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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This East Window is in St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury. The window is above the altar and reredos in the Sanctuary of the Gothic Revival church. The Sanctuary was completed in 1888 and consecrated in 1890 from a design by architect William Henry Clayton (1823-1877). The large pointed arch stained glass window with tracery is made up of three lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Anglican, George Arthur, James Blackburn, buttress, Church of England, William Henry Clayton, convict, crenellation, Gothic, Gothic Revival, lancet windows, Francis Russell Nixon, parapet, pinnacle, pointed arch, porch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tower, tracery, Westbury.</text>
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                <text>&lt;p&gt;St Andrew&amp;rsquo;s Church of England (Anglican) is opposite the Village Green in the small Tasmanian town of Westbury. The foundation stone was laid in 1836 by Lieutenant George Arthur (1784-1854) and the sandstone brick church was first used in 1841. The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02.&amp;nbsp;The church&amp;nbsp;was finally consecrated in 1851 by Tasmania&amp;rsquo;s first Bishop, Francis Russell Nixon (1803-1879). The tower was added in 1859 under the supervision of architect William Henry Clayton (1823-1877). The sanctuary and chancel were completed in 1888 and consecrated in 1890. St Andrew&amp;rsquo;s is in the Gothic Revival style and features buttresses, lancet windows, a porch, tracery in the east window, and pointed arch doorways. The tower is topped by a crenelated parapet and originally had pinnacles but these were removed following serious storm damage in 1877.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
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                    <text>8</text>
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                    <text>3</text>
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                    <text>1944</text>
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                    <text>2592</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Holy Trinity Catholic Church, Westbury, Tasmania</text>
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            <name>Subject</name>
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                <text>Buttress, Catholic, crenellation, Decorated Gothic, finial, Gothic, Gothic Revival, James Hogan, Holy Trinity Catholic Church, Henry Hunter, lancet windows, parapet, pointed arch, rose window, Tas, Tasmania, tower, tracery, Westbury.</text>
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                <text>Holy Trinity Catholic Church is in the small Tasmanian town of Westbury. The building of the bluestone church began in 1869 under the direction of the townâ€™s first resident Catholic priest, Father James Hogan (1825-1899), who had arrived in 1850. Holy Trinity was consecrated in 1874 and the clock tower was added in 1901 as a memorial to Hogan. The cruciform church was designed by Henry Hunter (1832-1892) in the Gothic Revival style, in particular the Decorated Gothic style originally popular in England from c. 1270-1380. The church features buttresses, lancet windows, rose windows, a crenelated parapet and pointed corner finials on the tower, window tracery, and pointed arch doorways.    &#13;
 &#13;
Irish-born James Hogan helped the convicted Irish nationalist activist John Mitchel (1815-1875) escape Tasmania in 1853.   &#13;
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>October 20, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>2xDigital Photograph</text>
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        <name>buttress</name>
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        <name>Catholic</name>
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        <name>Decorated Gothic</name>
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        <name>finial</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Henry Hunter</name>
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        <name>Holy Trinity Catholic Church</name>
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        <name>James Hogan</name>
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        <name>parapet</name>
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        <name>pointed arch</name>
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        <name>rose window</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>tower</name>
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        <name>tracery</name>
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        <name>Westbury.</name>
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