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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Markâ€™s Anglican Church interior, Deloraine, Tasmania </text>
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                <text>Anglican, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, William Montgomery, Alexander North, pointed arch, reredos, rood screen, St Markâ€™s Church, stained glass, Tas, Tasmania, tracery, trusses. </text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular &amp;lsquo;Decorated&amp;rsquo; or &amp;lsquo;Victorian Free&amp;rsquo; Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added. The interior includes many Gothic features; particularly the carved rood screen from c. 1920 and the reredos wood panelling from 1895 in photograph one, both of which include prominent pointed arches in their design. The east and west pointed arch windows with tracery are both made up of four lancet windows with stained glass. The stained glass in the east window (above the reredos) was made by Melbourne-based stained glass artist William Montgomery (1850-1927) in 1909. The choir stalls (in front of the rood screen) were designed by Alexander North (1858-1945) and installed in 1934.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1183"&gt;http://ausmed.arts.uwa.edu.au/items/show/1183&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1182"&gt;http://ausmed.arts.uwa.edu.au/items/show/1182&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 4, 2012</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1183"&gt;http://ausmed.arts.uwa.edu.au/items/show/1183&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1182"&gt;http://ausmed.arts.uwa.edu.au/items/show/1182&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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