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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article:&lt;/p&gt;&#13;
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                <text>Adjudicatorsâ€™ report, Administration Building, architect, architecture, Athelson Saw, benefactor, bequest, commemoration, competition, Conrad Sayce, Crawley, â€œEarly Western Australian Renaissanceâ€ style, Great Gate, great hall, Hackett Hall, Leslie Wilkinson, loggia, monument, Rodney Alsop, Romanesque style, Senate, Senate Chamber, senators, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, university buildings, Western Australia, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-family: 'Times New Roman','serif'; font-size: 13.5pt;"&gt;&lt;span style="font-family: Tahoma; font-size: x-small;"&gt;In 1926, an architectural competition invited new designs for Winthrop Hall and the Hackett Memorial Buildings at The University of Western Australia. &lt;/span&gt;&lt;a name="12de6d791188df37__GoBack"&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;span style="font-size: x-small;"&gt;A bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett, had provided &amp;pound;150,000 for this purpose. This article from the &lt;em&gt;West Australian&lt;/em&gt; informs readers of the competition&amp;rsquo;s outcome. It identifies Melbourne architects Rodney Alsop and Conrad Sayce as the winners, Donald H. McMorran from Harrow-on-the-Hill as the first runner-up and Gummer and Ford from Auckland as the second runner-up. The article reports that 51 designs had been considered by the panel, which was comprised of Professor Leslie Wilkinson, Professor of Architecture, Mr A. R. L. Wright, President of the Royal Institute of Architects of Western Australia and Dr Athelson Saw, the Chancellor of the University, and that they had particularly commended the general layout and the design for the great hall, the loggia and the tower in the winning design. The conditions of the competition had stipulated that the winner would be employed as the architect for the project unless the adjudicators in consultation with the Senators objected. During this discussion, Professor Ross asked what style the winning design represented. Professor Wilkinson is reported to have answered &amp;ldquo;it is in the style which our grandsons will call &amp;lsquo;Early Western Australian Renaissance&amp;rsquo;.&amp;rdquo; &lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of the southern side of the Great Gate joining Winthrop Hall to the old Arts and Administration building and the clock tower at the University of Western Australia. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, &amp;ldquo;The Architecture of the Hackett Buildings&amp;rdquo;, in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). The northern side of the Gate features the &amp;ldquo;Five Lamps of Learning&amp;rdquo; mosaic by Mervyn Napier Waller. The clock tower resembles a Renaissance bell tower. Winthrop Hall, Hackett Hall, the Great Gate and the Arts and Administration Building were designed and built together as a group of University Buildings collectively referred to as the Hackett Memorial Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Great Gate (north side) and â€˜The Five Lamps of Learningâ€™, The University of Western Australia, Crawley Campus. </text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;A view of the northern side of The Great Gate joining Winthrop Hall to the old Administration building at the University of Western Australia&amp;rsquo;s Crawley campus. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, "The Architecture of the Hackett Buildings", in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). It was designed and constructed in conjunction with Winthrop Hall, Hackett Hall and the Administration Building from a bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). The buildings were officially opened on 13 April 1932. The University also commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber on the northern side of the Great Gate in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;&lt;/p&gt;</text>
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