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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Catholic Church of the Holy Cross in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes. The stone church features bell turret, dome, and Gothic pointed arches. Writing for the Cathedral Chronicle, Hawes said that the design was inspired by 13th century churches in the Sienna area of Tuscany in Italy. This was in part due to the similarity in climate.&#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>&lt;p&gt;The Catholic Church of the Holy Cross in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes. The stone church features bell turret, dome, and Gothic pointed arches. Writing for the &lt;em&gt;Cathedral Chronicle&lt;/em&gt;, Hawes said that the design was inspired by 13&lt;sup&gt;th&lt;/sup&gt; century churches in the Sienna area of Tuscany in Italy. This was in part due to the similarity in climate.&lt;/p&gt;&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article37674643" target="_blank"&gt;http://nla.gov.au/nla.news-article37674643&lt;/a&gt;</text>
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                <text>The World Overseas: â€˜A Relic of Other Daysâ€™</text>
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                <text>Included in this Western Mail Supplement page of pictures from around the world, Image 6 shows a festive horserace running through the marketplace in Siena, Italy. The caption describes the festival as a â€˜relic from other daysâ€™; the last surviving remnant of medieval games that had taken place in Tuscany. It adds that jockeys and mounts still received the traditional Archbishopâ€™s blessing at the cathedral before the race.</text>
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                <text>The Western Mail (copyright expired)</text>
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