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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Mary Ann Simpson memorial window, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>&lt;p&gt;The Mary Ann Simpson (1857-1915) memorial stained glass window is in St David&amp;rsquo;s Anglican Cathedral, Hobart. The lancet window features St Michael as a knight wearing armour of the late medieval period and wearing a sword. He is killing a red dragon which lies at his feet with a spear. St Michael and the dragon are coming out of a representation of what appears to be a niche of delicate stonework in Gothic style with pointed arches.&lt;/p&gt;&#13;
&lt;p&gt;For the Cathedral interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of the tall campanile tower at St Michael&amp;rsquo;s Uniting Church in Collin&amp;rsquo;s Street, central Melbourne. St Michael&amp;rsquo;s Uniting Church was designed by architectural firm Reed and Barnes in a Victorian Romanesque style. The style has more specifically been described as &amp;lsquo;Lombardic Romanesque&amp;rsquo; on account of the polychrome brickwork and campanile style tower pictured here (See, for example, the Victorian Heritage Register: &lt;a href="http://vhd.heritage.vic.gov.au/#detail_places;721"&gt;http://vhd.heritage.vic.gov.au/#detail_places;721&lt;/a&gt;). The polychrome pattern is unusual for a neo-romanesque building, as it was more often found in buildings of gothic design. The church was constructed by John Young between 1866 and 1867, and was originally named The Independent Church. It was renamed in 1977.</text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia</text>
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                <text>Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Le Coultre, Eleanor</text>
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                <text>23 November 2010</text>
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                <text>Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA.</text>
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                <text>Digital Photograph; JPEG</text>
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