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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Bishop Bromby memorial window, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>Anglican, Charles Bromby, Cloisters, Colm Cille, Gothic, Gothic Revival, Hobart, Iona, Ireland, kite shield, lancet window, memorial, Picts, St Alban, St Columba, St Davidâ€™s Cathedral, Scotland, shield, stained glass, Tas, Tasmania, tracery.</text>
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                <text>&lt;p&gt;This stained glass window is one of many in the Cloisters of St David&amp;rsquo;s Anglican Cathedral, Hobart. It is a memorial to Charles Henry Bromby (1814-1907), Bishop of Tasmania from 1864-1882. The tracery window features lancet windows of Sts Alban and Columba. St Alban was martyred in 3rd century Britain during Roman rule, and is suitably dressed in the window as a Roman soldier. However he carries a kite shield used in medieval Europe primarily in the 10th to 12th centuries. St Columba (521-597), also known as Colm Cille, was an early medieval Irish missionary monk who preached to the Picts in what is now Scotland. He established the monastery at Iona in the Inner Hebrides of western Scotland. St David&amp;rsquo;s Anglican Cathedral was designed by English architect George Frederick Bodley (1827-1907), Bishop Bromby&amp;rsquo;s brother-in-law, in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936, long after the nave had been consecrated in 1874.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;For the artefacts inside the cloisters see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1160"&gt;http://ausmed.arts.uwa.edu.au/items/show/1160&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Cathedral&amp;nbsp;interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Celtic, clan, combat, cooking, craft, Elizabeth (Hlif), Gall-GhÃ idheil, Galloway Bay, games, The Happy Viking, Hiberno-Norse, logo, Maleny, Norse, Qld, Queensland, re-enactment, ring-knot, Scotland, trade, Viking, Ulf, Ulveflokk, website.</text>
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                <text>Ulveflokk are a Viking re-enactment group based in Maleny, Queensland. It was established by Elizabeth (Hlif) of The Happy Viking store and Ulf. The group concentrate on the period 800-1100 and the interaction between Norse/Viking and Scottish Celtic culture in Galloway Bay (Galloway derives its name from the Gall-Gh&amp;agrave;idheil or foreign(Norse)-Gaels) which led to a hybrid culture often referred to as Hiberno-Norse. The group, or clan, re-create all aspects of daily life, including craft, cooking, trade, combat, and games. Ulveflokk is Norwegian for &amp;lsquo;wolf-pack&amp;rsquo;. Their logo features the heads of two wolfs joined by a Norse-style ring-knot. Information is available at http://ulveflokkvikings.webs.com and http://thehappyviking.com.au/2012/07/19/viking-re-enactment-ulveflokk/</text>
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                <text>Image used by permission of Ulveflokk</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1161"&gt;http://ausmed.arts.uwa.edu.au/items/show/1161&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="text-decoration: underline;"&gt;&lt;span style="color: #2567e8; line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN-AU; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;&lt;span style="color: #0066cc; text-decoration: none; text-underline: none;"&gt;http://youtu.be/ggy-p6VtPrs&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Celtic Blood, James John Loftus</text>
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                <text>&lt;p&gt;&lt;em&gt;Celtic Blood&lt;/em&gt; is the debut novel by Australian author James John Loftus, published in July, 2011. The novel is set in 13&lt;sup&gt;th&lt;/sup&gt; century Scotland and the conflict between Anglo-Norman-influenced royal knights living in the lowlands, and independent Highlanders. Witchcraft and the powers behind the powerful are sub-themes of the plot. The novel was in part inspired by William Shakespeare&amp;rsquo;s play set during Scotland&amp;rsquo;s medieval period, MacBeth.&lt;/p&gt;&#13;
&lt;p&gt;For an advertisement for the novel see &lt;span style="text-decoration: underline;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;http://youtu.be/ggy-p6VtPrs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Loftus, James John</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>James John Loftus</text>
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        <name>Anglo-Norman</name>
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      <tag tagId="2036">
        <name>Celtic</name>
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        <name>James John Loftus</name>
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        <name>knights</name>
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      <tag tagId="251">
        <name>literature</name>
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      <tag tagId="2764">
        <name>MacBeth</name>
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      <tag tagId="485">
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      <tag tagId="608">
        <name>Scotland</name>
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            <element elementId="50">
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Holyrood&amp;rsquo;, &lt;em&gt;The Bulletin,&lt;/em&gt; 12 November 1903</text>
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                <text>Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). </text>
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                <text>As a young man, William H. (&amp;lsquo;Will&amp;rsquo;) Ogilvie spent 12 years in outback Australia, &amp;lsquo;horse-breaking, droving, mustering and camping out on the vast plains&amp;rsquo; before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869&amp;ndash;1963)', &lt;em&gt;Australian Dictionary of Biography&lt;/em&gt;, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in &lt;em&gt;The Bulletin&lt;/em&gt;. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet&amp;rsquo;s reference to &amp;lsquo;ancient tower and archway&amp;rsquo; hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey &amp;ldquo;down the storied halls&amp;rdquo; while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the &amp;lsquo;Corridor of Kings&amp;rsquo; - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and &amp;lsquo;Bonnie&amp;rsquo; Prince Charlie (&amp;ldquo;a rebel prince&amp;rdquo;) and the 1745 Jacobite Uprising. Ogilvie&amp;rsquo;s nostalgic poem appeared in &lt;em&gt;The Bulletin&lt;/em&gt; in November 1903, after first being printed in &lt;em&gt;The Scotsman&lt;/em&gt;.</text>
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                <text>Will H. Ogilvie</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>12 November 1903</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24658">
                <text>Public Domain</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24659">
                <text>Journal (Microfilm)</text>
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        <name>Corridor of Kings</name>
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        <name>Flodden Field</name>
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        <name>Holyrood Abbey</name>
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        <name>Holyrood Palace</name>
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        <name>Jacobite Uprising</name>
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        <name>James IV (1473-1513)</name>
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        <name>Mary Queen of Scots</name>
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        <name>monarchy</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Highlands Warrior painting, Sheffield, Tasmania</text>
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            <description>The topic of the resource</description>
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                <text>Art, Highlander, Highlands, Highlands Warrior, kilt, painting, Scotland, Sheffield, shield, sporran, sword, tartan, Tas, Tasmania, warrior.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="24113">
                <text>The northern Tasmanian town of Sheffield is known as the â€˜Town of Muralsâ€™ due to the large number of publicly displayed artworks in its streets, especially on walls. Although the majority of the artworks are about Tasmanian, especially local, history, this particular example shows a warrior whose appearance suggests that he is from the Highlands of Scotland. He wears a tartan kilt with a sporran and is armed with a sword and a round shield. He may have been deemed a suitable subject for the town as it is close to a region known as the Highlands of Tasmania, and it is possibly Cradle Mountain and Lake St Clair pictured behind the warrior. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24114">
                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="24115">
                <text>August 10, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24116">
                <text>No copyright</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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      <tag tagId="5121">
        <name>Highlander</name>
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        <name>Highlands</name>
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      <tag tagId="5123">
        <name>Highlands Warrior</name>
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        <name>kilt</name>
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      <tag tagId="608">
        <name>Scotland</name>
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      <tag tagId="5125">
        <name>Sheffield</name>
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        <name>shield</name>
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        <name>sporran</name>
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        <name>Tasmania</name>
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      <tag tagId="5128">
        <name>warrior.</name>
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  <item itemId="985" public="1" featured="0">
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            <element elementId="50">
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.youtube.com/watch?v=dTm4337uv0k&amp;amp;feature=youtu.be"&gt;http://www.youtube.com/watch?v=dTm4337uv0k&amp;amp;feature=youtu.be&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
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                <text>Hungry Jacks Chicken Minis advertisement</text>
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          <element elementId="49">
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                <text>&lt;p&gt;The Hungry Jacks television advertisement for their Chicken Minis burger opens with a jousting tournament on the &amp;lsquo;Isle of Shetland&amp;rsquo;, Scotland. A knight in full armour and helmet with visor rides a Shetland pony and carries a lance. The diminutive size of the Shetland pony adds to the comic aspect of the advertisement. It is part of Hungry Jacks&amp;rsquo; &amp;lsquo;Eat Righteous&amp;rsquo; series of advertisements.&lt;/p&gt;&#13;
For the advertisement see &lt;a href="http://www.youtube.com/watch?v=dTm4337uv0k&amp;amp;feature=youtu.be"&gt;http://www.youtube.com/watch?v=dTm4337uv0k&amp;amp;feature=youtu.be&lt;/a&gt;</text>
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              <elementText elementTextId="28448">
                <text>August 6, 2012</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Hungry Jacks</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image â€˜speakâ€™ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. &#13;
&#13;
For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories',  Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180.  &#13;
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            <description>An entity primarily responsible for making the resource</description>
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Advertisements: Western Australian Museum</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>3 x Digital Photographs; JPEGs</text>
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        <name>exhibition</name>
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        <name>Isle of Lewis</name>
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        <name>Lewis chess set</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Carminow Castle in the Adelaide Hills</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adelaide, Adelaide hills, battlements, Carminow Castle, castle, castellation, crenellation, Sir Thomas Elder, Mt Lofty Botanical Park, Mt Lofty, Mt Lofty Ranges, SA, Scotland, Scottish baronial style, South Australia, summer house</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A photograph of Carnimow Castle on Mt Lofty in the Adelaide hills. The house was built in Scottish baronial style as a summer house by the Scottish migrant Sir Thomas Elder in 1885. Now a feature in Mt Lofty Botanical Park, the two-storey house features a square tower and a turret, extensive crenellation, and blind arches.&lt;br /&gt; &lt;br /&gt; A biography of Sir Thomas Elder can be found at &lt;a href="http://adb.anu.edu.au/biography/elder-sir-thomas-347" target="_blank"&gt;http://adb.anu.edu.au/biography/elder-sir-thomas-347&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 July 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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        <name>Carminow Castle</name>
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        <name>summer house</name>
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