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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;</text>
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                <text>The Loving Cup</text>
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                <text>Art, Arthurian, Arthurian romance, chivalry, cup, Dante Gabriel Rossetti (1828-1882), Gouache, ivy, knight, legend, medieval clothing, nostalgia, Pre-Raphaelite, replica, romance, SA, South Australia, Victorian, watercolour</text>
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                <text>&lt;p&gt;This work by Dante Gabriel Rossetti, a&amp;nbsp;renowned nineteenth-century painter and member of the Pre-Raphaelite Brotherhood, depicts a young woman in a voluminous medieval-looking gown raising a golden cup decorated with a heart shaped design to her lips. In her other hand she clasps the lid of the cup to her breast. A lace cloth, ivy (the symbol of fidelity) and 4 brass plates (2 depicting deer, 1 depicting Adam and Eve eating the forbidden fruit and the other showing Hosea and Joshua with a bunch of grapes) are visible in the background. This painting is one of three watercolour replicas that Rossetti produced in 1867 of an oil painting that is currently held by the National Gallery of Western Art, Tokyo. The frame of the original painting is inscribed "Douce nuit et joyeux jour/ A chevalier de bel amour (Sweet night and pleasant day/to the beautifully loved knight)," which suggests that the woman is toasting her recently departed knight. The source of these words is uncertain, but it is thought that Rossetti, well-known for his poetry as well as his artwork, probably wrote it himself. (For more on the Tokyo painting, see &lt;a href="http://collection.nmwa.go.jp/en/P.1984-0005.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://collection.nmwa.go.jp/en/P.1984-0005.html&lt;/span&gt;&lt;/a&gt;).&lt;/p&gt;&#13;
The Arthurian theme and subject matter of the painting are typical of Rossetti&amp;rsquo;s work from the mid-1850s, and the work of the second phase of the Pre-Raphaelite Brotherhood more generally. As Elizabeth Prettejohn suggests, these paintings convey a sense in which the &amp;ldquo;the world presented in the pictures is somehow distant or remote from the everyday&amp;rdquo;. They depict scenes of leave-taking, but the circumstances are left untold, and we do not learn the fortunes of the figures involved. This, she suggests, &amp;ldquo;contrasts abruptly with the narrative specificity of most Victorian painting, and of earlier Pre-Raphaelite pictures. The precise detail in the drawings gives us a medieval world that is apparently complete in itself, but to which we as spectators only have partial access&amp;rdquo; (Elizabeth Prettejohn, &lt;em&gt;The Art of the Pre-Raphaelites&lt;/em&gt;, Tate Publishing, London, 2000, pp.106-7).</text>
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                <text>Rossetti, Dante Gabriel</text>
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                <text>Art Gallery of South Australia</text>
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                <text>c 1867</text>
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                <text>Art Gallery of South Australia</text>
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                <text>Gouache on paper, 52.6 x 35.9 cm</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Christ Church Anglican Church in North Adelaide, South Australia. The foundation stone was laid by Dr Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851, 1855 and 1884. Bishop Short had arrived from England with three different building plans in 1847, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings in comparison to the wall area, the high parapeted gable and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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                <text>&lt;p&gt;Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, &lt;a href="../../../items/show/475"&gt;http://ausmed.arts.uwa.edu.au/items/show/475&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide,"  in Medievalism in Australian Cultural Memory, Item #478, &lt;a href="../../../items/show/478"&gt;http://ausmed.arts.uwa.edu.au/items/show/478&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, &lt;a href="../../../items/show/480"&gt;http://ausmed.arts.uwa.edu.au/items/show/480&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Christ Church Anglican Church in North Adelaide, South Australia. The foundation stone was laid by Dr Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851, 1855 and 1884. Bishop Short had arrived from England with three different building plans in 1847, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings in comparison to the wall area, the high parapeted gable and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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&lt;p&gt;&lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide,"  in Medievalism in Australian Cultural Memory, Item #478, &lt;a href="../../../items/show/478"&gt;http://ausmed.arts.uwa.edu.au/items/show/478&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, &lt;a href="../../../items/show/480"&gt;http://ausmed.arts.uwa.edu.au/items/show/480&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&#13;
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&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div class="element-text"&gt;Carter, Bree, "Door with Lead-light  Panels, Earlsferry House, Guildford," in Medievalism in Australian  Cultural Memory, Item #447, &lt;a href="../../../items/show/447"&gt;http://ausmed.arts.uwa.edu.au/items/show/447&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/div&gt;</text>
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&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;/p&gt;&#13;
&lt;div class="element-text"&gt;Carter, Bree, "Door with Lead-light  Panels, Earlsferry House, Guildford," in Medievalism in Australian  Cultural Memory, Item #447, &lt;a href="../../../items/show/447"&gt;http://ausmed.arts.uwa.edu.au/items/show/447&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/div&gt;</text>
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&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Photographs taken with permission of Jane Bowen and Martin Jaine</text>
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                <text>&lt;br /&gt;Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #452, &lt;a href="../../../items/show/452"&gt;http://ausmed.arts.uwa.edu.au/items/show/452&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Carter, Bree, "Door with Lead-light  Panels, Earlsferry House, Guildford," in Medievalism in Australian  Cultural Memory, Item #447, &lt;a href="../../../items/show/447"&gt;http://ausmed.arts.uwa.edu.au/items/show/447&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Door with Lead-light Panels, Earlsferry House, Guildford</text>
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                <text>gothic, gothic revival, nineteenth century, nineteenth-century, 19th century, Victorian, architecture, turret, Swan River, Perth, Guildford, WA, Western Australia, hotel, bed, breakfast, accommodation, heritage, tourism, window, windows, leadlight, lead light, arch, arched, arches</text>
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                <text>Image of the entrance to heritage-listed Earlsferry House  Bed and  Breakfast on  the  Swan River in Guildford,  Western Australia.  The  building is of  typical  late nineteenth century  style, embodying   elements of the  Victorian  gothic with its turret,  arches, and arched   leadlight windows.&#13;
&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Photographs taken with the permission of Jane Bowen and Martin Jaine</text>
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                <text>&lt;p&gt;Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #452, &lt;a href="../../../items/show/452"&gt;http://ausmed.arts.uwa.edu.au/items/show/452&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/p&gt;</text>
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