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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Australian Mutual Provident Society, column, Lesley Gordon Corrie, Florence, Florentine Romanesque, frieze, J. and T. Gunn, Launceston, Launceston Examiner, lead lighting, newspaper, Alexander North, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania. </text>
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                <text>&lt;p&gt;This Australian Mutual Provident Society building is in the centre of the Tasmanian city of Launceston. It was designed by local architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) and built by J. and T. Gunn. It opened in 1892. An anonymous&amp;nbsp;report in the Launceston Examiner newspaper (November 19, 1892) gives the particulars of the building, which is described as being in the Florentine Romanesque style. Romanesque features of the stone building include the semi-circular window arches with molding and decorated columns on the upper floor, the semi-circular arch above the company monogram, the use of foliage motifs, and the frieze above the entrance.&lt;/p&gt;&#13;
&lt;p&gt;Florence has a number of extant Romanesque buildings built between the eleventh and thirteenth centuries. The buildings provided inspiration for some of the Florentine architects of the Renaissance.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper report see &lt;a href="http://nla.gov.au/nla.news-article39478203"&gt;http://nla.gov.au/nla.news-article39478203&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Australia Post, Byzantine, Lesley Gordon Corrie, William W. Eldridge, Free Romanesque, Launceston, Launceston Post Office, lead lighting, Alexander North, post office, quadrangle, Queen Anne Style, Romanesque, semi-circular arch, Tas, Tasmania. </text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The red brick and freestone Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque. The Romanesque elements are obvious in the unusual interior which features an internal quadrangle (now glassed in) with balconies and windows. These elements include prominent use of semi-circular arches in the doorways and windows, and a pattern of alternating red brick and freestone, also known as &amp;lsquo;blood and bandage&amp;rsquo;, to highlight these features. The interior also includes leadlight windows.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>This building is now part of J Boag &amp; Sonâ€™s Brewery in the northern Tasmanian city of Launceston. It was built as a store in 1886 by the flour miller Thomas Wilkes Monds (1829-1916) and was rented by the confectioner Arthur Biddell. The brick store features Romanesque semi-circular arched windows and doorways on the ground floor of the building. They are accentuated by the pattern of alternate red and pale bricks.</text>
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                <text>The Blue Place is a community hall housed in a former Presbyterian Church in the small Tasmanian town of Kempton. The timber church was built in 1886 on land donated by James Hadden (d. 1911), whose mother Jane had been a Presbyterian convict transported from Scotland. The church is in the Gothic Revival style and features lancet windows, a pointed arch door and doorway, and decorated timber at the front of the building.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window.&lt;/p&gt;&#13;
&lt;p&gt;St Matthew&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For more of the building see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.&lt;/p&gt;&#13;
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&lt;p&gt;For more of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This sculpture of St George and the Dragon is at the top of the 1886 malt kiln of Boag&amp;rsquo;s Brewery in the northern Tasmanian city of Launceston. St George is depicted as a medieval knight wearing armour and a helmet with an open visor and a feather plume. He rides a horse and carries a sword. His horse is trampling a winged dragon.&lt;/p&gt;&#13;
&lt;p&gt;For the malt kiln see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other depictions of St George by Boag&amp;rsquo;s Brewery see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31264">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31257">
                <text>Horizontal Retort Building, (Former) Launceston Gasworks, Launceston, Tasmania </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31258">
                <text>Horizontal retort building, Launceston, Launceston Gasworks, Romanesque, semi-circular arch, Tas, Tasmania. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31259">
                <text>The horizontal retort building is one of a number of derelict buildings on the former Launceston Gasworks site in the northern Tasmanian city of Launceston. The brick with sandstone edging building was completed in 1860. The building includes Romanesque features, in particular the semi-circular arched windows and doors, many of which have now been bricked up. As can be seen in photograph 3, some Romanesque windows were also included in later (20th century) brick and steel buildings on the site.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31260">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31261">
                <text>November 12, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31262">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31263">
                <text>3xDigital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5935">
        <name>Horizontal retort building</name>
      </tag>
      <tag tagId="2972">
        <name>Launceston</name>
      </tag>
      <tag tagId="5936">
        <name>Launceston Gasworks</name>
      </tag>
      <tag tagId="2066">
        <name>Romanesque</name>
      </tag>
      <tag tagId="3108">
        <name>semi-circular arch</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="4809">
        <name>Tasmania.</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
