed in the Mus&amp;eacute;e Rodin in Paris. The sculpture features six separate figures ranging in size from 60.5cm to 70 cm. Rodin was commissioned in 1884 to produce a monument commemorating the bravery of six Calais burghers who were prepared to sacrifice themselves to save the city&amp;rsquo;s other citizens when Calais fell to the English King, Edward III, during the Hundred Years&amp;rsquo; War in 1347. The figures are Pierre de Weissant, Jean d&amp;rsquo;Aire, Eustache de Saint-Pierre, Jacques de Weissant, Andrieu d&amp;rsquo;Andres and Jean de Fiennes. His first maquette features all of the figures on a shared base, whereas the second consists of six separate figures. For more information, see the accompanying notes on the Gallery of New South Wales website: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.artgallery.nsw.gov.au/work/349.2001.a-f/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Rodin, Auguste</text>
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                <text>Art Gallery of New South Wales: accession number 349.2001.a-f.</text>
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                <text>Modelled 1885; Cast 1972</text>
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                <text>Art Gallery of New South Wales</text>
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                <text>Bronze Sculpture. 6 separate pieces, each measuring between 60.5 and 70 cm.;&#13;
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Old Swan Barracks Hotel, Perth, WA</text>
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                <text>Administration building, arcading, arch, architecture, army, balcony, barracks, columns, crenellation, defence force, drill hall, Federation Romanesque style, George Temple-Poole (1856-1934), Government architect, government building, heraldic shield, heraldry, military building, neo-romanesque, rusticated stone, soldiers, WA, Western Australia</text>
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                <text>Images of the Old Swan Barracks Hotel in Perth, Western Australia. The Swan Barracks was originally used as a military training facility. A Volunteer Drill Hall was built in 1896 and this rusticated stone building was added in 1897 to house the administration offices. Both were designed by WAâ€™s chief Government architect George Temple-Poole. The architecture of the Administration Building incorporates a number of medieval features, including the large heraldic shield, the neo-Romanesque rounded arches and columns of the balcony and the crenellation that was used for decorative effect along the top of the third storey, which was added in 1900. The building is no longer used by the Australian army, and today functions as a backpacker hostel. </text>
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                <text>McEwan, Joanne</text>
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                <text>4 February 2011</text>
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                <text>No Copyright</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article50339347" target="_blank"&gt;http://nla.gov.au/nla.news-article50339347&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>A Medieval Romance</text>
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                <text>Ó”lfred, Alfred the Great (848/9-899), Anglo-Saxon, â€œAnglo-Saxon Chronicleâ€, annals, army, Asser, Athelney, battle, book, book review, Chippenham, chronicle, Danelaw, Danes, East Anglia, Edington, Ethandune, Guthrum, historical romance, invasion, Jeffery Farnol, king, â€œLife of Alfredâ€, novel, recreation, romance, romanticisation, siege, â€œThe King Livethâ€, victory, Vikings, war, Wessex, West Saxon, Wiltshire</text>
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                <text>In this review of Jeffery Farnol&amp;rsquo;s historical romance &amp;ldquo;The King Liveth&amp;rdquo;,  the novel is recommended to readers who appreciate the &amp;ldquo;picturesque  recreation of the England of those far off [Anglo-Saxon] days&amp;rdquo;. Set in  the ninth-century and culminating in the Battle of Ethundane (Edington)  in 878, the reviewer claims that this tale of Alfred the Great is based  on evidence from chronicles. This most likely refers to the &amp;ldquo;Anglo-Saxon  Chronicle&amp;rdquo;, and perhaps Asser&amp;rsquo;s &amp;ldquo;Life of Alfred&amp;rdquo;, both written during  Alfred&amp;rsquo;s reign. After being forced to flee to the marshes around  Athelney following the invasion of the Viking great army led by Guthrum  (where the burning of the cakes episode mentioned by the reviewer  supposedly happened), Alfred was able to rally an army and defeat the  Vikings. The survivors fled to Chippenham but following a two-week siege  they asked for a treaty. A peace treaty followed by which Guthrum and  his leading supporters were baptised and the following year they settled  East Anglia (part of the &amp;lsquo;Danelaw&amp;rsquo;), where Guthrum reigned until 890.&lt;br /&gt; &lt;br /&gt; For a copy of the book&amp;rsquo;s cover and the dust jacket summary, see: &lt;a href="http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm" target="_blank"&gt;http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm&lt;/a&gt;.&lt;br /&gt; &lt;br /&gt; For more on Alfred, see Patrick Wormald, &amp;lsquo;Alfred (848/9&amp;ndash;899)&amp;rsquo;, Oxford  Dictionary of National Biography, Oxford University Press, 2004; [&lt;a href="http://www.oxforddnb.com/view/article/183" target="_blank"&gt;http://www.oxforddnb.com/view/article/183&lt;/a&gt;, accessed 15 June 2011].</text>
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                <text>Anon. </text>
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                <text>National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article50339347" target="_blank"&gt;http://nla.gov.au/nla.news-article50339347&lt;/a&gt;</text>
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ID numberD00598</text>
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