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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11751878&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11751878&amp;amp;SE=1&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Murder Scene, 'Murder in the Cathedral', Bonython Hall, Adelaide.</text>
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            <description>The topic of the resource</description>
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                <text>actor, actors, Adelaide, archbishop, Archbishop of Canterbury, Australian Elizabethan Trust, Bonython Hall, Canterbury Cathedral, cathedral, Hugh de Morville, knight, murder, â€˜Murder in the Cathedralâ€™, medieval crime, play, Reginald Fitzurse, Richard le Bret, Robert Speaight, South Australia, T. S. Eliot, Thomas aâ€™Becket, Thomas Becket, verse drama, William de Tracy</text>
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                <text>British actor, Robert Speaight (as Thomas a'Becket) in the murder scene from 'Murder in the Cathedral', performed in Bonython Hall, Adelaide, with 4 knights (L to R: Ron Haddrick, Ken Broadbent, Eric Reiman and Ron Graham, members of the Australian Elizabethan Theatre).&#13;
&#13;
â€˜Murder in the Cathedralâ€™ is a verse drama written by T. S. Eliot and first performed in 1935. The plot recreates the murder of Archbishop Thomas Becket by four knights at Canterbury Cathedral on 29 December 1170. The knights - Reginald Fitzurse, Hugh de Morville, William de Tracy and Richard le Bret - had overhead Henry II complaining about Becket and interpreted it as an order to kill him.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="12967">
                <text>National Archives of Australia, Image number L34653</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="12968">
                <text>Australian News and Information Bureau, Canberra</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12970">
                <text>Australian News and Information Bureau </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>â€˜Murder in the Cathedralâ€™</name>
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        <name>actor</name>
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        <name>Adelaide</name>
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        <name>Cathedral</name>
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        <name>medieval crime</name>
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        <name>murder</name>
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        <name>Reginald Fitzurse</name>
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        <name>Richard le Bret</name>
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        <name>Robert Speaight</name>
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        <name>T. S. Eliot</name>
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        <name>Thomas aâ€™Becket</name>
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        <name>Thomas Becket</name>
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        <name>verse drama</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1 photograph : b&amp;w, gelatin silver</text>
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              <text>21 x 18.2 cm.  </text>
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          <description/>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an22828135"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Laurie Payne, Tour of Camelot, 1966  </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>actor, armor, armour, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, costume, entertainment, Guinevere, helmet, King Arthur, knight, knighthood, Lancelot, Laurie Payne, musical, performance, plate armour, popular culture, Round Table, stage, stage performance</text>
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                <text>In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actor Laurie Payne poses in his costume, a suit of armour, for the musical Camelot. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Bryan &amp; Shear (Firm) </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="14531">
                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.pic-an22828135" target="_blank"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Bryan &amp; Shear (Firm) </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14534">
                <text>National Library of Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>actor</name>
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        <name>Arthur</name>
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        <name>Guinevere</name>
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        <name>King Arthur</name>
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