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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The New Varangian Guard Inc</text>
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                <text>Anglo-Saxon, Byzantium, Byzantine Empire, Constantinople, Istanbul, Norman, Norman Conquest, recreation, re-enactment, Rus, Turkey, Varangian, Varangian Guard, The Varangian Voice, Viking</text>
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                <text>The New Varangian Guard are an Australian historical re-enactment group with fifteen branches throughout Australia. The group concentrate on the Byzantine (or Eastern Roman) Empire, particularly between the ninth and thirteenth centuries. During most of this period the Varangian guard existed. As well as participating in re-enactment activities the group also engage in more scholarly activities and their website includes a number of articles. The group began in 1981 and produce a newsletter, The Varangian Voice.&#13;
&#13;
The Byzantine Empire was centred on Constantinople, now Istanbul in modern-day Turkey. The Varangian guard were part of the Byzantine army and eventually became the elite bodyguard of the Emperor. They were initially dominated by Vikings, often referred to as Rus or Varangians in the written sources, but following the Norman conquest of England in 1066 many Anglo-Saxons joined the guard.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>10 September 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="11390">
                <text>The New Varangian Guard Inc.</text>
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                <text>English</text>
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        <name>Anglo-Saxon</name>
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        <name>Byzantium</name>
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        <name>Istanbul</name>
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        <name>Norman</name>
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        <name>Norman Conquest</name>
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        <name>re-enactment</name>
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        <name>recreation</name>
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        <name>Rus</name>
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        <name>The Varangian Voice</name>
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        <name>Turkey</name>
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        <name>Varangian</name>
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        <name>Varangian Guard</name>
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        <name>viking</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photograph (metal, paint)</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL/00793"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;</text>
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                <text>Souvenir Shield: Private C.E. Urry, 1 Battalion, AIF</text>
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                <text>heraldry, badge, badges, Gallipoli, World War, First World War, World War I, Lonepine, C.E. Urry, shield, armourer, aluminium, Turkey, Anzac Cove, Western Front, coat-of arms</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;REL/00793 Front and reverse&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Small aluminium shield. Engraved on the obverse is, '528 PRIVATE C E URRY 25TH APRIL GALLIPOLI HMS SCOURGE 5TH JUNE GERMAN OFFICERS TRENCH 6TH AUGUST LONE PINE EVACUATED 20TH DEC 19TH APRIL LAVENTIE 28TH MARCH FRANCE'. Engraved on the reverse is, '526 C E URRY 6TH AUGUST LONE PINE DARDENELLES'.&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;Summary:&lt;br /&gt;Associated with the service of Private Charles Edward Urry, 1 Battalion, AIF. Born in 1897 in Sydney, Charles Urry was nineteen years old and working as a carpenter when he enlisted in the AIF on 17 August 1914. At the time he was also a member of the Militia (33 Infantry Regiment). 526 Private C E Urry embarked aboard HMAT Afric from Sydney on 18 October 1914 with 1 Battalion B Company . After seeing action on Gallipoli and at the Somme, Private Urry was killed in action near Ypres, Belgium on 11 September 1916. &lt;br /&gt;&lt;br /&gt; This shield was carried by Private Urry during his service. It is believed that just prior to embarkation in Australia, several B Company men had these shields made up by the Battalion armourer. Each soldier engraved his service number and name into the shield and added 'battle honours' as the war progressed. The shield was sent to his mother after his death, as part of his personal effects. Private Urry's brother, 6169 Private Alfred Thomas Urry served with 19 Battalion, AIF during the war. He returned to Australia in 1919.&amp;nbsp;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;br /&gt; This poignant unofficial insignia of war indicates both a sense of identity amongst B company and a 'coat-of-arms' for lower-ranked soldiers: a working man's heraldic shield, if you will. The company conscripted their armourer to make these aluminium badges to be taken on campaign. Urry engraved his with combat locations and dates, as well as 'german officers', 'HMS Scourge', 'evacuated'. They sit in striking contrast to the glorious, gold, sophisticated badges of the company commanders. See General Sir John Monash, for example. &lt;br /&gt; HH&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Private Charles Edward Urry</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13023">
                <text>Australian War Memorial</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1914-1916</text>
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                <text>Australian War Memorial&#13;
REL/00793</text>
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                <text>Hyperlink</text>
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        <name>armourer</name>
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        <name>C.E. Urry</name>
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        <name>Western Front</name>
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        <name>World War</name>
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        <name>World War I</name>
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