1 8 11 https://ausmed.arts.uwa.edu.au/files/original/107ee8e283c3c38253dd9eb9b933f701.jpg b390a25f27f8c10c82adf511947ee6c2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 450 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Paul’s Cathedral Interior, Melbourne, Victoria Subject The topic of the resource Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul Description An account of the resource St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican blind arcading column Gothic Gothic Revival Gothic Transitional lancet window Melbourne pointed arch Saint Paul St Paul St. Paul stained glass tracery Vic Victoria William Butterfield https://ausmed.arts.uwa.edu.au/files/original/d56bebe61cd7cd9a4c8b2fcb7a7f9880.jpg 179e046c6c4cec0096b17b3553a9630a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 450 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Paul’s Cathedral interior, Melbourne, Victoria Subject The topic of the resource Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul Description An account of the resource St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican blind arcading column Gothic Gothic Revival Gothic Transitional lancet window Melbourne pointed arch Saint Paul St Paul St. Paul stained glass tracery Vic Victoria William Butterfield https://ausmed.arts.uwa.edu.au/files/original/6c638f5df92f6681ce7e87c0ea2d71c7.jpg 868886d014e78f8a92bd2be5b5f04434 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource West front, Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa Subject The topic of the resource Arles, bas-relief, bell tower, Byzantine, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Saint Peter, St. Peter, St Peter, St. Paul, Saint Paul, St Paul, Mt Carmel, Romanesque, sculpture, semi-circular arch, WA, Western Australia, west front Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. In particular, the west front to the Mullewa church with its rounded arch, columns, and bas-relief sculpture is based on the entry portal to the Church of St Trophime at Arles. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource 22 February, 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Arles bas-relief bell tower Byzantine campanile Catholic Church column dome John Cyril Hawes Monsignor Hawes Mt Carmel Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque Saint Paul Saint Peter sculpture semi-circular arch St Paul St Peter St. Paul St. Peter WA west front Western Australia https://ausmed.arts.uwa.edu.au/files/original/594b0d0f79ad0f04bac190bb17b51f3c.jpg 14211b3cd8f73f7c105c2db8cc91501c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gargoyle, Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa Subject The topic of the resource Catholic, Catholicism, church, gargoyle, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, St Peter, St Paul, St. Peter, St. Paul, Saint Peter, Saint Paul, sculpture, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes as his parish church. Hawes was also the builder, fundraiser, and a labourer for the building. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The photograph shows a functional gargoyle. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource 22 February 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Catholic Catholicism Church gargoyle John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Saint Paul Saint Peter sculpture St Paul St Peter St. Paul St. Peter WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/37395eca303e0de3e6c86b8af8759df1.jpg 02fc95b736e0bee6621a2fcce9f206ff Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 695 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral Triple Lancet Window, Melbourne Subject The topic of the resource Anglican, arcade, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, sandstone, stonework, tiling, tracery, trefoil, Melbourne, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window, saint, St Paul, St. Paul, Saint Paul Description An account of the resource A close-up of the triple lancet window above the entrance doorway at St Paul’s Cathedral, Melbourne. The Cathedral’s mixture of early and late gothic styles is evident in this window; the flamboyant arches (each has a trefoil head rather than a simple point) are typical of the late gothic period, but the tracery and overall composition is not as ornate as would be seen in a decorated gothic window. The Cathedral’s distinctive chequered tiling surrounds the windows, capped by a blind arcade of lancet arches. About St Paul’s Cathedral: St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield’s more modest original plans. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arcade arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne flamboyant arch gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry Melbourne mullion neo-Gothic saint Saint Paul sandstone St Paul St. Paul stonework tiling tracery trefoil Vic Victoria Victorian Gothic William Butterfield (1814-1900) window https://ausmed.arts.uwa.edu.au/files/original/1f7eb9ac50340d70fe1c5701f0e2691f.jpg de30c4ca676c9995e3b9381005a2070f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 875 Width 656 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tiling, tower, tracery, tympanum, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window, saint, Saint Paul, St. Paul, St Paul Description An account of the resource An image of St Paul’s Cathedral, located at the intersection of Flinders Street and Swanston Street in central Melbourne. St Paul’s is the official Cathedral of the Anglican Diocese of Melbourne. It was built in a Victorian Gothic style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated just over a decade later when the initial stage of the building was completed in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect John Barr, and are not in keeping with Butterfield’s more modest original plans. Other distinctive architectural features of St Paul’s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. The cathedral interior is notable for its horizontally striped pattern, which is based on a design from thirteenth century Siena Cathedral. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic saint Saint Paul sandstone spire St Paul St. Paul tiling tower tracery tympanum Vic Victoria Victorian Gothic William Butterfield (1814-1900) window https://ausmed.arts.uwa.edu.au/files/original/72797610f56b4f3927308204c04ab6d5.jpg 46b3d191b3093b9e9b5f7a6d7a5a3e0b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 439 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Large Traceried Window, The Redemptorist Church, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, church, church building, Cottesloe limestone, crenellations, decorated gothic, Federation Gothic Style, gothic architecture, James Cavanagh, lancet arch, leadlights, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, porch, quatrefoil, Redemptorist monastery, Redemptorist Order, St Paul, St Peter, stained glass, tracery, turrets, W. Fairweather, Western Australia, WA, window, windows Description An account of the resource A view of the Redemptorist Church in North Perth, Western Australia. This image is of the large traceried window containing five stained glass and lead light panels, which dominate the church’s appearance. This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing Church church building Cottesloe limestone crenellations Decorated Gothic Federation Gothic Style gothic architecture James Cavanagh lancet arch leadlights limestone Michael Cavanagh monastery mullion neo-Gothic North Perth porch quatrefoil Redemptorist monastery Redemptorist Order St Paul St Peter stained glass tracery turrets W. Fairweather WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/f74db8ec3bb3e73bfbf7822ff11246f9.jpg 47dc7e240c4f6e0c53bd64274922d392 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Redemptorist Monastery in North Perth, WA Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, corbel, Cottesloe limestone, crenellations, ecclesiastical building, false machiolation, Federation Gothic Style, gothic architecture, James Cavanagh, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, pinnacles, Redemptorist monastery, Redemptorist Order, religious order, St Paul, St Peter, turrets, W. Fairweather, Western Australia, WA Description An account of the resource An image of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006. The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing corbel Cottesloe limestone crenellations ecclesiastical building false machiolation Federation Gothic Style gothic architecture James Cavanagh limestone Michael Cavanagh monastery mullion neo-Gothic North Perth pinnacles Redemptorist monastery Redemptorist Order religious order St Paul St Peter turrets W. Fairweather WA Western Australia