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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Harlequin Medieval Music</text>
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                <text>Alfonso 10th, Cantigas de Santa Maria, Galician Portuguese, hammered dulcimer, Harlequin, hurdy gurdy, instrument, moraharpa, percussion, performance, re-enactment, shawm, Spain, Tas, Tasmania, vielle, vocal, Harry Wass, whistle. </text>
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                <text>&lt;p&gt;Formed in 2005, Harlequin is a four-piece band from Tasmania who play medieval music taken from medieval manuscripts. As well as vocal and percussion a number of medieval instruments are played, including hammered dulcimer, hurdy gurdy, moraharpa, shawm, vielle, and whistle. Many of the instruments are made by band member Harry Wass. Much of the band&amp;rsquo;s repertoire is drawn from the 13&lt;sup&gt;th&lt;/sup&gt; century manuscript &lt;em&gt;Cantigas de Santa Maria &lt;/em&gt;which contains 400 songs. The manuscript came from the court of Alfonso 10&lt;sup&gt;th&lt;/sup&gt; of Spain and the songs are sung in the medieval language Galician Portuguese.&lt;/p&gt;&#13;
&lt;p&gt;More about the band, including upcoming performances and cds, can be found at: &lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Harlequin</text>
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                <text>August 8, 2012</text>
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                <text>Harlequin</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;</text>
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        <name>Alfonso 10th</name>
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        <name>Harlequin</name>
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        <name>Spain</name>
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        <name>Tas</name>
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        <name>vielle</name>
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        <name>vocal</name>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?products_id=883"&gt;http://www.mainlymedieval.com/store/product_info.php?products_id=883&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pilgrim Badge: St James of Compostella</text>
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                <text>Badge, Compostella, material culture, â€˜Mainly Medievalâ€™, medieval pilgrimage, NSW, New South Wales, pilgrim, pilgrimage, replica, reproduction, Saint James, scallop shell, shrine, Spain, St James, symbolism, Way of St James</text>
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                <text>An advertisement for a scallop shell badge distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican â€˜officiallyâ€™ confirmed the location of St Jamesâ€™s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the worldâ€™s great long-distance â€˜pilgrimages.â€™ </text>
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                <text>Mainly Medieval</text>
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                <text>2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18041">
                <text>Copyright Â© 2011 Mainly Medieval</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
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                <text>English</text>
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        <name>â€˜Mainly Medievalâ€™</name>
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        <name>Compostella</name>
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        <name>medieval pilgrimage</name>
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      <tag tagId="2002">
        <name>pilgrim</name>
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        <name>pilgrimage</name>
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        <name>Saint James</name>
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        <name>scallop shell</name>
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        <name>shrine</name>
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