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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Medieval artefacts, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St Davidâ€™s Cathedral, St Patrickâ€™s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall.</text>
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                <text>&lt;p&gt;St David&amp;rsquo;s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick&amp;rsquo;s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David&amp;rsquo;s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior of the cloisters see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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                <text>No Copyright</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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        <name>George Frederick Bodley</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Hobart</name>
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        <name>pillar</name>
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        <name>St Davidâ€™s Cathedral</name>
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        <name>Tudor Rose</name>
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        <name>Wales</name>
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        <name>Westminster Hall.</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Photographs can be found at: http://www.territorystories.nt.gov.au/handle/10070/36939&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11660094&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11660094&amp;amp;SE=1&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://mylibrary.wollongong.nsw.gov.au/cgi-bin/spydus.exe/ENQ/PIC/BIBENQ?IRN=10828109&amp;amp;FMT=PA"&gt;http://mylibrary.wollongong.nsw.gov.au/cgi-bin/spydus.exe/ENQ/PIC/BIBENQ?IRN=10828109&amp;amp;FMT=PA&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.picturevictoria.vic.gov.au/site/maribyrnong/miscellaneous/4774.html"&gt;http://www.picturevictoria.vic.gov.au/site/maribyrnong/miscellaneous/4774.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhandle.slv.vic.gov.au%252F10381%252F45357"&gt;http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhandle.slv.vic.gov.au%252F10381%252F45357&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=388815"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=388815&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhdl.handle.net%252F10462%252Fderiv%252F137235"&gt;http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhdl.handle.net%252F10462%252Fderiv%252F137235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.greataussieroadtrip.com.au/reviews/attraction-reviews/national-folk-festival-canberra.html"&gt;http://www.greataussieroadtrip.com.au/reviews/attraction-reviews/national-folk-festival-canberra.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://images.slsa.sa.gov.au/searcy/33/PRG280_1_33_118.htm"&gt;http://images.slsa.sa.gov.au/searcy/33/PRG280_1_33_118.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://innopac.slwa.wa.gov.au/record=b2214859"&gt;http://innopac.slwa.wa.gov.au/record=b2214859&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://catalogue.statelibrary.tas.gov.au/item/?id=AB713-1-1794"&gt;http://catalogue.statelibrary.tas.gov.au/item/?id=AB713-1-1794&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=7883724&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=7883724&amp;amp;SE=1&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
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                <text>Maypole dancing around Australia</text>
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                <text>ACT, Australian Capital Territory, dance, festival, folk, folk dance, New South Wales, NSW, Norfolk Island, Northern Territory, NT, Qld, Queensland, SA, South Australia, Tas, Tasmania, Vic, Victoria, WA, Wales, Western Australia</text>
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                <text>Maypoles and the folk dance associated with them are a popular event, often involving children, at festivals throughout Australia. The origins, and possible symbolism, of Maypole dancing are uncertain but they can be traced back at least as far as the late medieval period, with a mid-fourteenth-century Welsh poem describing a Maypole of birch. The top of the pole often has coloured ribbons attached and the dance involves the participants moving in a circle around the pole weaving in and out, thereby forming a woven pattern with the ribbons around the Maypole. The links in this entry are of early Maypole dances from all States and Territories of Australia, as well as Norfolk Island. The age of some of the photographs suggest that the tradition of Maypole dancing may have arrived with the earliest European settlers.</text>
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                <text>14 June 2012</text>
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                <text>National Archives of Australia, National Library of Australia, Northern Territory Library, Picture Victoria, State Library of New South Wales, State Library of South Australia, State Library of Tasmania, State Library of Western Australia, Wollongong City Library.</text>
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        <name>dance</name>
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        <name>folk dance</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Copy print: b&amp;w;&#13;
PDF</text>
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              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/69611"&gt;http://hdl.handle.net/10462/deriv/69611&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Members of the Saint David's Society of Brisbane</text>
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                <text>&lt;p&gt;An image depicting men and women of the Welsh Saint David's Society of Brisbane, gathered around the Society's banner, which depicts a dragon.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;BRIEF HISTORY OF THE SOCIETY:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Saint David&amp;rsquo;s Welsh Society was founded on 16th April 1918 with the aim of acknowledging and celebrating the Welsh origins of its members and to promote an appreciation of various aspects of Welsh culture within the Brisbane community of Welsh immigrants and their descendants. The Society continues to fill that role and welcomes as members all those with historical or cultural connections with Wales or an interest in Welsh cultures and history. Some of the traditions brought to Australia are still recognised and enjoyed by the Society.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;AIMS OF THE SOCIETY: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The aims of the Society are to promote the following:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Welsh culture, language, literature and music;&lt;/li&gt;&#13;
&lt;li&gt;Welsh traditions and ceremonies;&lt;/li&gt;&#13;
&lt;li&gt;The Arts and Sciences associated with and derived from Wales and Welsh;&lt;/li&gt;&#13;
&lt;li&gt;Fellowship and a sense of community among our members by means of regular meetings and functions;&lt;/li&gt;&#13;
&lt;li&gt;&amp;nbsp;To foster relationships with other organizations in Australia and overseas which have similar aims.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Discover more about the Society at:&lt;a href="http://www.brisbanewelsh.org.au/"&gt;http://www.brisbanewelsh.org.au/&lt;/a&gt;</text>
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                <text>Fegan, Brisbane</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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