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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Viking Statue, Miss Maud's</text>
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                <text>Miss Maud, Sweden, Swedish, restaurant, bakery, bakehouse, food, dining, eating, hotel, viking, vikings, limestone, figure, figures, statue, sculpture, statues, helmet, Perth, WA, Western Australia, Fitzgerald Street</text>
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                <text>An image of the giant Viking head statue located outside Miss Maud's Swedish restaurant and bakehouse on Fitzgerald Street in Perth, WA.&#13;
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Along with Denmark and Norway, Sweden was one of the Viking homelands. Despite their enduring popularity there is no certain evidence that Viking warriors wore horned helmets.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;</text>
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                <text>â€˜Vikings Visited Cairnsâ€™, Rex Gilroy, Psychic Australia </text>
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                <text>&lt;p&gt;This article from &amp;lsquo;Psychic Australia&amp;rsquo; in March 1977 by Rex Gilroy claims that Norse/Scandinavian sailors visited the South Pacific and northern Australia. The article, &amp;lsquo;Vikings Visited Cairns&amp;rsquo;&amp;rsquo;, is now freely available online on the Mysterious Australia website. The article includes various arguments for a Norse presence in the south Pacific, including swastika symbols found in rock and wood art in Java, Cambodia, Malaya, and Vietnam, the shape of war canoes in Fiji, New Guinea, the Solomon Islands, and Tonga, and the physical appearance of some of the native inhabitants of New Guinea. Similar arguments are then applied to northern Australia, augmented by a comparison between northern-Australian Aboriginal religious beliefs and those of the Norse, such as the existence of a rainbow bridge (Bifr&amp;ouml;st in Old Norse texts) in both cultures, and spirits, or Valkyries, carrying off the dead after a battle. Gilroy also considers rock art near Cairns, Queensland, to show warriors dressed as Vikings in horned helmets. The author&amp;rsquo;s belief that Vikings wore horned and winged helmets, both of which became popularly associated with Vikings through the costumes used in Richard Wagner&amp;rsquo;s (1813-1883) Ring Cycle operas (although there is evidence for the ceremonial use of horned helmets in pre-Viking age Scandinavia), and the confusion in calling Wotan/O&amp;eth;in/Odin the thunder god instead of &amp;THORN;orr/Thor, allows for little confidence in the assertions of the article.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Psychic Australia (hard copy); Mysterious Australia (online) </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem &lt;em&gt;Beowulf&lt;/em&gt;. The website also claims that the term &amp;lsquo;honeymoon&amp;rsquo; comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove).&lt;/p&gt;&#13;
&lt;p&gt;The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <name>Bit Depth</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="17827">
                    <text>8</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="75">
                <name>Channels</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="17828">
                    <text>3</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="73">
                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="17831">
                    <text>774</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="72">
                <name>Width</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="17832">
                    <text>580</text>
                  </elementText>
                </elementTextContainer>
              </element>
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        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17840">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17833">
                <text>Sea serpent roof ornament, Lyttleton Street, East Launceston, Tasmania</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17834">
                <text>architecture, domestic architecture, dragons, dragon, East Launceston, gargoyle, JÃ¶rmungandr, Launceston, Lyttleton Street, Midgard Serpent, Norse, Norse mythology, ornamentation, roof, Scandinavia, sea dragon, sea serpent, Tas, Tasmania, Thor, Viking, World Serpent</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17835">
                <text>One of three photographs of domestic roof-top adornments in Lyttleton Street, East Launceston. The ornament on this roof creates a sea serpent effect, with its body coiling along the roof line and its head raised to look over the roof. Also known as a sea dragon, sea serpents, while appearing in classical literature, are particularly prevalent in Scandinavian culture. In Norse (Viking) mythology, the Midgard or World Sea Serpent, JÃ¶rmungandr, lives in the ocean that surrounds the world and is so large that it can encircle the world and grasp its own tail. A number of stone carvings exist in Scandinavia and northern England from the early medieval period showing the god Thor fishing for JÃ¶rmungandr. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17836">
                <text>Dorey, Margaret</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17837">
                <text>2 December 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17838">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17839">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="74">
        <name>architecture</name>
      </tag>
      <tag tagId="3945">
        <name>domestic architecture</name>
      </tag>
      <tag tagId="172">
        <name>dragon</name>
      </tag>
      <tag tagId="2784">
        <name>dragons</name>
      </tag>
      <tag tagId="3946">
        <name>East Launceston</name>
      </tag>
      <tag tagId="205">
        <name>gargoyle</name>
      </tag>
      <tag tagId="3950">
        <name>JÃ¶rmungandr</name>
      </tag>
      <tag tagId="2972">
        <name>Launceston</name>
      </tag>
      <tag tagId="3947">
        <name>Lyttleton Street</name>
      </tag>
      <tag tagId="3951">
        <name>Midgard Serpent</name>
      </tag>
      <tag tagId="2525">
        <name>Norse</name>
      </tag>
      <tag tagId="2524">
        <name>Norse mythology</name>
      </tag>
      <tag tagId="2888">
        <name>ornamentation</name>
      </tag>
      <tag tagId="3949">
        <name>roof</name>
      </tag>
      <tag tagId="3952">
        <name>Scandinavia</name>
      </tag>
      <tag tagId="3953">
        <name>sea dragon</name>
      </tag>
      <tag tagId="3954">
        <name>sea serpent</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="3177">
        <name>Thor</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
      <tag tagId="3955">
        <name>World Serpent</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
